By Shiela Wright. For SSA choir, a cappella. Octavo. Published by Cypress Choral Music

Choral (SSA Choir)

SKU: HL.1428109

Composed by Gary Packwood. Gentry Publications. Octavo. Gentry Publications #JG2729. Published by Gentry Publications (HL.1428109).

UPC: 196288202196.

Gary Packwood's “Joy, Hope, Peace, and Love,” designed for SSA voices, djembe, and piano, encapsulates a sentiment of unity and positivity from its opening lines. Tailored for your Treble Choir, this piece resonates with themes of joy, hope, peace, and love. Ideal for high school, collegiate, and festival choruses, it's destined to become a treasured favorite.

Choral (SSA Choir)

SKU: HL.123777

Pop Choral Series. Octavo. 12 pages. Published by Hal Leonard (HL.123777).

UPC: 884088961947. 6.75x10.5 inches. Adapt. Kirby Shaw.

This 1998 hit by Celine Dion was memorably covered by Lea Michele on Glee in a powerful rendition that explored the depth of the emotional lyrics. This selection offers challenges and rewards for pop, jazz, show and concert choirs looking to create a touching concert moment! Ideal for Valentine's Day, prom or other romantic occasions!

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Composed by Patti Drennan. Choral. Singable Solutions. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5246L. Published by Lorenz Publishing Company

By Mark A Miller. For SAB choir and piano (with optional Vocal Solo). Mixed Voices Series. Sacred Anthem: Advent. Octavo. Published by Chorister's Guild

By Jerry Estes. For Choir. (3-Part Mixed (with Opt. Sign Language)). Choral Octavo. Choral Designs. Peace/Brotherhood, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Mary Lynn Lightfoot. For 3-part mixed choir (SAB) and piano. Concert. Octavo. Published by Heritage Music Press

By Pepper Choplin and Mark Hayes. For CD Kit. Eastertide, Palm Sunday, Holy Week, Lent, Sacred. Cantata

SAB choir, voice soloist, keyboard accompaniment, guitar

SKU: GI.G-007895

Composed by Lorraine Hess. Christmastide, Advent, Holy Family, Epiphany. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #007895. Published by GIA Publications (GI.G-007895).

Bookended by strains from ADESTE FIDELIS, Lorraine has crafted a gentle and evocative piece to make clear the Christian mission to love and serve. The images present a faith in the living God that centers on discipleship. Scored for SAB, this would be ideal for your contemporary ensemble on your choir. Ed Bolduc has once again added his expertise in arranging to Lorraine's work to produce a piece that will become a favorite under your direction. The piano writing charms the listener as the intuitive vocal parts join to create a peace-filled composition that will engage your choir and enchant your assembly.

By Mary Lynn Lightfoot. For SSA choir and piano. Concert. Octavo. Published by Heritage Music Press

Composed by John Rutter (1945-). For SSA choir and harp/piano. Upper Voices. The Cambridge Singers Hymn Series. Vocal score. Duration 2.5 minutes. Published by Oxford University Press

Composed by Stephen Hatfield. Songbird. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press (OU.9780193413412).

By Horatius Bonar. Arranged by Russell Schulz-Widmar. For SAB or Three-Part Mixed choir & 7 Handbells. Scripture References: Matthew 11:28 -- John 4:14 -- John 1:4-9. Hymntune, Sacred. Choral octavo. 8 pages. Published by Hope Publishing Company

Composed by Ruth Elaine Schram. Singable Solutions. Sacred Anthem, Advent. Octavo. Lorenz Publishing Company #10/4871L. Published by Lorenz Publishing Company (LO.10-4871L).

(Incorporating Come, Christians, Join to Sing ). By Billy James Foote. Arranged by Charles Silvester Horne. For SAB choir and piano (with optional brass quintet and rhythm section). Sacred Anthem, Ascension, Christ the King, General, Lent. Octavo. Published by Lorenz Publishing Company

Edited by Michael Perry. Arranged by Russell Schulz-Widmar. For SAB choir and 3 handbells. Sacred. Choral octavo. 8 pages. Published by Hope Publishing Company