For Oboe, Clarinet in B-flat, Horn in E-flat, Bassoon and Piano. By Ludwig van Beethoven. Edited by S. Kross. Chamber Music with Winds. Pages: Score(Pno) = 48 * Oboe = 7 * Bassoon = 7 * Clar B-flat = 7 * Horn E-flat = 4. Urtext edition-paper bound. Published by G. Henle.

Bassoon - Grade 1

SKU: RM.HORN05583

Composed by Jean Hornecker. Bassoon and piano. CD included. Instrumental music. Editions Robert Martin #HORN05583. Published by Editions Robert Martin (RM.HORN05583).

ISBN 9790231055832.

Bassoon - Grade 1

SKU: RM.HORN05584

Composed by Jean Hornecker. Bassoon and piano. CD included. Instrumental music. Editions Robert Martin #HORN05584. Published by Editions Robert Martin (RM.HORN05584).

ISBN 9790231055849.

Flute, Oboe, Clarinet, Horn, Bassoon and Piano

SKU: BT.ALHE31819

Composed by Gilbert Amy. Classical. Score Only. 40 pages. Heugel & Cie #ALHE31819. Published by Heugel & Cie (BT.ALHE31819).

French.

For flute, oboe, clarinet, horn, bassoon and piano.

Composed by Juraj Filas. For oboe, English horn, tenor oboe (or 2nd english horn), bassoon and piano. Contemporary. 5. Score & parts. Composed 2003. Duration 26'. Published by Editions BIM

Bassoon and Piano

SKU: ST.C130

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C130. Published by Clifton Edition (ST.C130).

ISBN 9790570811304.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1219.

By Adolphe Blanc. For flute, clarinet, horn, bassoon and piano. Winds and Piano. Tuneful work. Classical construction of movements. Enjoyable to play and hear. Classical. Set of parts

By Hans Huber. For flute, clarinet, horn, bassoon and piano. Facsimile Editions - Winds and Piano. Quintets. Unique composer. Difficult to categorize. Surprise your friends. Romantic. Published by Rosewood Publications

By Charles Koechlin. For bassoon (or horn), piano. Opus 71. Duration 10:. Published by Billaudot.

By Louise Farrenc. Edited by Willi Rechsteiner. For flute, oboe, clarinet in Bb, horn in Eb, bassoon and piano. First Publication. Level: intermediate. Score and parts. Composed 1851-52. Duration 26,30'. Published by Furore-Verlag (German import). (fue 1980)

By Daniel Baldwin. For mezzo-soprano, bassoon, piano. Level 5. Duration 14 minutes 30 seconds. Published by Imagine Music

Violin, cello, Piano

SKU: PR.14440367S

Composed by Francis Thorne. Full score (study). With Standard notation. Duration 12 minutes, 40 seconds. Theodore Presser Company #144-40367S. Published by Theodore Presser Company (PR.14440367S).

UPC: 680160029525.

Bassoon and Piano

SKU: HL.14020992

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 60 pages. Chester Music #CH60945. Published by Chester Music (HL.14020992).

ISBN 9780711936805. 9.0x12.0x0.185 inches.

Unusually for him, Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto, initiated by the strings, and only at the entry of the soloist does the tempo relax to that of a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song, around fantastical ornamentation from the soloist. The finale is again a recitative and dance, with a slow coda. The whole work is an immense show of stamina, poetry and athleticism for the bassoon, set against an orchestra coloured by low wind (alto flute, clarinet in A, bass clarinet, contrabassoon, horns). Bassoon part with piano reduction of the orchestral score.