Violin, cello, piano SKU: HL.49045318 Score and Parts. Composed by...(+)
Violin, cello, piano
SKU: HL.49045318
Score and Parts.
Composed by Fred Lerdahl.
This edition: Folder.
Sheet music. Edition
Schott. Softcover.
Composed 2012. 172 pages.
Duration 20'. Schott
Music #ED31156. Published
by Schott Music
(HL.49045318).
ISBN
9781495082535. UPC:
888680656669.
9.5x12.0x0.515
inches.
The title
refers to three
instruments, three
movements, and three ways
of treating musical time.
The tone of the work is
serious yet as playful as
the title suggests.The
first movement, Ratios,
opens with a series of
seemingly unrelated ideas
in tempo ratios of 3:2
and 4:3. As the movement
proceeds, the ideas
develop, transform, and
superimpose in
increasingly wide
spirals. The slower
second movement, Cycles,
is a fantasy built on the
strict scaffolding of an
omnipresent, diatonic
cantus firmus set in
symmetrically expanding
and contracting cycles.
The quick finale, Phases,
is a moto perpetuo
tarantella in which the
instruments move in and
out of phase as they
chase one another. The
flowing eighth notes
merge and finally unify
ideas from the previous
movements.
Bassoon, piano SKU: FG.55011-524-8 Composed by Kirmo Lintinen. Score and ...(+)
Bassoon, piano
SKU:
FG.55011-524-8
Composed by Kirmo
Lintinen. Score and part.
Fennica Gehrman
#55011-524-8. Published
by Fennica Gehrman
(FG.55011-524-8).
ISBN
9790550115248.
In
Kirmo Lintinen's Rondo
burlesque (2007-2008) for
bassoon and piano , the
qualitative elements of
the bar, with their
upbeats, accents and GPs,
create a refined musical
rhetoric and are very
much to the fore. At the
premiere, Lintinen's
manner of playing, with
its sparing use of the
pedal obscuring the first
beat but not the sense of
time, underlined the
inherent character of the
piece. The roguish poetic
metres gambolled jerkily
along, and although at
surface level the music
may appear guileless,
Lintinen knows his
polyphony, judging by the
capital roving of his
voices even in the
homophonic textures.
Kirmo Lintinen (b. 1967)
is a man of many musical
talents: composer,
pianist and conductor.
His catalogue encompasses
almost all gen-res and
categories of
composition, from solo
work to opera, and he
operates with ease from
one to another without
being a crossover artist;
in his case, the
versatility is both
internalised and innate.
He often finds
inspiration in French
music of the 1920s and
its intrinsic musicality.
Humour and playfulness
are characteristic
elements of his music, as
are a natural, musicianly
approach and an
enchantingly
effervescent, even
tongue-in-cheek
texture.
Bassoon and Piano SKU: ST.C184 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C184
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C184. Published
by Clifton Edition
(ST.C184).
ISBN
9790570811847.
March of the
Day The
subtitle says it all, I
think. The piece has
three main ideas each in
the contrasting keys of
Bb, Eb and F majors. Can
you find a different
character for each one?
The danger for
bassoonists in this sort
of piece is that
everything can sound
accented, so be careful
to follow the
articulation marks as
closely as you
can.
Rondo
lettinetto Th
is is all about building
phrases through
repetition. It relies
largely, therefore, on
control of the sound. Try
to achieve a really
obvious contrast of
character between the
opening phrases and the
less refined con spirito
episode. This might be
played just a touch
faster than the opening
and closing sections, if
you wish. There is a hint
of gentle parody in this
piece if you can find a
way of expressing that
too.
Sand-
dance
Kid This
piece stretches the
compass and range of
expression even further.
There are very obvious
contrasts of staccato and
legato and the phrase
lengths of the middle
section are far from
regular. Try to scale
down the dynamics at the
end so that you end as
softly as you can
play. Three Pieces for
Bassoon and
Piano
Bassoon and Piano SKU: ST.C181 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C181
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C181. Published
by Clifton Edition
(ST.C181).
ISBN
9790570811816.
