Bassoon

SKU: SU.26200010

For Bassoon. Composed by André E. Godsey. Woodwinds, Bassoon. Unaccompanied. Score. Subito Music Corporation #26200010. Published by Subito Music Corporation (SU.26200010).

This Bassoon solo is intended to be played in one minute. It was inspired by the movie, March of the Penguins. Bassoon Duration: 1’ Composed: 2014 Published by: Dr. André E. Godsey Sr.

By Barrick Stees, bassoon; Philip Hosford, piano. By Various. For bassoon solo. Mark Records. Classical. Audio CD. Published by Mark Custom Music

(Bassoon, Book 1). By Andrew Balent. Arranged by Andrew Balent. For Bassoon. Student book. Standard notation. 32 pages. Published by Carl Fischer student book

(Bassoon, Book 2). By Andrew Balent. Arranged by Andrew Balent. For Bassoon. Student book. Standard notation. 32 pages. Published by Carl Fischer . student book.

And Small Orchestra. By Sir Andrzej Panufnik. (Bassoon). Boosey and Hawkes Chamber Music. Published by Boosey and Hawkes.

Composed by Marcel Bitsch (1921-). Leduc. Classical. Softcover. 24 pages. Alphonse Leduc #AL20602. Published by Alphonse Leduc

Composed by Eugene Bozza (1905-1991). Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL24005. Published by Alphonse Leduc

And Small Orchestra. By Sir Andrzej Panufnik. (Full Score). Boosey and Hawkes Scores and Books. 43 pages. Published by Boosey & Hawkes.

Bassoon

SKU: BT.MUSM570362271

Bassoon. Composed by Philip Venables. Classical. Book Only. 12 pages. University of York Music Press #MUSM570362271. Published by University of York Music Press (BT.MUSM570362271).

English.

Metamor phoses after Britten was written for Melinda Maxwell, for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010. I - A Mountain II - Fixation III - Flowers IV - Fountains Metamorphoses after Britten by philipvenables Metamorphoses after Britten are just that: four miniatures, each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement, over its short course, transforms gradually from one thing to another, ending, with the exception of Fountains, in a short, cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces. I verymuch viewed these pieces as musical Haiku, and in that sense I hope they embody a sense of peace, brevity and simplicity. The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell. The saxophone version of Metamorphoses after Britten, with an additional movement, is dedicated to Vicki and Andrew Vaughan      - Philip Venables     .< /p>