Composed by Meghan Trainor and Kevin Kadish. Arranged by Alan Billingsley. Choir...(+)
Composed by Meghan
Trainor and Kevin Kadish.
Arranged by Alan
Billingsley. Choir
Secular. Women's Choir.
Choral Octavo. Pop
Choral. Pop; Secular. 20
pages. Published by
Alfred Music
Composed by Zack Stachowski. Ordinary Time 12 C, Ordinary Time 15 C. Celebration...(+)
Composed by Zack
Stachowski. Ordinary Time
12 C, Ordinary Time 15 C.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#9482. Published by GIA
Publications (GI.G-9482).
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
By Brian W. Holmes. For SSA choir, piano, baritone saxophone. Janet Galvan Women...(+)
By Brian W. Holmes. For
SSA choir, piano,
baritone saxophone. Janet
Galvan Women's Choral
Series. Concert, General.
Octavo. Published by
Roger Dean Publishing
For Him All Stars Chorale 3 parties SSA [Vocal Score] Oxford University Press
For Him all Stars. (15 Carols for Upper Voices). For Upper voices (SSA) accompan...(+)
For Him all Stars. (15
Carols for Upper Voices).
For Upper voices (SSA)
accompanied and a
cappella (Ring the bells:
2 flutes, oboe
(optional), 2 clarinets,
bassoon (optional), 2
horns, trumpet, 2
trombones (optional),
glockenspiel (optional),
harp/piano (optional),
strings; Love came down
at Christmas: Strings
Scots Nativity (brass): 2
trumpets, horn, t). Upper
Voices. Christmas, Choral
Collection. Vocal score.
88 pages. Published by
Oxford University Press
By Giovanni Battista Pergolesi. Edited by Richard Proulx. Arranged by Richard: R...(+)
By Giovanni Battista
Pergolesi. Edited by
Richard Proulx. Arranged
by Richard: Realization
Proulx. For Voices: SAB.
Instruments: Basso
continuo (cello, bassoon,
double bass); 2 trumpets
in B or C (instruments
optional). Ars Antiqua
Choralis Series Sacred. 6
pages. Published by GIA
Publications. Level:
easy.
Composed by Orlando Gibbons (1583-1625). Arranged by David Domet. Text: Saint Jo...(+)
Composed by Orlando
Gibbons (1583-1625).
Arranged by David Domet.
Text: Saint John 1:19-23.
Renaissance treasure.
Advent. Octavo. Published
by CanticaNOVA
Publications (C5.7110).
(with Debussy's Clair
de Lune). Composed by
Fabian Andre and Wilbur
Schwandt. Arranged by
Andy Beck. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Jazz; Radio;
Secular; Standard. Choral
Octavo. 12 pages. Alfred
Music #00-50260.
Published by Alfred Music
(AP.50260).
UPC:
038081574301.
English.
Pink
Martini and The von
Trapps put a new spin on
this old standard, which
Nicole Kidman sings as
the opening theme for
HBO's The Undoing.The
dreamy piano intro quotes
Debussy's Clair de Lune
before melting into a
relaxed rendition of the
familiar tune. Fashion a
unique performance with
the ukulele, string bass,
and melodica
SoundPax.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Composed by Susan Bentall Boersma, music by David Lantz III. Choir Secular. For ...(+)
Composed by Susan Bentall
Boersma, music by David
Lantz III. Choir Secular.
For Opt. Guitar/Mandolin,
Bass, and Violin (Women's
Choir). Choral Octavo.
Choral Designs. Secular.
12 pages. Published by
Alfred Music
By 1833) Traditional English Carol (Sandys. Arranged by Rory Cooney. For Voices:...(+)
By 1833) Traditional
English Carol (Sandys.
Arranged by Rory Cooney.
For Voices: SAB.
Instruments: Flute,
string quartet (2
violins, viola, cello).
Keyboard accompaniment.
Christmas Sacred. Level:
easy. 7 pages. Published
by GIA Publications.
All Is Well Chorale 3 parties SAB [Octavo] Hope Publishing Company
Composed by Michael W. Smith / Wayne Kirkpatrick. Arranged by Lloyd Larson. For ...(+)
Composed by Michael W.
Smith / Wayne
Kirkpatrick. Arranged by
Lloyd Larson. For SAB
choir. Christmas,
Assurance. Octavo.
Published by Hope
Publishing Company
All Is Well Chorale 3 parties SSA [Octavo] Hope Publishing Company
Composed by Michael W. Smith / Wayne Kirkpatrick. Arranged by Lloyd Larson. For ...(+)
Composed by Michael W.
Smith / Wayne
Kirkpatrick. Arranged by
Lloyd Larson. For SSA
choir. Christmas,
Assurance. Octavo.
Published by Hope
Publishing Company
One Small Child Chorale 3 parties SSA [Octavo] Hope Publishing Company
Composed by David Meece. Arranged by Lloyd Larson. Ring and Sing Series / Vocal ...(+)
Composed by David Meece.
Arranged by Lloyd Larson.
Ring and Sing Series /
Vocal Solo Sheet Music
Series. Christmas,
Sacred, Contemporary.
Octavo. 12 pages.
Published by Hope
Publishing Company
(HP.C6044).