Polka-dotsThere are three
contrasting types of
expression for the
bassoonist here. The
opening phrase is
staccato which is
followed (at bar 11) by a
sustained counter melody.
Finally (at bar 19) both
these effects are
combined in a second
melody which needs very
clear dynamic
playing.
M
onkey
Puzzle Sustai
ning the sound while
rearticulating the notes
is important in this
piece. In other words,
the opening should be
played almost slurred. Be
aware of the changing
harmonies underneath the
held notes in the bassoon
part.
Seri
ous Song Long
but separate notes
contrast with real
legato. The main theme is
marked tenuto, so full
value for each note,
especially ending notes.
Even the quavers aren’t
very short at this speed.
Try to make the richest
sound you can like, for
example, a fine Russian
baritone. Three Pieces
for Bassoon and
Piano
Bassonnerie Basson, Piano (duo) - Avancé De Haske Publications
Bassoon and Piano - advanced SKU: BT.DHP-1185973-401 For Bassoon and P...(+)
Bassoon and Piano -
advanced
SKU:
BT.DHP-1185973-401
For Bassoon and
Piano. Composed by
Jan Van der Roost. De
Haske Instrumental
Series. Exam Material.
Book and Part(s).
Composed 2019. 8 pages.
De Haske Publications
#DHP 1185973-401.
Published by De Haske
Publications
(BT.DHP-1185973-401).
ISBN 9789043157513.
International.
This
short work is partly
based on the well-known
bassoon solo from
Peter and the
Wolf, the musical
fairy tale by Sergei
Prokofiev. However, the
original melody is
presented in
â??inversionâ??:
ascending intervals
become descending ones,
and vice versa. The
middle cantabile
section is mainly
situated in the higher
bassoon register, thus
forming a lovely contrast
with the other parts. The
piano accompaniment is
modest and transparent,
so that the bassoon is
not drowned
out.
Dit korte
werkje is deels geënt
op de bekende fagotsolo
uit Peter en de
Wolf, het muzikale
sprookje van Sergei
Prokofjev. De
oorspronkelijke melodie
wordt echter in
â??omkeringâ??
gepresenteerd: stijgende
toonafstanden worden dus
dalende en vice versa.
Het middendeel is
zangeriger en ligt vooral
in het hogere register
van de fagot, wat een
fraai contrast vormt met
de hoekdelen. De
pianobegeleiding is
bescheiden en
transparant, zodat de
fagot niet overstemd
wordt.
Dieses
kurze Werk basiert zum
Teil auf dem bekannten
Fagott-Solo aus Sergei
Prokofjews musikalischem
Märchen Peter und
der Wolf. Die
ursprüngliche Melodie
wird jedoch als
Umkehrungâ??
vorgestellt: aufsteigende
Intervalle werden zu
absteigenden und
umgekehrt. Der Mittelteil
ist kantabler und liegt
hauptsächlich in der
höheren Stimmlage des
Fagotts, womit er einen
schönen Kontrast zu
den Eckteilen bildet. Die
Klavierbegleitung ist
zurückhaltend und
transparent, sodass das
Fagott nicht
übertönt
wird.
Sonata Op. 41 Basson, Piano (duo) [Conducteur] Breitkopf & Härtel
Bassoon and piano SKU: BR.EB-5567 Original and Arrangements. Compo...(+)
Bassoon and piano
SKU:
BR.EB-5567
Original and
Arrangements.
Composed by Othmar
Schoeck. Edited by G.
Steidl. Arranged by
Gustav Steidl. Solo
instruments; stapled.
Edition Breitkopf.
Arrangements for
violoncello (EB 5566) and
bassoon (EB 5567) are
also available. Sonata;
Romantic; Late-romantic.
Score. 36 pages. Duration
15'. Breitkopf and
Haertel #EB 5567.
Published by Breitkopf
and Haertel (BR.EB-5567).
ISBN 9790004164440. 9
x 12 inches.
