Bassoon SKU: FZ.5948 Serie II - France 1800-1860. Edited by Michel...(+)
Bassoon
SKU:
FZ.5948
Serie II -
France 1800-1860.
Edited by Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5948).
ISBN
9790230659482. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Volume 1 (Ref. 5941):
Francois Henri Joseph
CASTIL-BLAZE - Joseph
FETIS (1) - J. KUFFNER -
Etienne OZY (1) - Antoine
REICHA. Volume 2 (Ref.
5942): Frederic BERR -
BLUMER - Alexandre
Etienne CHORON (1-2) -
Francois Joseph FETIS (2)
- Jean Georges KASTNER (1
a 4). Volume 3 (Ref.
5943): Hestor BERLIOZ -
Victor CORNETTE - Charles
DUPART - Etienne HERAL et
OZY - Etienne OZY(2) - J.
WILLENT et J. B.
BORDIGNI. Volume 4 (Ref.
5944): Eugene JANCOURT.
Table of contents: Volume
1: Ozy Etienne: Nouvelle
methode de basson - 1803.
Reicha Antoine: Cours de
composition musicale -
1816. Castil-Blaze
Francois Henri Joseph:
Dictionnaire de la
musique moderne - 1821.
Fetis Francois Joseph:
Revue musicale - 1828.
Kuffner J. : Principes
elementaires - 1828.
Volume 2: Berr Frederic:
Methode complete de
basson - 1836. Choron
Alexandre Etienne: Manuel
complet de musique -
1836. Choron Alexandre
Etienne et Lafage Juste
Adrien Lenoir: Nouveau
manuel de musique - s. d.
Kastner Jean Georges:
Traite general
d'instrumentation - 1836.
Fetis Francois Joseph:
Manuel des compositeurs -
1837. Kastner Jean
Georges: Cours
d'instrumentation - c.
1837. Kastner Jean
Georges: Supplement au
cours d'instrumentation -
c. 1837. Kastner Jean
Georges: Supplement au
traite d'instrumentation
- after 1837. Blumer:
Nouvelle methode facile
et progressive - 1840.
Volume 3: Ozy Etienne:
Methode de basson - 1843.
Berlioz Hector: Grand
traite d'instrumentation
- 1844. Willent J. et
Bordogni J. B. : Methode
complete pour le basson -
1844. Cornette Victor:
Methode de basson - c.
1854. Dupart Charles:
Methode polyphonique -
1859. Heral et Ozy
Etienne: Petite methode
de basson - s. d. Volume
4: Jancourt Eugene:
Methode theorique et
pratique - 1847.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). - Hector
Berlioz Library, National
Conservatory of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the bassoon.
Bassoon SKU: FZ.5942 Serie II - France 1800-1860. Edited by Michel...(+)
Bassoon
SKU:
FZ.5942
Serie II -
France 1800-1860.
Edited by Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5942).
ISBN
9790230659420. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Frederic BERR - BLUMER -
Alexandre Etienne CHORON
(1-2) - Francois Joseph
FETIS (2) - Jean Georges
KASTNER (1 a 4). Table of
contents: Berr Frederic:
Methode complete de
basson - 1836. Choron
Alexandre Etienne: Manuel
complet de musique -
1836. Choron Alexandre
Etienne et Lafage Juste
Adrien Lenoir: Nouveau
manuel de musique - s. d.
Kastner Jean Georges:
Traite general
d'instrumentation - 1836.
Fetis Francois Joseph:
Manuel des compositeurs -
1837. Kastner Jean
Georges: Cours
d'instrumentation - c.
1837. Kastner Jean
Georges: Supplement au
cours d'instrumentation -
c. 1837. Kastner Jean
Georges: Supplement au
traite d'instrumentation
- after 1837. Blumer:
Nouvelle methode facile
et progressive - 1840.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the bassoon.
Bassoon SKU: SU.94010764 For Bassoon. Composed by James Lee III. W...(+)
Bassoon
SKU:
SU.94010764
For
Bassoon. Composed by
James Lee III. Woodwinds,
Bassoon. Score. Subito
Music Corporation
#94010764. Published by
Subito Music Corporation
(SU.94010764).
Dedicated to
Bryan Young, Principal
Bassoon, Baltimore
Chamber OrchestraBassoon
Duration: 5'3 Composed:
2020 Published by: Subito
Music Publishing PROGRAM
NOTE: The year 2020
has definitely been a
very challenging year
with many upheavals.
During this time of the
COVID-19 health crisis,
wearing masks, and high
racial tensions, I
decided to compose four
short solo woodwind works
for flute, oboe,
clarinet, and bassoon,
which represent the core
woodwind section in an
orchestra. I was inspired
to compose these short
pieces after I first
heard Igor Stravinsky's
three short pieces for
clarinet, which totals a
little more than four
minutes in duration. I
thought that it would be
nice to highlight and
honor my African-American
male colleagues in the
orchestral music world. I
wanted to celebrate the
fact that they are the
principal player in the
section of their
respective orchestras.
The short pieces are as
follows: Principal
Brother No. 1 for flute
solo for Demarre McGill,
Principal Flute of the
Seattle Symphony
Orchestra, Principal
Brother No. 2 for oboe
solo for Titus Underwood,
Principal Oboe of the
Nashville Symphony
Orchestra, Principal
Brother No. 3 for
clarinet solo for Anthony
McGill, Principal
Clarinet of the New York
Philharmonic, and
Principal Brother No. 4
for bassoon solo for
Bryan Young, Principal
Bassoon of the Baltimore
Chamber Orchestra. These
works all begin with
notes that are
representative of their
name; D for Demarre, B
for Titus (ti in
solfège starting on
C), A for Anthony, and Bb
for Bryan. There is also
a rhythmic figure in the
opening measures of each
piece, which represent
the utterance of their
names. All four of these
works are rhapsodic in
nature with elements of
improvisation. - James
Lee III.