29 Faithful Arrangements for Piano Solo and Piano, Vocal and Guitar. Par L'ESTRANGE ALEXANDER. Hans Zimmer's film scores are bold and unmistakable. Over the course of his prolific career, he has provided music for some of the world's most beloved films, including Disney's The Lion King and Christopher Nolan's The Dark Knight. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles: 160 BPM (Angels and Demons) * Ah, Putrefaction (Sherlock Holmes) * All of Them! (King Arthur) * The Burning Bush (The Prince of Egypt) * Can You Hear Your Heart? (Winter's Tale) * Cheldorado (The Road to Eldorado) * Chevaliers de Sangreal (The Da Vinci Code) * Corynorhinus (Batman Begins) * The Dark Knight Overture (The DarkKnight) * Days of Thunder (Main Title) (Days of Thunder) * Discombobulate (Sherlock Holmes) * Doomsday Is Family Time (The Simpsons Movie) * Dream Is Collapsing (Inception) * Drink Up Me Hearties (Pirates of the Caribbean: At World's End) * Driving Miss Daisy (Driving Miss Daisy) * Homeland (Main Title) (Spirit: Stallion of the Cimarron) * Honor Him (Gladiator) * In the Beginning (The Bible) * It's So Overt It's Covert (Sherlock Holmes: A Game of Shadows) * Krypton's Last (Man of Steel) * Life Goes On (A League of Their Own) * Maestro (The Holiday) * The Nativity (The Bible) * Now We Are Free (Gladiator) * Roll Tide (Crimson Tide) * Tennessee (Pearl Harbor) * This Is Clark Kent (Man of Steel) * This Land (The Lion King) * What Are You Going to Do When You Are Not Saving the World (Man of Steel). Hans Zimmer's film scores are bold and unmistakable. Over the course of his prolific career, he has provided music for some of the world's most beloved films, including Disney's The Lion King and Christopher Nolan's The Dark Knight. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles include 160 BPM (Angels and Demons), Ah, Putrefaction (Sherlock Holmes), All of Them! (King Arthur), The Burning Bush (The Prince of Egypt), Can You Hear Your Heart? (Winter's Tale), Cheldorado (The Road to Eldorado), Chevaliers de Sangreal (The Da Vinci Code), Corynorhinus (BatmanBegins), The Dark Knight Overture (The Dark Knight), Days of Thunder (Main Title) (Days of Thunder), Discombobulate (Sherlock Holmes), Doomsday Is Family Time (The Simpsons Movie), Dream Is Collapsing (Inception), Drink Up Me Hearties (Pirates of the Caribbean: At World's End), Driving Miss Daisy (Driving Miss Daisy), Homeland (Main Title) (Spirit: Stallion of the Cimarron), Honor Him (Gladiator), In the Beginning (The Bible), It's So Overt It's Covert (Sherlock Holmes: A Game of Shadows), Krypton's Last (Man of Steel), Life Goes On (A League of Their Own), Maestro (The Holiday), The Nativity (The Bible), Now We Are Free (Gladiator), Roll Tide (Crimson Tide), Tennessee (Pearl Harbor), This Is Clark Kent (Man of Steel), This Land (The Lion King), What Are You Going to Do When You Are Not Saving the World (Man of Steel). / TV, Film, Comédie musicale / Répertoire / Choeur

Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just a wonderful collection of 130 choir exercises including 50 rounds. Michael Griffin, who has taught and consulted throughout the world, shares timeless wisdom to help you get your choir into shape. 'Will prove useful for almost everyone” -Rhinegold Music Teacher Magazine. 'This is a great resource to add to one's library of rehearsal tricks.' - Anacrusis, ACCC, Canada 'Bumblebee contains excellent new ideas and extensions on some of those well-known warm-ups that we all love to use. Backed by clear explanations of the purpose of each, it is a must have, particularly for less experienced choral directors.” - S Turner, PLC, Sydney. 'Vocal physiology, singing pedagogy, and effective vocal examples to practise are excellently combined in Bumble Bee, making it a kind of 'one stop shop' for singing teachers and choir conductors. The vocal work is fun with music examples ranging in difficulty, catering for a variety of vocal contexts. The rounds are invaluable in themselves, offering participants many opportunities to make beautiful music. I even use some of these vocal exercises with my tertiary drama students, as they encourage vocal health and illustrate how the vocal mechanism works. I would highly recommend this resource to anyone who cares about voices and loves to sing well!” - S. Chapman, QLD 'This is really good stuff for all kinds of vocal groups, choirs, conductors. Bravo!!' - Harrie Spronken, Netherlands. 'This is the thinking person's guide to training a choir! Love it.' - Margaret May, Australia. 'It's great to have some fresh warm-ups to add to the repertory. Being short and repetitive by their nature, we need lots of different ones and most of these are new to my choir. The tips for actions and techniques etc. are really useful, and the advice at the back of the book has made me review some of my strategies.' - Philip Duffy, UK./ Méthode / Choeur

Meine schönsten Kinderlieder - ein Buch zum Liebhaben und Verschenken. 36 Kinderlieder, liebevoll illustriert, mit wertvollen Tipps und kleinen Anleitungen zum Vorlesen sowie klangvollen Aufnahmen auf CD warten darauf, von Kindern im Kindergartenalter entdeckt zu werden. / Choeur

- Une sélection de grands choeurs des 17e, 18e et 19e siècles proposée par Jean LAFORGE, (Directeur des Choeurs de l'Opéra de Paris de 1957 à 1987) - Un sommaire riche pour se familiariser, découvrir ou retravailler des choeurs célèbres et accessibles à / Choeur Mixte Et Piano / 228 pages / Partition

