For Chamber Chorus. Par BERIO LUCIANO. Italian / Classique / Répertoire / Choeur

Par LACORCIA SCIPIONE. Ce recueil contient 14 madrigaux à 5 voix, composés au début du XVIIe siècle. L'écriture de Lacorcia suit les tendances du genre madrigalesque polyphonique de son temps : culte de la varietas, de la surprise, se traduisant par une alternance de passages lents, tendus, expressifs, plutôt verticaux et volontiers chromatiques et de sections plus vives, volontiers fuguées, diatoniques et  lumineuses. / Date parution : 2014-11-01/ Recueil / 5 Voix

Cadre contemporain de Jay basé sur ce texte intemporel et poignant mérite une place dans votre prochaine saison de concerts. Littérature chorale superbe, garantie de toucher tous ceux qui l'entendent. Comme une addition spéciale, projeter des images animées de la VideoTrax DVD sur grand écran lors de l'exécution. / Choeur

Par SHEPPARD JOHN. Edited by David Chadd The music of John Sheppard, who was about ten years younger than Tallis, dates from the uncertain times of the Reformation and the reigns of Edward VI and Mary. Perhaps his most impressive work is to be found in his cantus firmus responds, which reflect the considerable musical importance that some choral foundations attached to Matins and Vespers on special feast-days in the last decades of the Sarum rite./ Recueil / Chorale

Par BREWER HERBERT A.. Organist of Gloucester Cathedral from 1896 till his death in 1928, as well as composer, choir-trainer, adjudicator and teacher, Sir Herbert Brewer was involved for over three decades with the Three Choirs Festival, and his Memories of Choirs and Cloisters offers a vivid account of the planning and execution of the festivals in that time, those at Gloucester in particular. Though his professional life was spent exclusively in the provinces, his championing of contemporary music brought him into wide contact with composers and other artistic figures both from Britain and the continent, including Robert Bridges, Elgar, Glazunov, Rider Haggard, Parry, Quiller-Couch, Ravel, Saint-Saëns and Sibelius (whose Luonnotar he premiered). John Morehen's fine new edition places Brewer's lively and insightful recollections of these and other encounters and connections in context for the modern reader, making the book an important addition to our fuller understanding of a remarkable period in British music. Neither a conventional autobiography nor a diary, but a collection of reminiscences compiled towards the end of his life, Brewer's Memories reveals a scrupulous and astute musician of great integrity, warm-hearted with a devotion to social justice and civic duty, and with a mischievous sense of humour./ Recueil / Choeur

Une chanson de signature du groupe des années 1970 The Three Degrees, ce hit soul fonctionne pour les ensembles de toute taille dames. Ajoutez les parties instrumentales pour ce contact spécial! / Choeur

Arrangeur: Alfred Mann. Par HAENDEL GEORG FRIEDRICH. The best-known and most beloved large-scale musical work in the English-speaking world, Messiah was first performed in Dublin over 200 years ago to benefit local charities. Since that time, it has given millions of performers their primary experience in singing classical music. Today it is the supreme example of the English oratorio. A meditation on the life of Christ, the work is a brilliant amalgam of traditional Italian opera, English anthem, and German Passion. Reprinted from the authoritative edition prepared by noted musical scholar Alfred Mann, this inexpensive, full-score edition will be welcomed by students, musicians, singers, and music lovers who will want to study and savor every detail of this glorious masterpiece. Reprint of the Rutgers University Documents of Music, 1959, 1961, and 1965 editions. Handel's masterpiece Messiah, the most frequently performed of his choral works, composed in 1741. An inspiring sacred oratorio with spontaneous melodies, and bright orchestration from the first aria Every Valley Shall Be Exalted, to the thunderous final Amen chorus. Complete full score, edited by Alfred Mann./ Répertoire / Choeur

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally. This practice, common in Schütz's time, has been incorporated into Bärenreiter's new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound 'colla parte?. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.- Reflects the latest in musicological research based on the 'New Schütz Edition?- Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert- Instrumental parts (strings, winds) available in transpositionsManfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the 'Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble 'Weser-Renaissance Bremen?. / Choeur Mixte Et Basse Continue

Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful features. Brahms conducted the first major performance of the German Requiem in Bremen Cathedral in April 1868. The occasion — attended by many distinguished musicians, among them Clara Schumann — provided the 34-year-old composer with his first great public success. Scored for mixed chorus, solo voices, and full orchestra, the Requiem reflects Brahms' virtuosic grasp of nineteenth-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. Above all, it radiates Brahms' stalwart individuality, technical mastery, and stirring emotional appeal, which were soon to secure his unique position in the musical world. More than a century after its debut, this masterpiece of choral music is one of the most performed and recorded works in the repertoire of religious music. Reprinted in full score, including solo voices, chorus and orchestra, from definitive Breitkopf & Härtel edition. A reproduction of the Breitkopf and Hartel edition. / Musique religieuse / Répertoire / Choeur

The 'Christmas Choirbook' is a collection of up-to-date, colorful arrangements of 22 Christmas songs from throughout the world. Among classics, dressed in new harmonic sounds, you will enjoy jazz and pop intonations, as well as gospel renditions of 'Go Tell It' and 'Joyful'. The skandinavien Christmas songs are particularly special: contemplative and musical, even droll as in the story about the Christmas troll in the finnish 'Tomtarnass Julnatt'.The 'Christmas Choirbook' offers many stylistic choices for the Christmas and Advent season choir music, so let the available CD (ED 9896-50) inspire you in the joyful singing of these pieces. Of course the recordings, meant only as a first and hopefully appealing impression, represent only a few of the many possible interpretations you will bring to the arrangements.Full verses were intentionally not recorded, although we did overlay simple instrumental accompaniments to the a cappella movements. In addition, the CD includes pure choire versions as well as some 'sing-a-longs', i.e. instrumental tracks for you to use as half-playback. / Choeur

Par SARTIN PAUL. The Community Choir Collection: Folk comprises 50 folk songs for all seasons, from all parts of the British Isles, specially arranged for mixed voices by Paul Sartin, founding member of award-winning folk ensembles such as Belshazzar's Feast, Faustus and Bellowhead. Additional information includes song history, context and performance tips. The songs are arranged in a variety of formats and are suitable for choirs of all abilities. Featuring An Acre Of Land (Scarborough Fair), Danny Boy, She Moved Through The Fair, Ye Banks and Braes, Siuil A Ruin and Ar Hyd Y Nos (All Through The Night)./ Recueil / Choeur Mixte

Little Voices Film Songs brings together five movie favourites specially selected and arranged in two parts for young groups and choirs. The included CD contains complete vocal and piano versions plus piano-only accompaniments to each song. Each themed book in the Little Voices series contains five songs that make a perfect introduction to the part-singing for beginner groups. / Chant Et Piano

Händel, Georg Friedrich Solomon HWV 67 Oratorio in three acts Composed in 1748, Handel?s oratorio on the wise and righteous King Solomon is one of the most lavish works he created in this genre. He attached special importance to the choir: rarely does Handel?s music have such extended choral numbers, ranging from homophonic settings to choruses of jubilation in eight contrapuntal parts. This vocal score is based on the ?Halle Handel Edition? volume BA 10709. - Urtext edition based on the ?Halle Handel Edition? - Bilingual foreword (Ger/Eng) - Clear idiomatic piano reduction Edition no.: BA 10709-90 ISMN: 9790006544486 Editor: Clausen, Hans Dieter Arranger: Köhs, Andreas Language(s) of work: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: XI, 338 S. - 27,0 x 19,0 cm

Par CIFRE E.. Parte I: Polifonía religiosa - Parte II: Polifonía profana - Parte III: Canciones populares La publicación de esta escogida serie de partituras corales está dedicada a los profesores y alumnos de las clases de Conjunto Vocal y de Dirección de Coros de los Conservatorios, si bien su utilización puede ser igualmente beneficiosa para toda persgrupo que esté intentando iniciar la formación de un coro, o tan sólo cantar musicalmente a varias voces / Hymnes et chorals / Recueil / Choeur