Bassoon and Piano - easy

SKU: BT.AMP-407-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Book with CD. Composed 2015. 40 pages. Anglo Music Press #AMP 407-400. Published by Anglo Music Press (BT.AMP-407-400).

ISBN 9789043148498. English-German-French-Dut ch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introducesthe beginning player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both pianoaccompaniment and a demo/play-along CD.

Philip Sparkes 15 Easy Christmas Carols sind Teil der Anglo Music Play-Along Reihe und richten sich an junge Instrumentalisten, die den Tonumfang von einer Oktave beherrschen. Auf jedes Instrument zugeschnitten, führen diese Ausgaben,für die einfache und zugleich ansprechende Melodien ausgewählt wurden die sich für diesen begrenzten Tonumfang eignen, den Anfänger an die weltweit beliebtesten Weihnachtslieder heran. Dieser Band bietet wertvolles Ergänzungsmaterial, das zu jederInstrumentalschule passt und sowohl eine Klavierbegleitung als auch eine Play-Along-CD enthält.

Faisan t partie de l’Anglo Music Play-Along Series, les 15 Easy Christmas Carols(15 chants de Noël faciles) de Philip Sparke visent les jeunes instrumentistes qui arrivent jouer un peu plus d’une octave. Adapté pourconvenir chaque instrument spécifique, ce recueil introduit le joueur débutant aux chants de Noël les plus populaires en sélectionnant des mélodies simples les plus intéressantes qui correspondent leur registre limité. Ce recueil fournit dumatériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

Bassoon and Piano

SKU: HL.14040383

Composed by Marc Vaubourgoin. Music Sales America. Classical. Book [Softcover]. 44 pages. Editions Musicales Transatlantiques #ETR001013. Published by Editions Musicales Transatlantiques (HL.14040383).

UPC: 884088655693. 8.25x11.75x0.145 inches. French.

Bassoon and Piano

SKU: HL.14004086

Composed by Niels Viggo Bentzon. Music Sales America. 20th Century. Book [Softcover]. Edition Wilhelm Hansen #KP00152. Published by Edition Wilhelm Hansen (HL.14004086).

ISBN 9788759860335.

Bassoon and Piano

SKU: BT.EMBZ13806

Für Fagott und Pianoforte. Composed by Gyorgy Orban. EMB Contemporary Music. Contemporary Music. Book Only. Composed 1995. 40 pages. Editio Musica Budapest #EMBZ13806. Published by Editio Musica Budapest (BT.EMBZ13806).

The premiere of the chamber music work written at the end of 1987 was given in August 1989 in Manchester. With its fast-slow-fast sequence of movements and the manner of its formation this piece of about 17 minutes duration follows to some extent classical models. Characteristic of its musical expression is, however, an individual mixture of the varied recollections of genre and mood. The success of the composition has been proved in numerous performances.

By Pelikan Jaroslav. For bassoon and piano. Bassoon. Czech title: Concertino (Variazioni per fagotto, orchestra d!archi, arpa e timpani). Classical. Piano reduction. Published by Editio Baerenreiter Praha

Bassoon

SKU: HL.48185278

Composed by Pierre Max Dubois. Leduc. Softcover. 4 pages. Alphonse Leduc #AL28730. Published by Alphonse Leduc (HL.48185278).

UPC: 888680907709. 9x12 inches.

Dubois Pierre M Ballade Des Pingouins Lm010 Bassoon and Piano Book.

By John G. Mortimer. For Bassoon and Piano. Swiss import. Level: Grade 1-2. Published by Editions Marc Reift. (EMR 13186)

Bassoon and Piano. By Charles Francois Gounod. Arranged by H Walters. Solo Ensemble (Rubank). Size 9x12 inches. 8 pages. Published by Rubank Publications.