It is
considered a milestone in
the repertoire for bass
clarinet: Othmar
Schoeck's Sonata op. 41,
composed in 1927/28 for
the Swiss music patron
and amateur clarinetist
Werner Reinhart. In the
tension area between late
Romanticism and currents
of New Music of the
1920s, Schoeck created a
work of fascinating
colorfulness, which even
has jazz elements
flashing up in the
finale. This classic work
is one of the most
exciting, boldest
instrumental works by the
important song and opera
composer. CD: Renate
Rusche (bass clarinet),
Werner Hagen (piano) Sc
63072.
Bassoon; Piano Accompaniment (Bassoon/Piano) SKU: HL.48025300 Bassoon ...(+)
Bassoon; Piano
Accompaniment
(Bassoon/Piano)
SKU:
HL.48025300
Bassoon and Piano.
Composed by Elena
Kats-Chernin. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 240 seconds.
Bote & Bock #M202537114.
Published by Bote & Bock
(HL.48025300).
UPC:
196288174363.
Elena
Kats-Chernin wrote
Afterwards for the 18th
birthday of a young
acquaintance, Guy Knopke,
who had just started
playing the bassoon. The
title refers to
“the new adventures
and changes that can lie
ahead after a significant
milestoneâ€,
according to the
composer. She created a
solo [also duo] piano
version for herself,
which is published in the
anthology Piano Village
(BB 3409). The final
version of the original
for bassoon and piano,
which is no longer quite
suitable for beginners,
was recorded on CD by
Elena Kats-Chernin
together with the soloist
Lorelei Dowling on
Chromart Classics in
2017.
Bassoon, piano SKU: FG.55011-586-6 Composed by Heikki Sarmanto. Fennica G...(+)
Bassoon, piano
SKU:
FG.55011-586-6
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-586-6. Published
by Fennica Gehrman
(FG.55011-586-6).
ISBN
9790550115866.
A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet.
Composed
by Gilles Farinone.
Bassoon and piano.
Instrumental music.
Editions Robert Martin
#FARI05676. Published by
Editions Robert Martin
(RM.FARI05676).
Bassoon and Piano SKU: ST.C183 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C183
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C183. Published
by Clifton Edition
(ST.C183).
ISBN
9790570811830.
Drunken Sailor —
the
sequel This
needs a plaintive tone
especially in the upper
register where the
dynamics are particularly
important. To capture the
mood of the piece those
slurs in bars 35 and 36,
for example, might even
be close to a glissando.
Use your imagination to
recreate the sailor’s
state of
health!
Th
e Vulgar
Boatman Not
only more hidden melodies
but more appalling puns!
(Volga Boatman for those
not versed in Russian
folksongs). This is like
a waltz: it is written in
3/4 time but played so as
to give the impression of
one beat in bar. The
melodies need to be well
sustained so that we hear
four, eight or even more
bars as a single phrase.
Clues for the musical
detective:- in addition
to the Volga Boatman, you
might spot just a hint of
Sailing down the
River on a Sunday
Afternoon, We
Sail the Ocean Blue
(H.M.S. Pinafore),
The Eton Boating
Song and even
Wagner’s Flying
Dutchman.
Last Tango in
Harris Everyo
ne must surely know these
thinly disguised Scottish
tunes, but can you make
them sound like a tango?
Bear in mind that tangos
are not jazz: the rhythm
is quite strict, but the
tango character is in the
tone and the phrasing.
Notice how expressive the
occasional shorter note
value can be, as in bars
4 and 5 in the bassoon
part.
Rheu
manian
Stretches Or
was that Rumanian
Sketches? This is a
chance to play the main
melody in two registers
of the bassoon. Try to
make a good even sound in
both octaves. This piece
requires careful counting
since the phrases in the
bassoon part don’t
always begin where you
might expect. Think of
this piece as a
song. Four Pieces for
Bassoon and
Piano
Bassoon and Piano Bassoon, Piano - Difficulty: medium to medium-difficult SKU...(+)
Bassoon and Piano
Bassoon, Piano -
Difficulty: medium to
medium-difficult
SKU:
HL.50330390
Book
only. Arranged by Sol
Schoenbach. Woodwind
Solo. Classical. Book
only. With solo part,
standard notation and
piano accompaniment. 92
pages. G. Schirmer
#ED2553. Published by G.
Schirmer (HL.50330390).
