Bassoon and Piano - intermediate SKU: BT.AMP-430-400 Arranged by Philip S...(+)
Bassoon and Piano -
intermediate
SKU:
BT.AMP-430-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series. Book
with CD. Composed 2015.
40 pages. Anglo Music
Press #AMP 430-400.
Published by Anglo Music
Press (BT.AMP-430-400).
ISBN 9789043148610.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-Along
Series, Philip
Sparke’s 15
Intermediate Christmas
Carols is aimed
at the young
instrumentalist who can
play about an octave and
a half and follows on
from Sparke’s
15 Easy
ChristmasCarols.
Specifically tailored to
suit the individual
instrument, this book
introduces the developing
player to the
world’s most
popular Christmas tunes
by selecting simple yet
attractive melodies that
fit their limited range.
The book willprovide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip Sparkes
15 Intermediate
Christmas Carols
sind Teil der Reihe Anglo
Music Play-Along und
richten sich an junge
Instrumentalisten, die
einen Tonumfang von
ungefähr eineinhalb
Oktaven beherrschen. Die
Ausgabe schließt sich
anSparkes 15 Easy
Christmas Carols
an. Für diesen Band
wurden einfache und
zugleich ansprechende
Melodien ausgewählt,
die genau auf das
jeweilige Instrument
zugeschnitten sind, sich
für dessen begrenzten
Tonumfang eignen, und den
soSchüler an die
weltweit beliebtesten
Weihnachtslieder
heranführen. 15
Intermediate Christmas
Carols bietet
damit wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschulepasst
und sowohl eine
Klavierbegleitung als
auch einePlay-Along-CD
enthält.
Bassonnerie Basson, Piano (duo) - Avancé De Haske Publications
Bassoon and Piano - advanced SKU: BT.DHP-1185973-401 For Bassoon and P...(+)
Bassoon and Piano -
advanced
SKU:
BT.DHP-1185973-401
For Bassoon and
Piano. Composed by
Jan Van der Roost. De
Haske Instrumental
Series. Exam Material.
Book and Part(s).
Composed 2019. 8 pages.
De Haske Publications
#DHP 1185973-401.
Published by De Haske
Publications
(BT.DHP-1185973-401).
ISBN 9789043157513.
International.
This
short work is partly
based on the well-known
bassoon solo from
Peter and the
Wolf, the musical
fairy tale by Sergei
Prokofiev. However, the
original melody is
presented in
â??inversionâ??:
ascending intervals
become descending ones,
and vice versa. The
middle cantabile
section is mainly
situated in the higher
bassoon register, thus
forming a lovely contrast
with the other parts. The
piano accompaniment is
modest and transparent,
so that the bassoon is
not drowned
out.
Dit korte
werkje is deels geënt
op de bekende fagotsolo
uit Peter en de
Wolf, het muzikale
sprookje van Sergei
Prokofjev. De
oorspronkelijke melodie
wordt echter in
â??omkeringâ??
gepresenteerd: stijgende
toonafstanden worden dus
dalende en vice versa.
Het middendeel is
zangeriger en ligt vooral
in het hogere register
van de fagot, wat een
fraai contrast vormt met
de hoekdelen. De
pianobegeleiding is
bescheiden en
transparant, zodat de
fagot niet overstemd
wordt.
Dieses
kurze Werk basiert zum
Teil auf dem bekannten
Fagott-Solo aus Sergei
Prokofjews musikalischem
Märchen Peter und
der Wolf. Die
ursprüngliche Melodie
wird jedoch als
Umkehrungâ??
vorgestellt: aufsteigende
Intervalle werden zu
absteigenden und
umgekehrt. Der Mittelteil
ist kantabler und liegt
hauptsächlich in der
höheren Stimmlage des
Fagotts, womit er einen
schönen Kontrast zu
den Eckteilen bildet. Die
Klavierbegleitung ist
zurückhaltend und
transparent, sodass das
Fagott nicht
übertönt
wird.
Bassoon and Piano SKU: ST.C183 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C183
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C183. Published
by Clifton Edition
(ST.C183).
ISBN
9790570811830.
Drunken Sailor —
the
sequel This
needs a plaintive tone
especially in the upper
register where the
dynamics are particularly
important. To capture the
mood of the piece those
slurs in bars 35 and 36,
for example, might even
be close to a glissando.
Use your imagination to
recreate the sailor’s
state of
health!
Th
e Vulgar
Boatman Not
only more hidden melodies
but more appalling puns!
(Volga Boatman for those
not versed in Russian
folksongs). This is like
a waltz: it is written in
3/4 time but played so as
to give the impression of
one beat in bar. The
melodies need to be well
sustained so that we hear
four, eight or even more
bars as a single phrase.
Clues for the musical
detective:- in addition
to the Volga Boatman, you
might spot just a hint of
Sailing down the
River on a Sunday
Afternoon, We
Sail the Ocean Blue
(H.M.S. Pinafore),
The Eton Boating
Song and even
Wagner’s Flying
Dutchman.
Last Tango in
Harris Everyo
ne must surely know these
thinly disguised Scottish
tunes, but can you make
them sound like a tango?
Bear in mind that tangos
are not jazz: the rhythm
is quite strict, but the
tango character is in the
tone and the phrasing.
Notice how expressive the
occasional shorter note
value can be, as in bars
4 and 5 in the bassoon
part.
Rheu
manian
Stretches Or
was that Rumanian
Sketches? This is a
chance to play the main
melody in two registers
of the bassoon. Try to
make a good even sound in
both octaves. This piece
requires careful counting
since the phrases in the
bassoon part don’t
always begin where you
might expect. Think of
this piece as a
song. Four Pieces for
Bassoon and
Piano
Bassoon and Piano SKU: ST.C182 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C182
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C182. Published
by Clifton Edition
(ST.C182).
ISBN
9790570811823.
Bodhán T
he melody here is very
broken up, so breathe and
be ready for the next
entry in good time.
Don’t drag behind the
drum in the piano part.
Notice that only some of
the notes are marked
staccato.
À la
Modal Modes
are scales based on the
white notes of the piano,
say, so you won’t find
a single accidental in
this piece. It shows that
expression in music
depends on more than just
the dynamics, that is,
how loudly and softly you
play. We also need to
observe the articulation
markings such as
staccato, tenuto and the
accents on both long and
short
notes.
Sch
ubert’s
Ghost Schuber
t is one of my favourite
composers. I hope you
enjoy the swing of the
dotted rhythms and
accents in this little
Viennese impression.
There are three musical
quotations: one from
Schubert himself, one
from a later Viennese
composer, Gustav Mahler
and, near the end, the
Dies Irae tune
which has been used by
many composers. Three
Pieces for Bassoon and
Piano