Ed. Marte. Par VIVALDI ANTONIO. Vivaldi's classic work, arranged for Solo Voices, mixed chorus and orchestra. Edited by Mason Martens. Lost soon after the composer's death, little if anything was known of this spectacular choral setting until it's rediscovery in 1920, with the first modern performance finally happening in the autumn of 1939. Since then the work has become a proven favourite with choral societies, choirs and gala performances across the world. This vocal score includes a full Piano reduction of the orchestral material. / Niveau : Elémentaire / Répertoire / Chorale

I Never Saw a Moor (after Emily Dickinson): This piece expresses a steadfast faith in God, and thus the central message of Dickinson's poem. The music describes feelings of trust and wonder, joy and gratitude. The piece was commissioned for the German women's choir Cant'Ella, who premiered it in Mönchengladbach (Germany) on 25 October 2014 in a concert celebrating the choir's 20th anniversary. / Choeur Mixte

Latin Church Music. Par TALLIS THOMAS. EECM 64 focuses on Latin polyphony by Thomas Tallis that is either demonstrably Henrician or can plausibly be dated to before 1547, and includes the Mass Salve intemerata and several Latin antiphons. A reconstruction of the contrafact Se lord and behold (with words by Henry VIII?s sixth wife, Catherine Parr) is published here for the first time, after the manuscript was discovered during renovations to Corpus Christi College, Oxford. / Date parution : 2022-10-25/ Répertoire / Choeur

Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful features. Brahms conducted the first major performance of the German Requiem in Bremen Cathedral in April 1868. The occasion — attended by many distinguished musicians, among them Clara Schumann — provided the 34-year-old composer with his first great public success. Scored for mixed chorus, solo voices, and full orchestra, the Requiem reflects Brahms' virtuosic grasp of nineteenth-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. Above all, it radiates Brahms' stalwart individuality, technical mastery, and stirring emotional appeal, which were soon to secure his unique position in the musical world. More than a century after its debut, this masterpiece of choral music is one of the most performed and recorded works in the repertoire of religious music. Reprinted in full score, including solo voices, chorus and orchestra, from definitive Breitkopf & Härtel edition. A reproduction of the Breitkopf and Hartel edition. / Musique religieuse / Répertoire / Choeur