(Medley Discovery Level 2). Composed by Irving Berlin. Arranged by Mac Huff. For...(+)
(Medley Discovery Level
2). Composed by Irving
Berlin. Arranged by Mac
Huff. For Choral
(ShowTrax CD). Discovery
Choral. CD only.
Published by Hal Leonard
From Like Dust I Rise (A Choral Song Cycle). Composed by Mark Haye...(+)
From Like Dust I
Rise (A Choral Song
Cycle). Composed
by Mark Hayes.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
16 pages. Alfred Music
#00-46424. Published by
Alfred Music (AP.46424).
Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed ...(+)
Chorus (with soloists)
and piano
SKU:
BR.EB-8450
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Arranged
by Andreas Kohs. Choir;
Softbound. Edition
Breitkopf. Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary. Have a look
into EB 8450.
Oratorio/passion;
Baroque. Piano/Vocal
Score. 300 pages.
Duration 120'. Breitkopf
and Haertel #EB 8450.
Published by Breitkopf
and Haertel (BR.EB-8450).
ISBN 9790004184936.
7.5 x 10.5
inches.
Messiah
1741 - new light on
Handel's masterpiece The
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start. Messiah 1741 - the
first and only complete
edition of Handel's
autograph score Thorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation) It offers
a reconstruction of the
wind parts according to
contemporary sources
Piano vocal score with
contemporary vocal
ornamentation First
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternative The
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons. Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle. (Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
October/November 2016. By One Direction. By Camille Saint-Saens (1835-192...(+)
October/November
2016. By One
Direction. By Camille
Saint-Saens (1835-1921),
John Jacobson, Roger
Emerson, and Rollo
Dilworth. Arranged by
Emily Crocker, Janet Day,
John Higgins, and Tom
Anderson. Music Express.
Softcover Media Online.
56 pages. Published by
Hal Leonard (HL.160523).
Nisi Dominus Chorale [Conducteur] Breitkopf & Härtel
Chorus and piano SKU: BR.PB-5322 Urtext. Composed by Claudio Monte...(+)
Chorus and piano
SKU:
BR.PB-5322
Urtext. Composed
by Claudio Monteverdi.
Edited by Rudolf
Ewerhart. Choir; stapled.
Partitur-Bibliothek
(Score Library).
Renaissance/early
Baroque. Full score. 32
pages. Breitkopf and
Haertel #PB 5322.
Published by Breitkopf
and Haertel (BR.PB-5322).
ISBN 9790004209967. 9
x 12 inches.
Am
Beginn des zweiten Teils
halt die Komposition mit
tanzerischer Musik Einzug
auf dem Ball ehe es
schliesslich wieder durch
die winterliche Nacht
nach Hause geht. Die
historische Einrichtung
fur Streicher mit
kindgemassen
Spielzeuginstrumenten hat
Franz-Theodor
Cursch-Buhren bereits
1896 bei Breitkopf &
Hartel veroffentlicht.
Die Violinschule ist die
erste bedeutende
Abhandlung des
Geigenspiels in deutscher
Sprache. Leopold Mozart
geht dabei vor allem auf
die durch Tartini und
Locatelli gepragte
italienische Violinkunst
zuruck. In seiner
Darstellung wird auch das
direkte Umfeld von
Wolfgang Amadeus Mozarts
musikasthetischer
Unterweisung erkennbar.
wohl erstmals 1813 durch
eine Notenausgabe des
Musikverlags Hofmeister.
In der ,,Kinder-Symphonie
kommen neben der ublichen
Orchesterbesetzung ein
Kuckuck eine Wachtel und
noch andere ungewohnliche
Instrumente zum Einsatz.
Diese gehoren zu den
,,Berchtesgadener
Instrumenten aus Holz
geschnitzte Floten
Pfeifen und Rasseln die
im Berchtesgadener Land
hergestellt wurden und
als Kinderspielzeug im
ganzen Land weit
verbreitet waren. Heute
konnen diese Instrumente
auch durch Floten
(Wasser-)Pfeifchen sowie
durch Ratschen Rasseln
oder Schellenbaum ersetzt
werden.