Arranged by Graham Sheen. For Bassoon and Piano. Book; Method/Instruction; Woodwind - Bassoon Method or Collection. Faber Edition: Going Solo. Published by Faber Music

Composed by Jo Elbert. For Bassoon and piano. Level 2. Published by Golden River Music

Composed by Jo Elbert. For Bassoon and piano. Level 2. Published by Golden River Music

Composed by Jo Elbert. For Bassoon and piano. Level 2. Published by Golden River Music

Composed by Jo Elbert. For Bassoon and piano. Level 2. Published by Golden River Music

Composed by Tars Lootens. For Bassoon and piano. Level 4. Published by Golden River Music

Bassoon; Piano Accompaniment (1 (auch Picc.) * 1 * 3 (3. auch Bassklar.) * 0 - 1 * 1 * 0 * 0 - P. S. (Xyl. * Trgl. * Beck. * Gong * kl. Tr. * gr. Tr. m. Beck.) (2 Spieler) - Hfe. * Cel. - Str. (4 * 4 * 3 * 2 * 1)) - difficult

SKU: HL.49019614

Bassoon with Piano Reduction. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Woodwind. Ein Stuck fur Fagott und Kammerorchester. Classical. Softcover. Composed 1957. Op. 13e. 16 pages. Duration 4'. Schott Music #FAG35. Published by Schott Music (HL.49019614).

ISBN 9790001192286. UPC: 888680014087. 9.0x12.0x0.071 inches.

Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Sudwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Boker.In addition to the hire material, a piano score with solo part is now available on sale.

Bassoon and Piano

SKU: ST.C183

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C183. Published by Clifton Edition (ST.C183).

ISBN 9790570811830.

Drunken Sailor — the sequel
This needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36, for example, might even be close to a glissando. Use your imagination to recreate the sailor’s state of health!

Th e Vulgar Boatman
Not only more hidden melodies but more appalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four, eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman, you might spot just a hint of Sailing down the River on a Sunday Afternoon, We Sail the Ocean Blue (H.M.S. Pinafore), The Eton Boating Song and even Wagner’s Flying Dutchman.

Last Tango in Harris
Everyo ne must surely know these thinly disguised Scottish tunes, but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict, but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be, as in bars 4 and 5 in the bassoon part.

Rheu manian Stretches
Or was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don’t always begin where you might expect. Think of this piece as a song.
Four Pieces for Bassoon and Piano

Grade 3
Former Spartan Press Cat. No.: SP1163.

By John G. Mortimer. For Bassoon and Piano. Swiss import. Level: Grade 2+-3. Published by Editions Marc Reift. (EMR 13188)

Bassoon and Piano

SKU: ST.C130

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C130. Published by Clifton Edition (ST.C130).

ISBN 9790570811304.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1219.

Bassoon and Piano

SKU: VD.ED20109

Composed by Gerardo Matos Rodriguez. Arranged by Wolfgang Birtel. Classical. Score, solo part. 6 S. Part. + 3 S. Stimme pages. Verlag Dohr #ED20109. Published by Verlag Dohr (VD.ED20109).

ISBN 9790202041093. 12 x 9 inches.

Bassoon and Piano

SKU: VD.ED17616

Composed by Carlos Gardel. Arranged by Wolfgang Birtel. Classical. Score, solo part. 6 S. Part. + 1 S. Stimme pages. Verlag Dohr #ED17616. Published by Verlag Dohr (VD.ED17616).

ISBN 9790202036167. 12 x 9 inches.

By Various. Edited by I. Denley. For Bassoon, Piano. Time Pieces for Bassoon Volume 1 (Music through the Ages in 2 Volumes). Grades 1-3

Bassoon & Piano (Organ) + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-28998

Composed by Various. Bassoon & CD Playback (Play Along). Score and parts. Duration 67'00. Editions Marc Reift #EMR 28998. Published by Editions Marc Reift (MA.EMR-28998).

Dix / Nearer, My God, To Thee / Passion Choral / Grosser Gott, wir loben Dich / Redemption / Jerusalem / Pray For A Better World / Wir pflugen / Resurrection / In Terra Pax / Lobe den Herrn / Nun danket alle Gott / Ein' feste Burg ist unser Gott ....

By Dennis Armitage. For bassoon and piano (organ). Swiss import. Level: 3. Score and parts. Published by Editions Marc Reift. (EMR 905D)