Bassoon and Piano

SKU: ST.C130

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C130. Published by Clifton Edition (ST.C130).

ISBN 9790570811304.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1219.

Bassoon and Piano

SKU: ST.C184

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C184. Published by Clifton Edition (ST.C184).

ISBN 9790570811847.

March of the Day
The subtitle says it all, I think. The piece has three main ideas each in the contrasting keys of Bb, Eb and F majors. Can you find a different character for each one? The danger for bassoonists in this sort of piece is that everything can sound accented, so be careful to follow the articulation marks as closely as you can.

Rondo lettinetto
Th is is all about building phrases through repetition. It relies largely, therefore, on control of the sound. Try to achieve a really obvious contrast of character between the opening phrases and the less refined con spirito episode. This might be played just a touch faster than the opening and closing sections, if you wish. There is a hint of gentle parody in this piece if you can find a way of expressing that too.

Sand- dance Kid
This piece stretches the compass and range of expression even further. There are very obvious contrasts of staccato and legato and the phrase lengths of the middle section are far from regular. Try to scale down the dynamics at the end so that you end as softly as you can play.
Three Pieces for Bassoon and Piano

Grade 4
Former Spartan Press Cat. No.: SP1164.

Bassoon and Piano

SKU: ST.C183

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C183. Published by Clifton Edition (ST.C183).

ISBN 9790570811830.

Drunken Sailor — the sequel
This needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36, for example, might even be close to a glissando. Use your imagination to recreate the sailor’s state of health!

Th e Vulgar Boatman
Not only more hidden melodies but more appalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four, eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman, you might spot just a hint of Sailing down the River on a Sunday Afternoon, We Sail the Ocean Blue (H.M.S. Pinafore), The Eton Boating Song and even Wagner’s Flying Dutchman.

Last Tango in Harris
Everyo ne must surely know these thinly disguised Scottish tunes, but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict, but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be, as in bars 4 and 5 in the bassoon part.

Rheu manian Stretches
Or was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don’t always begin where you might expect. Think of this piece as a song.
Four Pieces for Bassoon and Piano

Grade 3
Former Spartan Press Cat. No.: SP1163.

Bassoon and Piano - intermediate

SKU: BT.AMP-430-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Book with CD. Composed 2015. 40 pages. Anglo Music Press #AMP 430-400. Published by Anglo Music Press (BT.AMP-430-400).

ISBN 9789043148610. English-German-French-Dut ch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.

Faisan t partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

Bassoon (bassoon/piano)

SKU: HL.48181173

For Bassoon and Piano. Composed by Eugè and ne Bozza. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20421. Published by Alphonse Leduc (HL.48181173).

UPC: 888680861698. 9.0x12.0x0.058 inches.

To this day, Eugene Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Fantasy for bassoon and piano is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opera-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1945, Bozza's Fantasy for bassoon and piano is a virtuosic work, addressing advanced features including complex rhythms, chromaticism, a wide range and articulation. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities..

Bassoon (bassoon/piano)

SKU: HL.48181054

For Bassoon and Piano. Composed by Henri Dutilleux. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL20097. Published by Alphonse Leduc (HL.48181054).

UPC: 888680787059. 9x12 inches.

Internation ally acclaimed French composer Henri Dutilleux (1916-2013) followed the music traditions of Maurice Ravel and Claude Debussy yet implemented his own, distinctive style. His Sarabande et Cortege for Bassoon and Piano displays influences of Debussy's eschewing of tonality and Ravel's inventive textures. These, combined with Dutilleux's unique uses of structure and pedal points create a truly riveting piece for bassoon and piano. Sarabande et Cortege comes at the beginning of Dutilleux's career and was composed as part of a set of four exam pieces for the Paris Conservatoire (1942-1950). Yet the popularity of all four pieces remains, and they continue to be performed to this day. Elements like lyrical melodies and furious semiquaver passages make for an exciting piece for bassoonists.

For Bassoon and Piano. By Georg Philipp Telemann. Arranged by Otto Oromszegio. EMB. Size 8x11.25 inches. Published by Editio Musica Budapest.

Bassoon (bassoon/piano)

SKU: HL.48181006

For Bassoon and Piano. Composed by Maurice Ravel. Leduc. Post-1900. Softcover. 4 pages. Alphonse Leduc #AL19979. Published by Alphonse Leduc (HL.48181006).

UPC: 888680878726. 9.0x12.0x0.06 inches.

As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera Style, transcribed for bassoon and piano by Fernand Oubradous contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Piece in the Habanera Style clearly exemplifies these qualities through flourishing bassoon lines and evocative, chordal and rhythmic piano accompaniments. Moreover, habanera rhythms heard throughout the piece create further excitment. All of these musical elements combined create a highly enjoyable piece for the bassoon and piano repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Piece in the Habanera Style add to an irresistible purchase for aspiring bassoon players.

Edited by Edward Huws Jones. For Bassoon and Piano. Book; Woodwind - Bassoon Method or Collection. Faber Edition