Bassoon and piano

SKU: M7.DOHR-88837

Concertino. Composed by Adrian Connell. Sheet music. Score and part. Duration 10'. MDS (Music Distribution Services) #DOHR 88837. Published by MDS (Music Distribution Services) (M7.DOHR-88837).

ISBN 9790202098370.

Ther e comes a time in life when your parents have passed on. What we are left with is the memories of their love, guidance, support, and the happy times together. Last August when my mum sadly passed away, I wrote an Elegy as part of my grieving. However, as a family we had happy times together and it seemed only right to compose a work which would celebrate this. So, I added a first and last movement to create a short concertino. The movements are: Prelude: Peter John Connell: The Cheeky Chap Elegy: Mavis June Connell (Time To Remember) Rondo: Family Fun (Adrian Connell) Performance note The work can also be performed with accompaniment of string orchestra and harp using the set of parts for the version for clarinet and orchestra (E.D. 88833).

For Bassoon and Piano. By Scott Joplin. Arranged by Wolfgang Birtel. This edition: ED20464. Woodwind. Book only. 18 pages. Published by Schott.

Bassoon & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56024

Composed by John G. Mortimer. Score and parts. Duration 21'14. Editions Marc Reift #EMR 56024. Published by Editions Marc Reift (MA.EMR-56024).

1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.

Violin, cello, piano

SKU: HL.49045318

Score and Parts. Composed by Fred Lerdahl. This edition: Folder. Sheet music. Edition Schott. Softcover. Composed 2012. 172 pages. Duration 20'. Schott Music #ED31156. Published by Schott Music (HL.49045318).

ISBN 9781495082535. UPC: 888680656669. 9.5x12.0x0.515 inches.

The title refers to three instruments, three movements, and three ways of treating musical time. The tone of the work is serious yet as playful as the title suggests.The first movement, Ratios, opens with a series of seemingly unrelated ideas in tempo ratios of 3:2 and 4:3. As the movement proceeds, the ideas develop, transform, and superimpose in increasingly wide spirals. The slower second movement, Cycles, is a fantasy built on the strict scaffolding of an omnipresent, diatonic cantus firmus set in symmetrically expanding and contracting cycles. The quick finale, Phases, is a moto perpetuo tarantella in which the instruments move in and out of phase as they chase one another. The flowing eighth notes merge and finally unify ideas from the previous movements.