SKU: HL.1455816

AlphaTheta. DJ Gear. Hal Leonard #EUPHONIA. Published by Hal Leonard (HL.1455816).

UPC: 841300102434. 19.0x21.0x9.0 inches.

The euphonia produces a euphoric sound with the clarity of digital and the richness of analog that's never been heard from a DJ mixer before. To deliver a clearer sound quality that accurately reproduces the expression of the music, the euphonia uses high-quality 32-bit A/D and D/A converters as well as 96kHz/64 bit floating point mixing processing operations in the DSP, utilizing the digital signal processing technology AlphaTheta has developed over many years. All sound coming out of the euphonia passes through a transformer circuit co-designed by AlphaTheta and Rupert Neve Designs, the legendary makers of outstanding analog audio circuitry and mixing desks revered by artists and sound engineers around the world. This transformer circuit, tuned specifically for the euphonia, adds harmonics to the music and creates a glossy and energetic sound that's smoother for mixing. Low frequencies such as kicks and bass are more stable and punchy, mid frequencies like vocals and instruments have more presence and gloss, and high frequencies such as hi-hats sound silky and natural. The transformer breaks down the barrier between vintage live and modern electric sounds, making mixing easier and surprisingly natural, as if recordings in different styles were orginally one piece of music. When you touch the faders on the euphonia, you won't want to let go. To enhance its intuitive mixing experience, the unit is loaded with rotary faders that feature a brand-new carefully developed design to give you the feeling that you and the mixer are one. After extensive testing, the perfect knob sizers were chosen, with an elastomer applied to the outer circumference of each to ensure a comfortable and reliable grip as well as a high level of vibration absorption. The uniquely developed mechanism for the faders also benefits from optimum weighting. You'll notice a difference in the feel of the knobs when you turn them at different speeds, as a smooth load is applied when you turn a knob slowly for delicate fine-tuning and a limited load level is applied when you turn the knob quickly to instantly reach your intended volume level. And the fader volume curves have been optimized through feedback from numerous DJs, enabling smooth and natural mixing without equalizing, so you can concentrate on volume control. This innovative fader allows for musical expression that will move your audience and enhance your performance. Get an instant visual grasp of the status of your mix and the balance of tack volume levels by glancing at the euphonia's Energy Visualizer. Conventional VU meters only have 1 needle meter, making it difficult for DJs to graps multiple channel levels at the same time. But the euphonia's uniquely developed Mix Level Meter features a needle meter for each channel so you can visually check the levels for all channels and mix smoothly.

SKU: HL.1247352

Lewitt Audio. Microphone. Hal Leonard #PURETUBE-ES. Published by Hal Leonard (HL.1247352).

UPC: 847986002365. 12.0x15.0x5.0 inches.

PURE TUBE is perfectly optimized for vocal recordings. PURE TUBE was holistically designed to allow you to deliver your best vocal performance and spark your creativity. Its gold-sputtered 1-inch true condenser capsule is powered by a revolutionary circuit to add warmth, depth, and intimacy to your voice, technically unmatched by other microphone classics. To ensure that clarity is retained, a transformer-based filter balances the proximity effect, and musically rounds out the sonic image perfectly for vocal recordings. Absolutely every design detail shows that the PURE TUBE was designed for professional vocal recording. Unique signal path for highest signal integrity and ultra-low noise performance. PURE TUBE uses an entirely new circuit to create its timeless sound quality. The unique signal path is completely free from semiconductors and capacitors, so you hear all the character of the hand-selected tube with an ultra-low noise floor. PURE TUBE's ultra-low noise level of 7 dB (A) will never negatively affect your signal, even with heavy post-processing used for contemporary music production. This combination of innovative circuitry, high-quality components, and hand-selected ECC82/12AU7 tubes makes the PURE TUBE a high-performance microphone that is difficult to compare to conventional studio microphones, whether FET or tube. Finally, 100 years after the first tube microphone was invented, there is a tube microphone without technical tradeoffs compared to FET or other tube microphones. With its outstanding sound quality and specifications, PURE TUBE will serve all those looking for a premium upgrade in their sound. 10-year warranty Buying a $1,000 microphone is a giant leap for many looking to elevate their craft, and LEWITT offers a 10-year warranty (and industry-leading customer service) to ensure peace of mind. Features: • Studio microphone with timeless, premium sound • Optimized for professional vocal recordings • Cardioid polar pattern • Signal path free from capacitors and semiconductors • Hand-selected 12AU7/ECC82 tube • Ultra-low noise performance of 7 dB (A) • Transformer-based filter to musically balance the proximity effect • Compact, energy-saving PSU works worldwide • Including microphone mount, 7-pin XLR cable, transport bag • Optional accessories: shock mount, pop filter • 10-year LEWITT warranty.

