Composed by Various. Edited by Klaus Brecht and Klaus Konrad Weigele. Carus sheet music series: Chorissimo, Choral collections for Coro SAM, Choral collections for children's choir. With CD. Sacred vocal music, Songs for children, Christmas Carols, Secular choral music. Choral collection. Carus Verlag #CV 02.221/00. Published by Carus Verlag

Choral

SKU: HL.35031314

Classic Rhymes for Modern Times. Composed by Mark Burrows. Arranged by Mark Burrows. Shawnee Press. Collection, Elementary. Softcover Audio Online. 40 pages. Published by Shawnee Press (HL.35031314).

ISBN 9781495077791. UPC: 888680650469. 8.5x11 inches.

Mark Burrows gave us “The Ultimate Gettin' Down with Mama Goose” in a collection packed with music, rhyme and fun! His creative mind continues using the Mother Goose rhymes in this collection, GETTIN' DOWN WITH MAMA GOOSE 4.0, inspiring teachers and students with a variety of subjects, musical styles, texts, languages and smart activities that take learning to a whole new level all while reinforcing literacy! This budget stretcher features piano/vocal arrangements, as well as digital access to performance/accompaniment audio recordings and singer PDFs for projection and reproducible options. Songs include: Mama Goose Is Ready, Little Bo, Jack and Jill, Knick-Knack, Miss Mary Mack, Humpty Dumpty and more! Suggested for grades K-3.

Choral

SKU: BT.MUSM570367917

Composed by Thomas Simaku. Classical. Vocal Score. University of York Music Press #MUSM570367917. Published by University of York Music Press (BT.MUSM570367917).

Thomas Simaku's  La Leggiadra Luna  arranged for choir a capella. The music begins with a song-like expression introduced at a slow pace, as if emerging from the remoteness of time itself. It is clearly based on the musical utterance of the 'white modality', but these modal segments are constantly surrounded by chromatic inflections throughout the work. Each section of the choir pursues its own path, but during a compositional process of ‘zooming in and out’, as it were, their individual qualities are highlighted. It is as if the initial sound object - which to begin with was far away- is brought nearer to us, in time and space. A variety of shortsegments, predominantly modal, but stemming from different chromatic ‘locations’, are often superimposed. The task of filtering out this 'amourphous' texture and giving its constituent elements - be they melodic or harmonic, or a combination of both - a renewed identity, becomes an essential compositional aim, through which the process of crystallization occurs. The main strategy of the piece is thus exploring the interrelationship between these two sound-worlds (modal and chromatic) and their temporal qualities (ancient and modern), musical or otherwise.