Complete Study of the Bassoon: Part 1 - Scales and Daily Exercises for Bassoon. Composed by Fernand Oubradous. Leduc. Instruction. Softcover. 30 pages. Alphonse Leduc #AL19634. Published by Alphonse Leduc

Bassoon

SKU: ST.C383

Composed by Louis Drouet. Wind & brass music. Clifton Edition #C383. Published by Clifton Edition (ST.C383).

ISBN 9790570813834.

A Study in all Keys for Bassoon, (transcribed by Martin Gatt from Study in all Keys for Flute by Louis Drouet)..

The first edition of this work was published by Phylloscopus Publications in 2000.

Drouet’s Study in all Keys is typically virtuosic and technically demanding, and well suited to the flute. It extends over 365 bars, moving through all the tonalities, as the title suggests. There is no comparable exercise in the bassoon repertoire, and Martin Gatt has provided a transcription of this teaching aid for the benefit of post-Grade 8 students.

Louis Drouet (1792 – 1873) was a famous flautist, born in Amsterdam. It is recorded that he played at the Paris Conservatoire, aged seven, and that he was a composition pupil of Méhul and Reicha. He toured with his father in the early years of the 19th century, and was appointed court soloist to the King of Holland in 1808. A similar appointment with the Emperor of France followed in 1811. He was a very successful performer and when the monarchy was restored in France, he became first flute in the Royal Chapel. In 1817, he appeared in London to great acclaim. He spent three years in Naples as Director of the Royal Opera, then disappeared from view until Mendelssohn persuaded him to return to the concert circuit. He visited Paris, London, New York and Frankfurt, and spent 15 years in Gotha, Germany.

Bassoon solo
Former Spartan Press Cat. No.: PP340.

For Solo Bassoon. Composed by Oliver Knussen (1952-). Woodwind - Bassoon Method or Collection. Faber Edition. Book. 12 pages. Faber Music #12-0571536573. Published by Faber Music

By Sofia Gubaidulina (1931-). For Bassoon, Strings (Study Score). Study Score. 64 pages. Hal Leonard #SIK1978. Published by Hal Leonard

Selected from the Vocalises of Marco Bordogni. By Marco Bordogni. Edited by Larry Clark; Sean Oloughlin. For Bassoon. Melodious Etudes. Classical. Soft Cover. 80 pages. Published by Carl Fischer.

Study Score. By Wolfgang Amadeus Mozart. Arranged by Viktor Junk. (Study Score). Schott. 43 pages. Published by Eulenburg.

Concerto for Bassoon and Orchestra K. 191 (186d). By Wolfgang Amadeus Mozart. Edited by Franz Giegling. For Bassoon Solo, Orchestra. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition. Published by Baerenreiter-Taschenparti turen (German import).

Edited by Nilo W. Hovey. McDowells. For Bassoon. Woodwind - Bassoon Method or Collection. Book. 32 pages. Published by Alfred Publishing.

15 Easy Solos for Contest and Performance. Arranged by Philip Sparke. Instrumental Play-Along. Classical, Collection, Contest, Festival. Softcover Media Online. 16 pages. Published by Hal Leonard

Bassoon

SKU: SU.27070040

For Bassoon. Composed by Jacob Reed. Woodwinds, Bassoon. Score. Rosenthal Publications #27070040. Published by Rosenthal Publications (SU.27070040).

A character study in mischief. While technically challenging, the real opportunity for the performer is to fully develop the character of each movement. For the advanced bassoonist looking to have some fun. See the composer's website for audio and visual preview. Bassoon Duration: 6' Composed: 2005 Published by: Rosenthal Publications.

Waterhouse 30 Classical Studies by Gunther Joppig. Edited by Various. For Bassoon. Universal Fagott Edition. Full score (study). Standard notation. Published by Universal Edition

Bassoon (solo bassoon, 2120; 2000; timpani, 3 percussion, piano; strings)

SKU: SU.90210010

For Bassoon. Composed by Eduardo Alonso-Crespo. Orchestra. Study Score. Composed 1996. Duration 24'. Subito Music Corporation #90210010. Published by Subito Music Corporation (SU.90210010).

Instrumentation : solo bassoon, 2120; 2000; timp, 3 perc, pno; stgs Duration: 24' Full Score & Parts: available on rental Composed: 1996 Published by: Subito Music Publishing.

Composed by Marcel Bitsch (1921-). Leduc. Classical. Softcover. 24 pages. Alphonse Leduc #AL20602. Published by Alphonse Leduc

Bassoon

SKU: GI.G-M3BSN

Sing Drum and Play. Composed by James Froseth. Band Method. Other Band Methods. Music Education. Book. 32 pages. GIA Publications #M3BSN. Published by GIA Publications (GI.G-M3BSN).

English.

For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.

1 Solo Bassoon - Grade 3

SKU: FL.FX073967

Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. FLEX Editions #FX073967. Published by FLEX Editions (FL.FX073967).

A small study in a classical form - Pascal PROUST ;

A piece to be played from 4 years of practice. ; Instruments: 1 Solo Bassoon; Difficuly Level: Grade 3.

Composed by Ludwik Milde. Edited by William Short; Benjamin Kamins. Instructional Method. Book. With Standard notation. Opus 24. 40 pages. Theodore Presser Company #414-41219. Published by Theodore Presser Company (PR.414412190).

For Bassoon. Paperback. Reference, Educational. Chart. 4 pages. Published by Santorella Publications

Bassoon

SKU: GI.G-MBSN

Introducing the Instruments. Composed by James Froseth. Band Method. Other Band Methods. Music Education. Book. 32 pages. GIA Publications #MBSN. Published by GIA Publications (GI.G-MBSN).

English.

For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.

By Bruce Pearson. (Soe). band method. Level: Book B,2. Music book. Published by Neil A. Kjos Music Company.

Bassoon

SKU: GI.G-MS1BSN

Solos & Ensembles. Composed by James Froseth. Band Method. Other Band Methods. Music Education. Book. 32 pages. GIA Publications #MS1BSN. Published by GIA Publications (GI.G-MS1BSN).

English.

For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.

(for Solo Bassoon or with Piano Accompaniment). Composed by Arthur Cohn. For Bassoon. Score and part(s). Standard notation. 5 pages. Theodore Presser Company #164-00044. Published by Theodore Presser Company

Bassoon

SKU: GI.G-M1BSN

Sing Drum and Play. Composed by James Froseth. Band Method. Other Band Methods. Music Education. Book. 32 pages. GIA Publications #M1BSN. Published by GIA Publications (GI.G-M1BSN).

English.

For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.

Bassoon

SKU: GI.G-M2BSN

Sing Drum and Play. Composed by James Froseth. Band Method. Other Band Methods. Music Education. Book. 32 pages. GIA Publications #M2BSN. Published by GIA Publications (GI.G-M2BSN).

English.

For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.

Bassoon

SKU: GI.G-MS2BSN

Tunes For Developing Technique. Composed by James Froseth. Band Method. Other Band Methods. Music Education. Book. 17 pages. GIA Publications #MS2BSN. Published by GIA Publications (GI.G-MS2BSN).

English.

For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.

7 Vignettes. Composed by Howard J. Buss (1951-). These colorful musical scenes from the city are excellent study and recital pieces. 20th Century. Solo part. Composed 1986. Duration 10'. Published by Brixton Publications (B7.B304).