SKU: HL.3712020

Beyer-Dynamic. Monitors and Headphones. Hal Leonard #474746. Published by Hal Leonard (HL.3712020).

UPC: 196288220558. 4.5x8.5x9.0 inches.

The DT 770 PRO is a closed, dynamic headphone for professional use as a monitoring headphone in studios. Its design has been tailored for use in a studio. The single-sided cable makes it easier to handle the headphones when they have to be constantly put on and taken off. The robust spring steel construction gives the headphones a secure fit and the mechanical reliability needed for daily use. Soft, adjustable ear cups and a single-sided cable contribute to a high level of long-term comfort. The connecting cable is fitted with a gold-plated mini stereo jack plug (3.5 mm) with a 1/4″ adapter (6.35mm) and can therefore be connected to all common headphone outputs. With its impulse behavior, the DT 770 PRO comes close to electrostatic headphones and delivers a natural and balanced sound. Even the deepest bass is reproduced with clarity and punch. High frequencies are converted into an analytical, clear and differentiated sound that does not produce screaming or shrieking even with powerful treble sounds.

SKU: HL.3712017

Beyer-Dynamic. Monitors and Headphones. Hal Leonard #459046. Published by Hal Leonard (HL.3712017).

UPC: 196288279259. 4.5x8.75x9.0 inches.

The DT 770 PRO is a closed, dynamic headphone for professional use as a monitoring headphone in studios. Its design has been tailored for use in a studio. The single-sided cable makes it easier to handle the headphones when they have to be constantly put on and taken off. The robust spring steel construction gives the headphones a secure fit and the mechanical reliability needed for daily use. Soft, adjustable ear cups and a single-sided cable contribute to a high level of long-term comfort. The connecting cable is fitted with a gold-plated mini stereo jack plug (3.5 mm) with a 1/4″ adapter (6.35mm) and can therefore be connected to all common headphone outputs. With its impulse behavior, the DT 770 PRO comes close to electrostatic headphones and delivers a natural and balanced sound. Even the deepest bass is reproduced with clarity and punch. High frequencies are converted into an analytical, clear and differentiated sound that does not produce screaming or shrieking even with powerful treble sounds.

SKU: HL.1433364

Kali Audio. Monitors and Headphones. Hal Leonard #WS-12V2. Published by Hal Leonard (HL.1433364).

UPC: 860007984273. 22.5x25.5x24.5 inches.

Kali Audio's WS-12 V2 IS A 1000 W, 12-inch subwoofer for studio and live use. With a frequency response down to 23 Hz, it is an authoritative studio subwoofer. The 1000 W power amp allows the WS-12 to be used for bass management in 5.1 systems, and one WS-12 will be sufficient when using up to 5 of Kali's IN-8s. The WS-12 is the only subwoofer that can pull double duty as a studio and live subwoofer. An 18mm wooden enclosure means that the WS-12 V2 is rugged and portable, making it a perfect solution for us in small PA systems. The WS-12 V2 is specifically designed to fit into small passenger cars, making it easy to carry to and from gigs. V2 features several improvements over the original versions. Signal-to-noise on the crossover is improved by more than 6 dB. The V2 also features an M10 pole cup, allowing users to attach a pole for mounting full-range PA speakers.

SKU: HL.1753724

Royer Labs. Microphone. Hal Leonard #R-10. Published by Hal Leonard (HL.1753724).

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!