Arranged by Jay Althouse. For Choir. (2-Part). Choral Octavo. Choral Designs. Patriotic, Americana. Choral Octavo. 12 pages. Published by Alfred Publishing.
Level: Level 2 (grade L2).

((Cherokee Hymn)). By Traditional. Arranged by James Green. For Choral, Drums, Flute, Tambourine, Bongos, String Bass, Shaker, Flute or other melody instrument (2-Part/3-Part any combination). Walton Choral. 16 pages. Walton Music #WW1493. Published by Wa

Arranged by L. Eugene Oldham. General; Lent; Good Friday; Love; With Hymn Tune. Octavo. Beckenhorst Press #BP2300. Published by Beckenhorst Press

Arranged by Ed Lojeski. (2 part). Choral. Size 6.7x10.5 inches. 16 pages. Published by Hal Leonard.

2-part mixed chorus, organ - Beginning

SKU: AU.9798889832461

Composed by Nathan Zullinger. General, Creation. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9798889832461. Published by Augsburg Fortress (AU.9798889832461).

ISBN 9798889832461. 7 x 10.25 inches.

Nathan Zullinger writes a graceful two-part mixed arrangement of this hymn found in the hymnal Glory to God, based on the Early American tune PLEADING SAVIOR. This creative and versatile setting begins with choral overtone singing (brief instructions are provided). The composer also notes that the anthem can be adapted for 2-part treble choir and that Orff instrument can be used in place of the organ. An engaging anthem that can be easily learned by any sized choir.

By Robert Lowry. Arranged by Timothy Shaw. For Unison/2-part choir and piano with optional C instrument. Quick Study Chorals. Octavo. 8 pages. Published by Hope Publishing Company

2-part Choir, assembly, descant,2-4-part Choir, keyboard accompaniment

SKU: GI.G-008811

Composed by Lisa Stafford. Triduum. Tune Name: Mary Wore Three Links Of Chain. Sacred. Octavo. GIA Publications #008811. Published by GIA Publications (GI.G-008811).

English.

A carefully crafted, clearly written choral work. For two-part choir with assembly in mind, this is just the right piece for those occasions when a message of hope is appropriate. Evocative of an early American folk hymn, the lyrical melody is paired with a flowing harmony line in the lower voice and effectively modulates up a whole step to the final verse, placing all voices firmly on the melody under a heavenly vocal descant on the Latin text Adoremus in aeternum. Smaller choirs will love this one.