Bassoon and Piano - intermediate SKU: BT.AMP-382-400 Bassoon and Piano...(+)
Bassoon and Piano -
intermediate
SKU:
BT.AMP-382-400
Bassoon and Piano.
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2014. 16 pages.
Anglo Music Press #AMP
382-400. Published by
Anglo Music Press
(BT.AMP-382-400).
ISBN
9789043135801. 9x12
inches.
English-German-French-Dut
ch.
Part of the
ANGLO MUSIC PLAY-ALONG
Series, Philip Sparkes 15
INTERMEDIATE CLASSICAL
SOLOS is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkes 15 EASY
CLASSICAL SOLOS.
Specifically tailored to
suitthe individual
instrument, this book
introduces the developing
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range.
The
carefully selected pieces
include music from the
17th to the 19th century
and cover a wide variety
of styles, from Handel to
Tchaikovsky and from
Clementi to
Brahms.
The book
will provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15
Intermediate Classical
Solos, onderdeel van
de Anglo Music
Play-Along Series, is
bedoeld voor de jonge
instrumentalist die
ongeveer anderhalf octaaf
kan spelen. Het boek is
een vervolg op
Sparkeâ??s 15
EasyClassical Solos
en het sluit qua
instrumentaal bereik en
gebruikte toonsoorten aan
bij het Expert Level van
Hal Leonards Essential
Elements ®, maar
het kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën,
diespecifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Handel tot
Tsjaikovski en van
Clementi tot Brahms.Het
boek bevat waardevol
materiaal ter aanvulling
op elke lesmethode en
wordt geleverd
metpianobegeleiding en
een cd met demo- en
meespeeltracks.
15
INTERMEDIATE CLASSICAL
SOLOS ist als
Ergänzung zur
bewährten ANGLO MUSIC
PLAY-ALONG Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von eineinhalb
Oktaven beherrschen. Es
schlieÃ?t an Sparkes 15
EASY CLASSICAL SOLOS an
undentspricht dem Niveau
des Expert Levels der
ESSENTIAL ELEMENTS
Methode von Hal Leonard,
kann aber auch
unabhängig davon
verwendet werden.
Genau auf jedes
Instrument zugeschnitten,
ermöglichen die
sorgfältig
ausgewählten Melodien
noch mehr Spielerfahrung
mit klassischer Musik.
Die Stücke umfassen
verschiedene
Stilrichtungen und
Komponisten wie z.B.
Händel, Tschaikowsky,
Clementi undBrahms.
Jeder Band bietet
wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15
Intermediate Classical
Solos is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkeâ??s 15
Easy Classical
Solos.Specifically
tailored to suit the
individual instrument,
this book introduces the
developing player to the
world of the classics by
using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music
fromthe 17th to the 19th
century and cover a wide
variety of styles, from
Handel to Tchaikovsky and
from Clementi to
Brahms.The book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and
ademo/play-along CD.
Bassoon and Piano - easy SKU: BT.AMP-307-400 Arranged by Philip Sparke. A...(+)
Bassoon and Piano - easy
SKU:
BT.AMP-307-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
307-400. Published by
Anglo Music Press
(BT.AMP-307-400).
ISBN
9789043138154. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
Bassoon and Piano - Grade 2 SKU: HL.14005434 Composed by John Burness. Mu...(+)
Bassoon and Piano - Grade
2
SKU: HL.14005434
Composed by John Burness.
Music Sales America. Exam
Material. Book
[Softcover]. Composed
2005. 8 pages. Music
Sales #PAT60019.
Published by Music Sales
(HL.14005434).
ISBN
9781844499830.
8.25x11.75x0.045 inches.
English.
A set of
four short and simple but
wonderfully melodic
pieces for the
intermediate Bassoon
soloist. Ideally suited
to be performed as a set
of four, the pieces can
be played individually,
making them perfect for
early concerts, festivals
and recitals, or just as
a satisfying addition to
your first
repertoire.
Bassonnerie Basson, Piano (duo) - Avancé De Haske Publications
Bassoon and Piano - advanced SKU: BT.DHP-1185973-401 For Bassoon and P...(+)
Bassoon and Piano -
advanced
SKU:
BT.DHP-1185973-401
For Bassoon and
Piano. Composed by
Jan Van der Roost. De
Haske Instrumental
Series. Exam Material.