ISBN 9780793599431.
UPC: 073999606102. 9x12
inches. Edited by Sol
Schoenbach.
This
book will help the
bassoon student who
frequently studies
orchestra excerpts
without an understanding
of the harmonic and
rhythmic accompaniment of
the orchestra. By playing
these excerpts with piano
accompaniment he will
develop a true
perspective.
Melodies for Beginners Volume 3 Basson, Piano (duo) [Conducteur et Parties séparées] - Débutant Editions Marc Reift (Swiss import)
Bassoon & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-45028 ...(+)
Bassoon & Piano or CD
Play Back / Play Along -
Grade 1
SKU:
MA.EMR-45028
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Bassoon &
CD Playback (Play Along).
Score and parts. Duration
16'15. Editions Marc
Reift #EMR 45028.
Published by Editions
Marc Reift
(MA.EMR-45028).
Grandfather
Clock / Snail, come out
to play! / Rain is
Falling / Joy To The
World / William Tell /
Tenderness / Let's Climb
the Ladder / Little
Ladybird / It's Christmas
/ Santa Claus's Toy /
Pirouette, Cacahuete /
Doctor Staccato...
Three Pieces Basson, Piano (duo) [Conducteur et Parties séparées] Seesaw Music Corp
Bassoon & Piano SKU: SU.50009760 For Bassoon & Piano. Composed by ...(+)
Bassoon & Piano
SKU:
SU.50009760
For
Bassoon & Piano.
Composed by Elaine Fine.
Woodwinds, Bassoon. Score
& Parts. Seesaw Music
Corp #50009760. Published
by Seesaw Music Corp
(SU.50009760).
Bassoon and Piano SKU: ST.C182 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C182
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C182. Published
by Clifton Edition
(ST.C182).
ISBN
9790570811823.
Bodhán T
he melody here is very
broken up, so breathe and
be ready for the next
entry in good time.
Don’t drag behind the
drum in the piano part.
Notice that only some of
the notes are marked
staccato.
À la
Modal Modes
are scales based on the
white notes of the piano,
say, so you won’t find
a single accidental in
this piece. It shows that
expression in music
depends on more than just
the dynamics, that is,
how loudly and softly you
play. We also need to
observe the articulation
markings such as
staccato, tenuto and the
accents on both long and
short
notes.
Sch
ubert’s
Ghost Schuber
t is one of my favourite
composers. I hope you
enjoy the swing of the
dotted rhythms and
accents in this little
Viennese impression.
There are three musical
quotations: one from
Schubert himself, one
from a later Viennese
composer, Gustav Mahler
and, near the end, the
Dies Irae tune
which has been used by
many composers. Three
Pieces for Bassoon and
Piano
Sonata Basson, Piano (duo) PWM (Polskie Wydawnictwo Muzyczne)
Bassoon; Piano Accompaniment (Score and Solo Part) SKU: HL.253938 Bass...(+)
Bassoon; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.253938
Bassoon
and Piano. Composed
by Jó and zef
Swider. PWM. Classical.
Softcover. 32 pages.
Polskie Wydawnictwo
Muzyczne #12020010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.253938).
9.0x12.0
inches.
Sonata for
bassoon and piano is one
of Swiders first works
for a wind instrument. It
was written most probably
in the years 1953-1954,
under a clear influence
of neo-classicist
stylistics. The only
documented performance
took place on 5th May
1955 in Katowice, or
Stalinogrod, as such was
the name of that city in
those days. The first
part of Sonata is written
in a form of scherzando
of a light and witty
character, where the
composer fully uses the
facture and bassoons
sound potential. The
second part, full of
meditation and cantilena,
bears a particular
expression of lower
registers of the
instrument. Part three is
a traditional minuet in
moderato tempo, with
stylised folk elements in
the middle fragment. The
last part resumes the
scherzo form, capped by a
cadenza written by Marek
Baranski, in which
attempting to imitate the
language of Jozef
Swider's compositions
that include numerous
elements of a synthetic
finale he included most
music concepts outlined
in the entire Sonata.
