Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed ...(+)
Chorus (with soloists)
and piano
SKU:
BR.EB-8450
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Arranged
by Andreas Kohs. Choir;
Softbound. Edition
Breitkopf. Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary. Have a look
into EB 8450.
Oratorio/passion;
Baroque. Piano/Vocal
Score. 300 pages.
Duration 120'. Breitkopf
and Haertel #EB 8450.
Published by Breitkopf
and Haertel (BR.EB-8450).
ISBN 9790004184936.
7.5 x 10.5
inches.
Messiah
1741 - new light on
Handel's masterpiece The
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start. Messiah 1741 - the
first and only complete
edition of Handel's
autograph score Thorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation) It offers
a reconstruction of the
wind parts according to
contemporary sources
Piano vocal score with
contemporary vocal
ornamentation First
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternative The
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons. Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle. (Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
SAM Choral (SA MEN (SAMKLANG)) SKU: HL.392322 SAM-Klang Choral Series<...(+)
SAM Choral (SA MEN
(SAMKLANG))
SKU:
HL.392322
SAM-Klang Choral
Series. Composed by
Wolfgang Amadeus Mozart.
Arranged by Morten
Schuldt-jensen. Choral
Large Works. Softcover.
92 pages. Duration 210
seconds. Published by Hal
Leonard (HL.392322).
ISBN 9781705157114.
UPC: 196288030188.
7.75x10.5x0.314
inches.
Mozart's
Requiem, his last and
unfinished composition,
is one of the most famous
choral works in the
classical repertoire, a
masterpiece whose genesis
in several respects is
shrouded in mystery. The
name SAM-Klang takes the
three voice parts from
the arrangements --
Soprano, Alto and Men --
and combines it with the
Scandinavian and German
words for
ââ¬Åsoundââ
¬Â to create the
portmanteau word
ââ¬Åsound
togetherââ¬Â or
ââ¬Åharmony.Ã
â¬Â The series
offers basic and advanced
choral repertoire. In
addition to new
repertoire and new
arrangements, you will
also find essential parts
of the classical German,
Scandinavian, French and
English SATB repertoire,
carefully and
considerately reworked
for SAM. The arrangements
retain the characteristic
features of the original
movements and have almost
the same richness of
timbre, resulting in
works which sound nearly
unchanged to an audience.
Piano reductions of all
choral movements
facilitate rehearsal
preparation. The
arrangements offer
development opportunities
for all voice sections,
bringing new life and new
quality to SAM choir
work. SAM-Klang enables
youth choirs to gain
access to classical
choral literature and
ensures that mixed choirs
who face challenges in
finding singers for all
male voice parts continue
to have access to
well-loved
repertoire.