Book and Part(s).
Composed 2019. 8 pages.
De Haske Publications
#DHP 1185973-401.
Published by De Haske
Publications
(BT.DHP-1185973-401).
ISBN 9789043157513.
International.
This
short work is partly
based on the well-known
bassoon solo from
Peter and the
Wolf, the musical
fairy tale by Sergei
Prokofiev. However, the
original melody is
presented in
â??inversionâ??:
ascending intervals
become descending ones,
and vice versa. The
middle cantabile
section is mainly
situated in the higher
bassoon register, thus
forming a lovely contrast
with the other parts. The
piano accompaniment is
modest and transparent,
so that the bassoon is
not drowned
out.
Dit korte
werkje is deels geënt
op de bekende fagotsolo
uit Peter en de
Wolf, het muzikale
sprookje van Sergei
Prokofjev. De
oorspronkelijke melodie
wordt echter in
â??omkeringâ??
gepresenteerd: stijgende
toonafstanden worden dus
dalende en vice versa.
Het middendeel is
zangeriger en ligt vooral
in het hogere register
van de fagot, wat een
fraai contrast vormt met
de hoekdelen. De
pianobegeleiding is
bescheiden en
transparant, zodat de
fagot niet overstemd
wordt.
Dieses
kurze Werk basiert zum
Teil auf dem bekannten
Fagott-Solo aus Sergei
Prokofjews musikalischem
Märchen Peter und
der Wolf. Die
ursprüngliche Melodie
wird jedoch als
Umkehrungâ??
vorgestellt: aufsteigende
Intervalle werden zu
absteigenden und
umgekehrt. Der Mittelteil
ist kantabler und liegt
hauptsächlich in der
höheren Stimmlage des
Fagotts, womit er einen
schönen Kontrast zu
den Eckteilen bildet. Die
Klavierbegleitung ist
zurückhaltend und
transparent, sodass das
Fagott nicht
übertönt
wird.
Bassoon and Piano SKU: ST.C182 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C182
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C182. Published
by Clifton Edition
(ST.C182).
ISBN
9790570811823.
Bodhán T
he melody here is very
broken up, so breathe and
be ready for the next
entry in good time.
Don’t drag behind the
drum in the piano part.
Notice that only some of
the notes are marked
staccato.
À la
Modal Modes
are scales based on the
white notes of the piano,
say, so you won’t find
a single accidental in
this piece. It shows that
expression in music
depends on more than just
the dynamics, that is,
how loudly and softly you
play. We also need to
observe the articulation
markings such as
staccato, tenuto and the
accents on both long and
short
notes.
Sch
ubert’s
Ghost Schuber
t is one of my favourite
composers. I hope you
enjoy the swing of the
dotted rhythms and
accents in this little
Viennese impression.
There are three musical
quotations: one from
Schubert himself, one
from a later Viennese
composer, Gustav Mahler
and, near the end, the
Dies Irae tune
which has been used by
many composers. Three
Pieces for Bassoon and
Piano
Bassoon and Piano SKU: ST.C183 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C183
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C183. Published
by Clifton Edition
(ST.C183).
ISBN
9790570811830.
Drunken Sailor —
the
sequel This
needs a plaintive tone
especially in the upper
register where the
dynamics are particularly
important. To capture the
mood of the piece those
slurs in bars 35 and 36,
for example, might even
be close to a glissando.
Use your imagination to
recreate the sailor’s
state of
health!
Th
e Vulgar
Boatman Not
only more hidden melodies
but more appalling puns!
(Volga Boatman for those
not versed in Russian
folksongs). This is like
a waltz: it is written in
3/4 time but played so as
to give the impression of
one beat in bar. The
melodies need to be well
sustained so that we hear
four, eight or even more
bars as a single phrase.
Clues for the musical
detective:- in addition
to the Volga Boatman, you
might spot just a hint of
Sailing down the
River on a Sunday
Afternoon, We
Sail the Ocean Blue
(H.M.S. Pinafore),
The Eton Boating
Song and even
Wagner’s Flying
Dutchman.