Bassoon and Piano SKU: HL.14020992 Composed by Sir Peter Maxwell Davies. ...(+)
Bassoon and Piano
SKU:
HL.14020992
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century.
Book [Softcover].
Composed 1999. 60 pages.
Chester Music #CH60945.
Published by Chester
Music (HL.14020992).
ISBN 9780711936805.
9.0x12.0x0.185
inches.
Unusually
for him, Davies starts
his Bassoon Concerto not
with slow music but with
speed and brilliance: the
opening is a Presto,
initiated by the strings,
and only at the entry of
the soloist does the
tempo relax to that of a
real introduction. Out of
this grow a big dancing
Allegro. The slow
movement begins and ends
with a simple song,
around fantastical
ornamentation from the
soloist. The finale is
again a recitative and
dance, with a slow coda.
The whole work is an
immense show of stamina,
poetry and athleticism
for the bassoon, set
against an orchestra
coloured by low wind
(alto flute, clarinet in
A, bass clarinet,
contrabassoon, horns).
Bassoon part with piano
reduction of the
orchestral score.
Premiers Pas Basson, Piano (duo) [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Bassoon 1 Piano - Grade 2 SKU: FL.FX073...(+)
Chamber Music & Piano
Accompaniment 1 Bassoon 1
Piano - Grade 2
SKU:
FL.FX073549
Composed
by Pascal Saint-Leger.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 2 minutes, 15
seconds. FLEX Editions
#FX073549. Published by
FLEX Editions
(FL.FX073549).
The young
musicians will love
playing this piece that
will find its place in an
exam or a concert. -
Pascal SAINT-LEGER ;
A piece that can
be played from 2 years of
instrument practice ;
Instruments: 1 Bassoon 1
Piano; Difficuly Level:
Grade 2.
Bassoon and Piano SKU: ST.C130 Composed by Mark Tanner. Wind & brass musi...(+)
Bassoon and Piano
SKU:
ST.C130
Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C130. Published by
Clifton Edition
(ST.C130).
ISBN
9790570811304.
As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1219.
Arranged by Graham Sheen. For Bassoon and Piano. Book; Method/Instruction; Woodw...(+)
Arranged by Graham Sheen.
For Bassoon and Piano.
Book; Method/Instruction;
Woodwind - Bassoon Method
or Collection. Faber
Edition: Going Solo.
Published by Faber Music
Bassoon (bassoon/piano) SKU: HL.48181006 For Bassoon and Piano. Co...(+)
Bassoon (bassoon/piano)
SKU: HL.48181006
For Bassoon and
Piano. Composed by
Maurice Ravel. Leduc.
Post-1900. Softcover. 4
pages. Alphonse Leduc
#AL19979. Published by
Alphonse Leduc
(HL.48181006).
UPC:
888680878726.
9.0x12.0x0.06
inches.
As a
prestigious composer of
the early 20th century,
Maurice Ravel's Piece in
the Habanera Style,
transcribed for bassoon
and piano by Fernand
Oubradous contains many
features which continue
to make the composer's
music popular and loved
to this day. Known for
his masterful melodies
and rich harmonies, Piece
in the Habanera Style
clearly exemplifies these
qualities through
flourishing bassoon lines
and evocative, chordal
and rhythmic piano
accompaniments. Moreover,
habanera rhythms heard
throughout the piece
create further excitment.
All of these musical
elements combined create
a highly enjoyable piece
for the bassoon and piano
repertoire. In addition,
the clear print of
separate solo and
accompaniment parts in
this edition of Piece in
the Habanera Style add to
an irresistible purchase
for aspiring bassoon
players.
Chamber Music & Piano Accompaniment 1 Bassoon 1 Piano - Grade 1 SKU: FL.FX073...(+)
Chamber Music & Piano
Accompaniment 1 Bassoon 1
Piano - Grade 1
SKU:
FL.FX073012
Composed
by Arnaud Meier. Original
Composition. Classical,
Educational. Score and
Set of Parts. Duration 2
minutes, 50 seconds. FLEX
Editions #FX073012.
Published by FLEX
Editions (FL.FX073012).
