Bassoon (bassoon/piano) SKU: HL.48181006 For Bassoon and Piano. Co...(+)
Bassoon (bassoon/piano)
SKU: HL.48181006
For Bassoon and
Piano. Composed by
Maurice Ravel. Leduc.
Post-1900. Softcover. 4
pages. Alphonse Leduc
#AL19979. Published by
Alphonse Leduc
(HL.48181006).
UPC:
888680878726.
9.0x12.0x0.06
inches.
As a
prestigious composer of
the early 20th century,
Maurice Ravel's Piece in
the Habanera Style,
transcribed for bassoon
and piano by Fernand
Oubradous contains many
features which continue
to make the composer's
music popular and loved
to this day. Known for
his masterful melodies
and rich harmonies, Piece
in the Habanera Style
clearly exemplifies these
qualities through
flourishing bassoon lines
and evocative, chordal
and rhythmic piano
accompaniments. Moreover,
habanera rhythms heard
throughout the piece
create further excitment.
All of these musical
elements combined create
a highly enjoyable piece
for the bassoon and piano
repertoire. In addition,
the clear print of
separate solo and
accompaniment parts in
this edition of Piece in
the Habanera Style add to
an irresistible purchase
for aspiring bassoon
players.
Bassoon; Piano Accompaniment (1 (auch Picc.) * 1 * 3 (3. auch Bassklar.) * 0 - 1...(+)
Bassoon; Piano
Accompaniment (1 (auch
Picc.) * 1 * 3 (3. auch
Bassklar.) * 0 - 1 * 1 *
0 * 0 - P. S. (Xyl. *
Trgl. * Beck. * Gong *
kl. Tr. * gr. Tr. m.
Beck.) (2 Spieler) - Hfe.
* Cel. - Str. (4 * 4 * 3
* 2 * 1)) - difficult
SKU: HL.49019614
Bassoon with Piano
Reduction. Composed
by Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Woodwind. Ein Stuck fur
Fagott und
Kammerorchester.
Classical. Softcover.
Composed 1957. Op. 13e.
16 pages. Duration 4'.
Schott Music #FAG35.
Published by Schott Music
(HL.49019614).
ISBN
9790001192286. UPC:
888680014087.
9.0x12.0x0.071
inches.
Although
Bertold Hummel composed
this Scherzo for bassoon
and chamber orchestra
more than fifty years
ago, the piece still
captivates every listener
with its youthful,
carefree liveliness.
Virtuoso and witty, it
does justice to its title
in every respect. It was
created in 1957 upon
commission of the Kleines
Unterhaltungsorchester
Sudwestfunk Baden-Baden.
The solo part of the
four-minute concert piece
with the tempo indication
'allegro molto' was
tailor-made by Hummel for
the orchestra's principal
bassoonist Helmut
Boker.In addition to the
hire material, a piano
score with solo part is
now available on
sale.
Bassoon (bassoon/piano) SKU: HL.48181004 For Bassoon and Piano. Co...(+)
Bassoon (bassoon/piano)
SKU: HL.48181004
For Bassoon and
Piano. Composed by
Gabriel Faure. Leduc.
Romantic. Softcover. 3
pages. Alphonse Leduc
#AL19974. Published by
Alphonse Leduc
(HL.48181004).
UPC:
888680878696.
9.0x12.0x0.044
inches.
Part of the
collection Nine Pieces
for bassoon and piano
regrouped and transcribed
by Fernand Oubradous,
Piece is a work initially
composed by Gabriel
Faure. Quite difficult,
it would match the skills
and abilities of advanced
players. This sensitive
piece for bassoon in E
flat is quite melodious:
the main theme introduced
by the piano is repeated
by the bassoon who will
lead the music from that
moment. Written Adagio,
molto tranquillo, it is
quite slow and nice to
listen to. It would be
perfect to execute in a
recital. Gabriel Faure
was a French composer,
organist, pianist and
teacher. He is one of the
most important composers
of his generation, with
pieces such as Pavane or
Requiem.
Sonata Basson, Piano (duo) PWM (Polskie Wydawnictwo Muzyczne)
Bassoon; Piano Accompaniment (Score and Solo Part) SKU: HL.253938 Bass...(+)
Bassoon; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.253938
Bassoon
and Piano. Composed
by Jó and zef
Swider. PWM. Classical.
Softcover. 32 pages.
Polskie Wydawnictwo
Muzyczne #12020010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.253938).
9.0x12.0
inches.
Sonata for
bassoon and piano is one
of Swiders first works
for a wind instrument. It
was written most probably
in the years 1953-1954,
under a clear influence
of neo-classicist
stylistics. The only
documented performance
took place on 5th May
1955 in Katowice, or
Stalinogrod, as such was
the name of that city in
those days. The first
part of Sonata is written
in a form of scherzando
of a light and witty
character, where the
composer fully uses the
facture and bassoons
sound potential. The
second part, full of
meditation and cantilena,
bears a particular
expression of lower
registers of the
instrument. Part three is
a traditional minuet in
moderato tempo, with
stylised folk elements in
the middle fragment. The
last part resumes the
scherzo form, capped by a
cadenza written by Marek
Baranski, in which
attempting to imitate the
language of Jozef
Swider's compositions
that include numerous
elements of a synthetic
finale he included most
music concepts outlined
in the entire Sonata.