Edition de Gerhardt Roth - Helmut StegerContenu :Anonymus: Taivas on sininen / Blau ist der HimmelC.-B. Agnestig: Vem kan segla für utan vindJ. Brahms: Ich hörte ein Sichlein rauschenW.Buchenberg: Goli goggoli (Vocalise)B. Chilcott: Can you hear meM. Detterbeck: Nginesi pononoU. Führe: This calypso: Swing the arms and roll the hipsG.F. Händel: Gavotte (Vocalise)G. Helbling: Barabba Ba (Vocalise)R. Heyden: Es flog ein kleins WaldvögeleinJ. Holdstock: Calypso: Any time you need a calypso (Kanon)W. Keller: Der Mond ist aufgegangenA.E. Kopp: Ihr kleinen Vögelein (Lied)A. Koszewski: Ad musicam: Vivat, vivat, musica (Kanon)H. Langhans: Kommt zum Singen / Come and join usO. Laub: Abendstille überall (Kanon) - Den som ej kan træffe rent / If your intonation's bad (Kanon)K. Nystedt: Velsignet vaere han / Gelobt sei, der da kommtM. Praetorius: Jubilate Deo / Singet dem Herren (Kanon) - Viva, viva la musica (Kanon)G. Roth: AyeleviP.E. Ruppel: Cantate Domino (Kanon)J.A.P. Schulz: Der Mond ist aufgegangen (Lied)R. Sund: Sana sananinaT. Tallis: All praise to thee / Dank sei dir, GottM. Uherek: Cerné oci dete spát / Schwarze Augen schlaft nun einF. Werner: Das schöne Wort: Scheiden müssen bringt bittre PeinG. Wolters: O du schöner Rosengarten

Cette partition Classiques dy chant choral 1 de 68 pages est éditée par les éditions A Coeur Joie sous le numéro ACJ 53 0800. Cette partition de musique est idéale pour les amateurs de Chant Choral et plus précisément de . / Choeur Mixte / 68 pages / Partition

Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful features. Brahms conducted the first major performance of the German Requiem in Bremen Cathedral in April 1868. The occasion — attended by many distinguished musicians, among them Clara Schumann — provided the 34-year-old composer with his first great public success. Scored for mixed chorus, solo voices, and full orchestra, the Requiem reflects Brahms' virtuosic grasp of nineteenth-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. Above all, it radiates Brahms' stalwart individuality, technical mastery, and stirring emotional appeal, which were soon to secure his unique position in the musical world. More than a century after its debut, this masterpiece of choral music is one of the most performed and recorded works in the repertoire of religious music. Reprinted in full score, including solo voices, chorus and orchestra, from definitive Breitkopf & Härtel edition. A reproduction of the Breitkopf and Hartel edition. / Musique religieuse / Répertoire / Choeur

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Vocal score of this popular comic opera composed by Arthur Sullivan and W. S. Gilbert, which premiered at the London Royalty Theatre in March 1875. Includes full vocal score (The Learned Judge, Angelina (the Plaintiff), Edwin (the Defendant), Counsel for the Plaintiff, Foreman of the Jury, First Bridesmaid) with Piano accompaniment. / Niveau : Elémentaire / TV, Film, Comédie musicale / Recueil / Chant et Piano

And Other Classic American Folk Songs. Par L'ESTRANGE ALEXANDER. Ce volume est une introduction toe-dans-le-eau certains de la grande et beaucoup aimé folksons américain. Deux chansons individuelles sont présentés ici, Oh Shenandoah et Simple Gifts, qui sont complétés par un medley rugissante des airs de danse liight-hearted ligne sous le titre ' choisirait-il et Hoe vers le bas. Si vous cherchez répertoire simple et enrichissante pour votre choeur débutant, vous n'examiner pas plus loin que la chorale Basics - la série parfaite pour les chanteurs de tous âges. Les simples 3-partie chorales dispositions pour soprano, alto et une partie combinée pour voix d'hommes font le parfait de série pour les chorales avec une pénurie de mâles ou dont les mâles chanteurs ont voix instable ou changeant. La riche variété de répertoire est tenue d'être un succès auprès des jeunes chanteurs et les capacités techniques des chorales à ce niveau ont été prises en considération. Accompagnements piano simples et idiomatiques ont été inclus et visent à appuyer les lignes vocales, sans mettre la pression sur le personnel.../ Feuillet / Choeur

L'édition de Erich Schmid - à la même époque partie de l'édition de Schule Berliner édité par Ludwig Holtmeier - vise à présenter toutes les oeuvres de seize opus du compositeur suisse Erich Schmid (1907-2000) dans une édition historique, critique, pourtant pratique. Le oeuvre encore important peu, par l'élève de Schoenberg Erich Schmid a été créé à une époque où la musique de douze-note n'était pas à la mode en Suisse. ' Vier Chöre ' op 15 (1930 et 1940) - fondé sur des textes du poète-travailleur Bruno Schönlank, présenté dans ce premier volume de la série - remontent à l'époque étudiant de Schmid avec Arnold Schoenberg à Berlin et était composée durant une période importante étude du compositeur qui attend les nouvelles idées et l'inspiration de Schoenberg après ses études à Francfort. / Choeur Mixte

Les 'Choirs Books? de Carsten Gerlitz constituent depuis longtemps un bon tuyau pour les amateurs de musique populaire pour choeur. Les arrangements, raffinés mais néanmoins faciles à chanter, apportent des accents nouveaux et un vent frais dans les progra / Choeur Mixte / 64 pages / niveau : Intermédiaire / Partition Cd