By Mary Beall. Arranged by John Carter. For SAB or Three-Part Mixed choir. Scrip...(+)
By Mary Beall. Arranged
by John Carter. For SAB
or Three-Part Mixed
choir. Scripture
References: Luke 22:19-20
-- Mark 14:22-24 --
Ephesians 1:7-8.
Devotion, Blues, Gospel,
Spirituals, Communion,
Sacred. Choral octavo. 8
pages
By Susan Bentall Boersma, music by David Lantz III. Choir Secular. For Opt. Guit...(+)
By Susan Bentall Boersma,
music by David Lantz III.
Choir Secular. For Opt.
Guitar/Mandolin, Bass,
and Violin (3-Part Mixed
Choir (SAB)). Choral
Octavo. Choral Designs.
12 pages. Published by
Alfred Music Publishing
SAB choir with optional bass parts (rhythm section, 3 trumpets and 3 trombones) ...(+)
SAB choir with optional
bass parts (rhythm
section, 3 trumpets and 3
trombones) - Moderate
SKU: LP.OR-9300
12 Contemporary
Christmas Songs and
Sketches for Youth.
Arranged by Dennis Allen.
Musical. Contemporary,
Christmas and Sacred.
Rhythm charts, brass
parts and conductor's
score. Published by
Lillenas Publishing
Company (LP.OR-9300).
UPC:
765762094208.
Total
ly Christmas - an ideal
resource for youth
singers and actors who
want to present the
Christmas message in an
exciting and relevant
way. Includes twelve
Dennis Allen arrangements
of frequently requested
seasonal contemporary
songs from such names as
Avalon and Stephen Curtis
Chapman. Combined with
six innovative dramatic
sketches the stage is set
for your youth to
proclaim and celebrate
the birth of Christ in a
way that speaks to us
all.
One Small Child Chorale 3 parties SAB [Octavo] Hope Publishing Company
By Meece, David. Arranged by Lloyd Larson. (SAB or Three-Part). Ring and Sing, ...(+)
By Meece, David. Arranged
by Lloyd Larson. (SAB or
Three-Part). Ring and
Sing, Contemporary and
Sacred. Print Music
Single (SAB). 12 pages.
Published by Hope
Publishing Company.
Choir (Women's Choir) SKU: AP.47669 Arranged by Matt Podd. Performance Mu...(+)
Choir (Women's Choir)
SKU: AP.47669
Arranged by Matt Podd.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Sacred;
Traditional. Choral
Octavo. 16 pages. Alfred
Music #00-47669.
Published by Alfred Music
(AP.47669).
UPC:
038081543628. English.
Traditional
Carol.
It's a
high-energy,
gospel-infused take on
one of the most treasured
Christmas carols of all
time. Riveting rhythmic
syncopation, triadic
choral harmonies that
climb in inversion, and
plenty of melodic blue
notes all add up to . . .
well, sheer joy! Your
piano player really gets
to show off on the fully
notated riff-like
accompaniment. Plus, you
can download free bass
and drumset parts for the
full effect. Not to be
missed!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Choir (Men's Choir) SKU: AP.47670 Arranged by Matt Podd. Performance Musi...(+)
Choir (Men's Choir)
SKU: AP.47670
Arranged by Matt Podd.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Sacred;
Traditional. Choral
Octavo. 16 pages. Alfred
Music #00-47670.
Published by Alfred Music
(AP.47670).
UPC:
038081543635. English.
Traditional
Carol.
It's a
high-energy,
gospel-infused take on
one of the most treasured
Christmas carols of all
time. Riveting rhythmic
syncopation, triadic
choral harmonies that
climb in inversion, and
plenty of melodic blue
notes all add up to . . .
well, sheer joy! Your
piano player really gets
to show off on the fully
notated riff-like
accompaniment. Plus, you
can download free bass
and drumset parts for the
full effect. Not to be
missed!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Composed by Andy Grammer,
Bram Inscore, Jacob
Torrey, and Sam Farrar.
Arranged by Andy Beck.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Secular. Choral
Octavo. 12 pages. Alfred
Music #00-48459.
Published by Alfred Music
(AP.48459).
UPC:
038081552828.
English.
I'm not
givin' up . . . no, not
yet. This lead single
from Andy Grammer's album
Naive is featured in the
movie Five Feet Apart and
gained YouTube fame among
choir directors after
Grammer's personal visit
to PS22 in New York City.
The lyrics speak of the
power of friendship, the
strength to fight, and
the importance of support
during difficult times.
The catchy, syncopated
chorus (with optional
handclaps) makes great
use of stacked harmony.
Use the SoundTrax CD, or
add guitar, bass, and
drums to build your own
band!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
A flower remembered Chorale 3 parties SSA, Piano [Vocal Score] - Facile Oxford University Press
Composed by John Rutter (1945-). For SSA choir and piano/orchestra (2 flutes, ob...(+)
Composed by John Rutter
(1945-). For SSA choir
and piano/orchestra (2
flutes, oboe, 2 clarinets
in A, bassoon, 2 horns,
harp, strings). This
edition: Paperback. Upper
Voices. Secular. Level A
(very easy). Vocal score.
Duration 3 minutes.
Published by Oxford
University Press