Last Tango in
Harris Everyo
ne must surely know these
thinly disguised Scottish
tunes, but can you make
them sound like a tango?
Bear in mind that tangos
are not jazz: the rhythm
is quite strict, but the
tango character is in the
tone and the phrasing.
Notice how expressive the
occasional shorter note
value can be, as in bars
4 and 5 in the bassoon
part.
Rheu
manian
Stretches Or
was that Rumanian
Sketches? This is a
chance to play the main
melody in two registers
of the bassoon. Try to
make a good even sound in
both octaves. This piece
requires careful counting
since the phrases in the
bassoon part don’t
always begin where you
might expect. Think of
this piece as a
song. Four Pieces for
Bassoon and
Piano
Bassoon (bassoon/piano) SKU: HL.48181173 For Bassoon and Piano. Co...(+)
Bassoon (bassoon/piano)
SKU: HL.48181173
For Bassoon and
Piano. Composed by
Eugè and ne Bozza.
Leduc. Classical.
Softcover. 8 pages.
Alphonse Leduc #AL20421.
Published by Alphonse
Leduc (HL.48181173).
UPC: 888680861698.
9.0x12.0x0.058
inches.
To this
day, Eugene Bozza
(1905-1991) remains one
of the most prolific
composers for wind
instruments, despite
being a violinist
himself. His Fantasy for
bassoon and piano is no
exception to the
composer's success.
During his studies at the
Paris Conservatoire,
Bozza won prizes for
violin, conducting and
composition, as well as
the Grand Prix de Rome.
He then conducted the
orchestra of the
Opera-Comique and became
Head of the Conservatoire
in Valenciennes, whilst
remaining a prominent
composer. Composed in
1945, Bozza's Fantasy for
bassoon and piano is a
virtuosic work,
addressing advanced
features including
complex rhythms,
chromaticism, a wide
range and articulation.
As music educationalist,
Paul Griffiths has
written of Bozza's
compositions, his works
reveal melodic fluency,
elegance of structure and
a consistently sensitive
concern of instrumental
capabilities..
Bassoon and Piano SKU: ST.C181 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C181
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C181. Published
by Clifton Edition
(ST.C181).
ISBN
9790570811816.
Polka-dotsThere are three
contrasting types of
expression for the
bassoonist here. The
opening phrase is
staccato which is
followed (at bar 11) by a
sustained counter melody.
Finally (at bar 19) both
these effects are
combined in a second
melody which needs very
clear dynamic
playing.
M
onkey
Puzzle Sustai
ning the sound while
rearticulating the notes
is important in this
piece. In other words,
the opening should be
played almost slurred. Be
aware of the changing
harmonies underneath the
held notes in the bassoon
part.
Seri
ous Song Long
but separate notes
contrast with real
legato. The main theme is
marked tenuto, so full
value for each note,
especially ending notes.
Even the quavers aren’t
very short at this speed.
Try to make the richest
sound you can like, for
example, a fine Russian
baritone. Three Pieces
for Bassoon and
Piano
Bassoon, piano SKU: FG.55011-586-6 Composed by Heikki Sarmanto. Fennica G...(+)
Bassoon, piano
SKU:
FG.55011-586-6
Composed by Heikki
Sarmanto. Fennica Gehrman
#55011-586-6. Published
by Fennica Gehrman
(FG.55011-586-6).
ISBN
9790550115866.
A
pioneer of Finnish modern
jazz, Heikki Sarmanto
(1939-) is renowned for
his renderings of jazz
numbers. No wonder,
therefore, that broken
chords and familiar keys
resonate and sit well
under the hand in the
piano part of this
Northern Dreams suite.
The solo passages for the
piano are like stylised
improvisations. In
addition to jazz idioms,
the suite features
Chopin-style arpeggios.
His music is melodic and
communicative, painting
feelings, situations and
events. Northern Dreams
was originally composed
with the tenor sax of
Juhani Aaltonen in mind,
and the solo part is a
transcription of his
improvisation. The solo
part is also available in
arrangements for alto
sax, flute, clarinet,
bassoon and trumpet.