2-part equal voices, piano accompaniment

SKU: GI.G-007108

Composed by William A. Wollman. Easter 6 B, Lent 2 B, Children. Sacred. Octavo. GIA Publications #007108. Published by GIA Publications (GI.G-007108).

English.

2-part equal voices, piano accompaniment, flute 1, flute 2 - Intermediate

SKU: GI.G-8954

Composed by William M. Schoenfeld. Ascension of the Lord A, Trinity Sunday B, Children. Singing Our Faith. Sacred. Octavo. 16 pages. GIA Publications #8954. Published by GIA Publications (GI.G-8954).

UPC: 785147895404. English. Text Source: Matthew 28:19-20, adapt. WS. Scripture: Matthew 28:19–20.

2-part equal voices, piano accompaniment, flute

SKU: GI.G-9232

Composed by William M. Schoenfeld. Thanksgiving Day, Children. Singing Our Faith. Sacred. 16 pages. GIA Publications #9232. Published by GIA Publications (GI.G-9232).

UPC: 785147923206. English. Text by Folliott S. Pierpoint.

A lively, bouncing melody (paired with the beloved hymn text) frames a flowing, minor passage in the middle of the piece. The flute obbligato brings a lovely brightness to the composition. Your choir will enjoy this one!

2-part mixed voices, assembly, piano accompaniment, violin - Beginning

SKU: GI.G-10950

Arranged by Carl Heine. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Epiphany. Christmas. Tune Name: Quem Pastores. Sacred. 8 pages. GIA Publications #10950. Published by GIA Publications (GI.G-10950).

English. Text Source: Quem pastores laudavere, anon., 15th c., tr. Winfred Douglas, 1867&ndash,1944, and Herbert J. M. Bouman, 1908&ndash,1981, alt. Martin L. Seltz, 1909&ndash,1967.; Translation: William Douglas.

2-part Choir, organ accompaniment

SKU: GI.G-008784

Christmas, epiphany, Epiphany. Sacred. Octavo. GIA Publications #008784. Published by GIA Publications (GI.G-008784).

UPC: 641151087849.

This composition by the late William Ferris clearly demonstrates his unmatched mastery of sacred choral music. The artistic treatment of voice and text was always foremost in his compositional approach. Graceful vocal embellishments adorn the medieval-like melody lines. Sublime organ writing supports the chorus as the piece builds to a dramatic close on the canonic final verse.