A fun little
piece for bassoon and
piano. The character of
this piece reminds the
proud, majestic and
comical aspects of the
flamingos during their
courtship dance. From one
year of instrument
practice. - Arnaud MEIER
; Instruments: 1 Bassoon
1 Piano; Difficuly Level:
Grade 1.
Escale a Molene Basson, Piano (duo) [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Bassoon 1 Piano - Grade 2 SKU: FL.FX073...(+)
Chamber Music & Piano
Accompaniment 1 Bassoon 1
Piano - Grade 2
SKU:
FL.FX073752
Composed
by Jerome Naulais.
Original Composition.
Classical, Educational.
Score and Set of Parts. 4
(score); 1 (parts) pages.
Duration 2 minutes, 15
seconds. FLEX Editions
#FX073752. Published by
FLEX Editions
(FL.FX073752).
This piece is a
tribute to a small island
off the west coast of
Finistere, in front
Ouessant Island. The
beginning of the piece
depicts a landscape of
Breton moor. It then
presents typical dances
from this region. -
Jerome NAULAIS ;
A piece that can
be played from 3 years of
instrument practice ;
Instruments: 1 Bassoon 1
Piano; Difficuly Level:
Grade 2.
Bassoon; Piano Accompaniment SKU: HL.1234892 For Bassoon and Piano...(+)
Bassoon; Piano
Accompaniment
SKU:
HL.1234892
For
Bassoon and Piano.
Composed by Tania Leon.
Peermusic Classical.
Classical, Concert.
Softcover. Duration 450
seconds. Peermusic
Classical #70367-368.
Published by Peermusic
Classical (HL.1234892).
UPC: 196288147534.
9.0x12.0x0.101
inches.
Mosaicos
was commissioned by the
International Double Reed
Society as part of their
50 for 50 Commissioning
Project, in which they
commissioned 50 new works
for double reeds to
celebrate their 50th
anniversary. It was
premiered by bassoonist
Monica Ellis, founding
member of the
Grammy-nominated wind
quintet Imani Winds, at
the 2022 IDRS Conference
in Boulder, CO.
Sounds Classical Basson, Piano (duo) [Partition + CD] - Facile Anglo Music
Bassoon and Piano - early intermediate SKU: BT.AMP-362-400 17 Graded S...(+)
Bassoon and Piano - early
intermediate
SKU:
BT.AMP-362-400
17
Graded Solos for Bassoon
and Piano. Arranged
by Philip Sparke.
Classical. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
362-400. Published by
Anglo Music Press
(BT.AMP-362-400).
ISBN
9789043138826. 9x12
inches.
English-German-French-Dut
ch.
Sounds
Classical for Bassoon
is a collection of graded
solos selected
specifically for the
developing
bassoonist.
Designed to
correlate with grades 1-4
of the exam syllabus of
the Associated Board of
the royal Schools of
Music, the pieces are
drawn from four centuries
of classical repertoire
ranging from Susato to
Sullivan, and will
provide ideal material
forpractice or
recital.
Also
available: Sounds
Classical for Oboe,
AMP
361-400
Sounds
Classical for Bassoon
is een verzameling van
solos die speciaal voor
fagotleerlingen zijn
geselecteerd - in
oplopend niveau.
De
stukken komen qua
moeilijkheidsgraad
overeen met niveau 1-4
van de examenbundel van
de Britse Associated
Board of the Royal
Schools of Music. Ze
bestrijken een periode
van vier eeuwen klassiek
repertoire - van Susato
tot Sullivan - en ze
vormenideaal materiaal
voor zowel lessen als
optredens.
Ook
verkrijgbaar: Sounds
Classical for Oboe,
AMP 361-400
SOUNDS
CLASSICAL ist eine
Sammlung von im
Schwierigkeitsgrad
fortschreitenden Soli,
die speziell für
werdende Fagottisten
ausgewählt wurden.
Philip Sparke wählte
für dieses Buch
Stücke aus dem
klassischen Repertoire
aus vier Jahrhunderten
aus - vonSusato über
Telemann, Händel,
Grieg, Purcell, Mozart
bis Sullivan - das ideale
Material zum Ãœben oder
Vorspielen!