SKU: HL.1247352

Lewitt Audio. Microphone. Hal Leonard #PURETUBE-ES. Published by Hal Leonard (HL.1247352).

UPC: 847986002365. 12.0x15.0x5.0 inches.

PURE TUBE is perfectly optimized for vocal recordings. PURE TUBE was holistically designed to allow you to deliver your best vocal performance and spark your creativity. Its gold-sputtered 1-inch true condenser capsule is powered by a revolutionary circuit to add warmth, depth, and intimacy to your voice, technically unmatched by other microphone classics. To ensure that clarity is retained, a transformer-based filter balances the proximity effect, and musically rounds out the sonic image perfectly for vocal recordings. Absolutely every design detail shows that the PURE TUBE was designed for professional vocal recording. Unique signal path for highest signal integrity and ultra-low noise performance. PURE TUBE uses an entirely new circuit to create its timeless sound quality. The unique signal path is completely free from semiconductors and capacitors, so you hear all the character of the hand-selected tube with an ultra-low noise floor. PURE TUBE's ultra-low noise level of 7 dB (A) will never negatively affect your signal, even with heavy post-processing used for contemporary music production. This combination of innovative circuitry, high-quality components, and hand-selected ECC82/12AU7 tubes makes the PURE TUBE a high-performance microphone that is difficult to compare to conventional studio microphones, whether FET or tube. Finally, 100 years after the first tube microphone was invented, there is a tube microphone without technical tradeoffs compared to FET or other tube microphones. With its outstanding sound quality and specifications, PURE TUBE will serve all those looking for a premium upgrade in their sound. 10-year warranty Buying a $1,000 microphone is a giant leap for many looking to elevate their craft, and LEWITT offers a 10-year warranty (and industry-leading customer service) to ensure peace of mind. Features: • Studio microphone with timeless, premium sound • Optimized for professional vocal recordings • Cardioid polar pattern • Signal path free from capacitors and semiconductors • Hand-selected 12AU7/ECC82 tube • Ultra-low noise performance of 7 dB (A) • Transformer-based filter to musically balance the proximity effect • Compact, energy-saving PSU works worldwide • Including microphone mount, 7-pin XLR cable, transport bag • Optional accessories: shock mount, pop filter • 10-year LEWITT warranty.

SKU: HL.1215597

Pioneer DJ. DJ Gear. Duration 153 seconds. Hal Leonard #DJM-A9. Published by Hal Leonard (HL.1215597).

UPC: 841300102281. 19.0x23.0x9.0 inches.

The DJM-A9 raises the bar for club standard, professional mixers with stunningly clear sound quality, enhanced playability and connectivity, and a host of new features to take performances to the next level. The DJM-A9's new layout design makes it more instinctive and comfortable to play. Spacing was added around the EQ knobs. The channel faders and the MAGVEL FADER crossfader are slicker than those on the DJM-900NXS2, to enable performers to mix and scratch more efficiently. And the Sound Color FX include the world's first Center Lock feature, to ensure artists don't accidentally cross over between the hi/low parameters. Beat FX are more instinctive to use on the DJM-A9 thanks to the new color display and revamped X-Pad, which is now arranged horizontally for simple, sideways finger sliding. The Beat FX channel selector is now a dedicated button, enabling quicker effect routing, and the Multi I/O section has been upgraded to offer true send capabilities. In total, there are 14 Beat FX to play with, including 3 new ones. Through fine-tuning and improved construction with carefully selected components, the microphone section of the DJM-A9brings new possibilities when streaming or MCing. Artists can connect a condenser mic directly to the DJM-A9 for the best possible vocal sound quality thanks to the phantom power supply to the mic input, which is an industry-first feature on a DJ mixer. To dynamically change the sound of the artist's voice, there are 3 different mic effects plus a dedicated reverb to play with. Changing DJs or playing back-to-back is a breeze on the DJM-A9 thanks to the dual sets of USB Type-B and Type-C ports, which enable artists to connect two PCs/Macs running either rekordboxor Serato DJ Pro. And the mixer's expanded connectivity opens up new possibilities for artists performances. If an artist wants to play tracks from a mobile device, Bluetooth®/MDinput makes it easy on the DJM-A9. The audio can be routed to any channel, and an artist can use all the mixer's effects to change the sound.

SKU: HL.1753724

Royer Labs. Microphone. Hal Leonard #R-10. Published by Hal Leonard (HL.1753724).

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

SKU: HL.1753728

Royer Labs. Microphone. Hal Leonard #SF-12. Published by Hal Leonard (HL.1753728).

The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labled “Upper” and “Lower,” for the upper and lower capsules of the microphone (when held vertically). The SF-12 is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay carefull attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 in that place and you will capture that sound.

SKU: HL.1350456

8-Channel Mixer. Mackie. Live Sound. Hal Leonard #2053830-00. Published by Hal Leonard (HL.1350456).

UPC: 663961064278. 9.25x9.5x4.0 inches.

Size up your compact mixing game with the MobileMix 8-channel mixer from Mackie. You get eight total channels, combination mic/instrument inputs, and auxiliary inputs for extensive leeway in terms of device connectivity, making this mixer a valuable asset in nearly any environment. Additionally, an external battery (sold separately) makes the MobileMix entirely USB-powerable for easier mobile recording sessions. Further features include onboard Phantom power, built-in equalization, and onboard effects. When it comes to compact, impromptu recording, the MobileMix ensures you get total control over your signals.