By Steve Reyes. Arranged by Steve Hawk. For Big Band. Medium - Difficult. Score and parts. Published by Walrus Music Publishing

By Steve Allen. Arranged by Tom Kubis. For big band. Medium to difficult. Score and parts. Published by Walrus Music Publishing Score and Parts

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Flugelhorn 1, Flugelhorn/Trumpet 2-5, Trombone 1-3, Bass Trombone 4-5, Piano, Acoustic Bass, Drums) - easy to intermediate

SKU: M7.SMP-1230

Piano Feature. Composed by Rich DeRosa. Sheet music. Score and parts. Handelsware #SMP 1230. Published by Handelsware (M7.SMP-1230).

Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has written an exquisite ballad in dedication to Neil Slater (UNT Jazz Studies chair and director of One O'Clock Lab Band, retired). Originally recorded by the UNT One O'Clock Lab Band on their album Lab 2015, 'Neil' features the piano with a lot of room to improvise, combined with gorgeous, lush, legato ensemble passages. Quite playable by most bands, this chart has very limited brass ranges (highest note for trumpet is a written G) and will be a fantastic addition to any concert program! This 'pro' version requires 10-brass. 5-5-5-3.

Big band - difficult

SKU: M7.SMP-1235

Concert Jazz, Odd-Meter. Arranged by Fred Sturm. Sheet music. Score and parts. Handelsware #SMP 1235. Published by Handelsware (M7.SMP-1235).

Based on a traditional Native American song, Fred Sturm has created a truly amazing masterpiece capturing the beauty of the melody with the intricacies and creativity of a big band. Set in 15/8, this odd-metered tune features flute up front, with solo space for piano and bass, and plenty of powerful ensemble passages. If your band is up to it, you will not regret performing Pueblo de Taos, and your audiences will be delighted with such a bold, fresh selection. 5-4-4-4

Flute/Alto Sax 1 (Solo), Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet/Flugelhorn 1, Trumpet/Flugelhorn 2, Trumpet/Flugelhorn 3, Trumpet/Flugelhorn 4, Trombone 1, Trombone 2, Trombone 3, Bass Trombone 4, Piano (Solo), Guitar, Bass (Solo), Drums.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-5, Trombone 1, Trombone 2, Trombone 3, Bass Trombone 4, Bass Trombone 5 (Solo), Piano, Guitar, Bass, Drums) - difficult

SKU: M7.SMP-1156

Bass Trombone Feature. Composed by Jerome Kern, Otto Harbach, and Stanley Newcomb Kenton. Arranged by Johnny Richards. Sheet music. Score and parts. Handelsware #SMP 1156. Published by Handelsware (M7.SMP-1156).

Originally arranged for George Roberts and the Stan Kenton Orchestra, Johnny Richards' treatment of the beautiful ballad Yesterdays is a bass trombone feature throughout. In typical Kenton fashion, the ensemble writing is stunning, as it dramatically interplays with the featured soloist. Never having been recorded on a Kenton album, this rare gem is a ballad that will challenge your band and astound your audiences. 5-5-5-4.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1, Flugelhorn/Trumpet 2-5, Trombone 1-3, Bass Trombone 4-5, Piano, Bass, Drums) - advanced

SKU: M7.SMP-1151

Ballad. Composed by Cole Porter and Stanley Newcomb Kenton. Arranged by Lennie Niehaus. Sheet music. Score and parts. Handelsware #SMP 1151. Published by Handelsware (M7.SMP-1151).

English.

This is a beautiful, lush, straight-eighth ballad on the popular Cole Porter tune Easy To Love. Arranged by Lennie Niehaus, this short (and quite dancable) chart exemplifies the Kenton-esque warm and rich ensemble sound we all love. There is solo space for piano (written out) and for alto saxophone. Originally recorded by the Stan Kenton Orchestra on their album Sophisticated Approach, this popular tune out of the Great American Songbook will put a smile on any audience's face. 5-5-5-3.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Flugelhorn 1, Flugelhorn/Trumpet 2-4, Trombone 1-3, Bass Trombone 4, Piano, Acoustic Bass, Drums) - easy to intermediate

SKU: M7.SMP-1231

Ballad. Composed by Rich DeRosa. Sheet music. Score and parts. Handelsware #SMP 1231. Published by Handelsware (M7.SMP-1231).

Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has written an exquisite ballad in dedication to Neil Slater (UNT Jazz Studies chair and director of One O'Clock Lab Band, retired). Originally recorded by the UNT One O'Clock Lab Band on their album Lab 2015, 'Neil' features the piano with a lot of room to improvise, combined with gorgeous, lush, legato ensemble passages. Quite playable by most bands, this chart has very limited brass ranges (highest note for trumpet is a written G) and will be a fantastic addition to any concert program! This 'edited' version is exactly like the 'pro' version except it only requires 8-brass. 5-4-4-3.

Big band - difficult

SKU: M7.SMP-615

Trumpet Feature. Composed by Bill Holman and Stanley Newcomb Kenton. Sheet music. Trumpet Feature. Score and parts, condensed score. Handelsware #SMP 615. Published by Handelsware (M7.SMP-615).

English.

Buddy Childers, that is! Willis wrote this for Buddy in 1954, and it is recorded on the Kenton Showcase album (This music is available from Mosaic Records in their Russo/Holman CD set.). A terrific feature for your stellar trumpet player. 5-5-5-4 (condensed score).

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1 (Solo), Tenor Sax 2 (Solo), Baritone Sax, Trumpet 1-4, Trombone 1, Trombone 2, Bass Trombone 3, Trombone 4 (opt.), Piano & Guitar, Bass, Drums) - advanced

SKU: M7.SMP-1215

Swing. Composed by Billy Byers. Sheet music. Score and parts. Handelsware #SMP 1215. Published by Handelsware (M7.SMP-1215).

As recorded by the Count Basie Orchestra on their album Count Basie's Finest Hour, Doodle Oodle is a barn-burning Billy Byers original. In usual Basie fashion, this chart swings its tail off with incredible ensemble passages, and provides for plenty of solo space for both tenor saxophonists to dual it out. Dramatic and flashy from beginning to end, this chart is guaranteed to be a band and audience favorite alike! 5-4-4-4.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1-3, Bass Trombone, Piano, Bass, Drums) - difficult

SKU: M7.SMP-1159

Swing. Composed by Julian Cannonball Adderley and Victor Feldman. Arranged by Oliver Nelson. Sheet music. Score and parts. Handelsware #SMP 1159. Published by Handelsware (M7.SMP-1159).

English.

Oliver Nelson delivers great arrangement after great arrangement, and this one is no exception! A quick, uptempo swing tune, Gon Gong is the perfect opener for any program. Featuring primarily solo space for alto and trumpet, this chart is packed full of energy and excitement that will surely keep your audiences fully engaged from beginning to end! Originally recorded on Cannonball Adderley's album Domination. 5-4-4-3.

Big band (Alto Sax 1 (Solo as played by Cannonball), Alto Sax (Melody Alone), Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet, Trumpet 1-4, Trombone 1-3, Bass Trombone 4, Piano, Bass, Drums) - advanced

SKU: M7.SMP-1150

Alto Sax Feature. Composed by Cole Porter and Julian Cannonball Adderley. Arranged by Oliver Nelson. Sheet music. Score and parts. Handelsware #SMP 1150. Published by Handelsware (M7.SMP-1150).

English.

This arrangement by Oliver Nelson is a gorgeous alto saxophone feature of Cole Porter's I Worship You. The alto player can either perform the solo part (completely written out) as originally played and recorded by Cannonball Adderley on his album Domination, or can choose to read the basic melody and improvise. There is also short solo space for piano. Clarinet doubles are required, but the ensemble writing is very playable. This is a great alto feature on a beautiful melody! 5-4-4-3.

Big band - advanced

SKU: M7.BARN-32371500

Trombone Section Feature. Composed by Lenny Stack. Sheet music. Score and parts. Duration 5'. Handelsware #BARN 32371500. Published by Handelsware (M7.BARN-32371500).

English.

Feature your trombone section with this solid Lenny Stack chart that features contemporary rock rhythms and a huge ensemble sound. Contains plenty of solo space for any soloists of your choosing, and an infectious groove that players and audiences will love. Will certainly challenge your trombone section, but the results are well worth the effort. A real winner!