Bassoon and Piano - easy SKU: BT.AMP-307-400 Arranged by Philip Sparke. A...(+)
Bassoon and Piano - easy
SKU:
BT.AMP-307-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
307-400. Published by
Anglo Music Press
(BT.AMP-307-400).
ISBN
9789043138154. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
Bassoon, piano SKU: FG.55011-524-8 Composed by Kirmo Lintinen. Score and ...(+)
Bassoon, piano
SKU:
FG.55011-524-8
Composed by Kirmo
Lintinen. Score and part.
Fennica Gehrman
#55011-524-8. Published
by Fennica Gehrman
(FG.55011-524-8).
ISBN
9790550115248.
In
Kirmo Lintinen's Rondo
burlesque (2007-2008) for
bassoon and piano , the
qualitative elements of
the bar, with their
upbeats, accents and GPs,
create a refined musical
rhetoric and are very
much to the fore. At the
premiere, Lintinen's
manner of playing, with
its sparing use of the
pedal obscuring the first
beat but not the sense of
time, underlined the
inherent character of the
piece. The roguish poetic
metres gambolled jerkily
along, and although at
surface level the music
may appear guileless,
Lintinen knows his
polyphony, judging by the
capital roving of his
voices even in the
homophonic textures.
Kirmo Lintinen (b. 1967)
is a man of many musical
talents: composer,
pianist and conductor.
His catalogue encompasses
almost all gen-res and
categories of
composition, from solo
work to opera, and he
operates with ease from
one to another without
being a crossover artist;
in his case, the
versatility is both
internalised and innate.
He often finds
inspiration in French
music of the 1920s and
its intrinsic musicality.
Humour and playfulness
are characteristic
elements of his music, as
are a natural, musicianly
approach and an
enchantingly
effervescent, even
tongue-in-cheek
texture.
Bassonnerie Basson, Piano (duo) - Avancé De Haske Publications
Bassoon and Piano - advanced SKU: BT.DHP-1185973-401 For Bassoon and P...(+)
Bassoon and Piano -
advanced
SKU:
BT.DHP-1185973-401
For Bassoon and
Piano. Composed by
Jan Van der Roost. De
Haske Instrumental
Series. Exam Material.
Book and Part(s).
Composed 2019. 8 pages.
De Haske Publications
#DHP 1185973-401.
Published by De Haske
Publications
(BT.DHP-1185973-401).
ISBN 9789043157513.
International.
This
short work is partly
based on the well-known
bassoon solo from
Peter and the
Wolf, the musical
fairy tale by Sergei
Prokofiev. However, the
original melody is
presented in
â??inversionâ??:
ascending intervals
become descending ones,
and vice versa. The
middle cantabile
section is mainly
situated in the higher
bassoon register, thus
forming a lovely contrast
with the other parts. The
piano accompaniment is
modest and transparent,
so that the bassoon is
not drowned
out.
Dit korte
werkje is deels geënt
op de bekende fagotsolo
uit Peter en de
Wolf, het muzikale
sprookje van Sergei
Prokofjev. De
oorspronkelijke melodie
wordt echter in
â??omkeringâ??
gepresenteerd: stijgende
toonafstanden worden dus
dalende en vice versa.
Het middendeel is
zangeriger en ligt vooral
in het hogere register
van de fagot, wat een
fraai contrast vormt met
de hoekdelen. De
pianobegeleiding is
bescheiden en
transparant, zodat de
fagot niet overstemd
wordt.
Dieses
kurze Werk basiert zum
Teil auf dem bekannten
Fagott-Solo aus Sergei
Prokofjews musikalischem
Märchen Peter und
der Wolf. Die
ursprüngliche Melodie
wird jedoch als
Umkehrungâ??
vorgestellt: aufsteigende
Intervalle werden zu
absteigenden und
umgekehrt. Der Mittelteil
ist kantabler und liegt
hauptsächlich in der
höheren Stimmlage des
Fagotts, womit er einen
schönen Kontrast zu
den Eckteilen bildet. Die
Klavierbegleitung ist
zurückhaltend und
transparent, sodass das
Fagott nicht
übertönt
wird.