Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

By Jay Althouse. For Choir. (3-Part Mixed, a cappella). Choral Octavo. Choral Designs. Spiritual, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.

Coffee Cantata. By Johann Sebastian Bach. Edited by Werner Neumann. Arranged by Focke, Martin. For Soprano Solo, Tenor Solo, Bass Solo, Piano. Piano Reduction/Vocal Score; Urtext Edition. BWV 211. Published by Baerenreiter-Ausgaben (German import). (BA10211 90)

By Paul M. French. For SSA choir, a cappella. Lent. Moderately Difficult. Published by MorningStar Music Publishers

By Nicola LeFanu (1947-). For SSA choir a cappella. Women's Choir (commissioned by MUSE, Cincinnati's Women's Choir, artistic director Catherine Roma, for first performance in Cincinnati, November 22nd, 2008). Modern. Vocal score

By George L.O. Strid, Mary Donnelly. For Choir. (3-Part Mixed, a cappella). Choral Octavo. Choral Designs. Spiritual. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Donald Moore. For Choir. (3-Part Mixed/SAB, a cappella). Choral Octavo. Madrigal, Christmas. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

By Donald Moore. For Choir. (SSA, a cappella). Choral Octavo. Choral Designs. Madrigal, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.
Level: Level 3 (grade L3).

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Christmas; Winter. Published by Faber Music

Composed by Donald Moore. Octavo for 3-Part Mixed / SAB choir (A Cappella). With piano rehearsal part. G Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Donald Moore. Octavo for SSA choir (A Cappella). With piano rehearsal part. G Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

((with "Maoz Tzur")). Composed by Andy Beck. Choir Sacred. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Chanukah; Jewish Heritage; Sacred; Winter. 12 pages. Published by Alfred Music

Composed by Jerry Estes. For 3-part mixed choir, a cappella. Sing!. Octavo. Published by Chorister's Guild

3-Part Mixed Choral (3PT MIXED)

SKU: HL.1146427

Discovery Level 2. Composed by Audrey Snyder. Discovery Choral. Christmas, Concert, Festival, Winter. Octavo. Duration 150 seconds. Published by Hal Leonard (HL.1146427).

UPC: 196288117759. 6.75x10.5x0.029 inches.

Lush and melodic, “Winter Lights” is a poignant mood piece conveying the tranquil spirit of a winter night and the lights which illuminate. The piece is easy to learn and excellent for teaching the art of expressive singing. The use of glockenspiel adds a unique charm to the peaceful spirit of the piece.

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

Arranged by Patrick M. Liebergen. For Flute. Sheet Music. Published by Shawnee Press.

By Orlando di Lasso, arranged by Russell L. Robinson. Octavo for 3-Part mixed double choir (a cappella). Series: Alfred Choral Designs. 12 pages. Published by Alfred Publishing.

Composed by Sally K. Albrecht. Choral Octavo. Alfred Choral Designs. Christmas; Secular; Winter. 12 pages. Published by Alfred Music (AP.45419).

By Don Besig and Nancy Price. For Opt. Flute. (SSA). Choral Octavo. Folk Song. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

Choral (3-Part Mixed choir)

SKU: HL.374543

Discovery Level 1. Composed by Alain Boublil, Claude-Michel Schonberg, Herbert Kretzmer, and Jean-Marc Natel. Arranged by Mac Huff. Discovery Choral. Broadway, Musicals. Octavo. Duration 140 seconds. Published by Hal Leonard (HL.374543).

ISBN 9781705150337. UPC: 196288017196. 6.75x10.5x0.029 inches.

Castle on a Cloud is a haunting ballad from the musical, Les Miserables. The song is sung by Little Cosette who dreams of a better life where all children are loved and free.

By Chester L Alwes. For SSA choir and flute. Janet Galvan Roots and Wings. Christmas, Sacred. Octavo

3-Part Mixed Choral (3-Part Mixed choir)

SKU: HL.1113576

Composed by Andrew Parr. Shawnee Press. Concert, Poetry. Octavo. Duration 135 seconds. Published by Shawnee Press (HL.1113576).

ISBN 9781705179420. UPC: 196288104889. 6.75x10.5x0.029 inches.

This Wilcox poem mysteriously describes, like a riddle, a locomotive as if it's a living being of flesh and blood. Parr's setting is perfect to create and hold interest of young singers using a minor key, dynamic contrast, and interesting, rhythmic writing. A solid teaching and performance piece for any time of year.

Choral (3-Part Mixed choir)

SKU: HL.266672

Discovery Level 1. Composed by Audrey Snyder. Discovery Choral. Concert, Festival. Octavo. 8 pages. Published by Hal Leonard (HL.266672).

UPC: 888680733322. 6.75x10.5 inches.

Master composer and educator Audrey Snyder knows the importance of hope in the lives of young people. In this original song she lifts up the need for hope of a brighter day.

(I. Inimici Autem II. Alleluia, Laus et Gloria). By Orlande De Lassus (1532-1594). Arranged by Greg Gilpin. For SAB choir (a cappella). Concert. Octavo. Published by Heritage Music Press

3-Part. By Jim Papoulis. (3 Part). BH Sounds of a Better World. Size 7x10.5 inches. 6 pages. Published by Boosey and Hawkes.

Composed by Tim Attride. The antiphon for use with the Seven Penitential Psalms and the Lenten chant Parce Domine are presented here in chant with Latin text, followed by SAB polyphony with English text. This is an accessible and wonderfully appropriate anthem for your choir this. Lent, General. Published by CanticaNOVA Publications (C5.5042).

Composed by Donald Moore. Choral Octavo. Alfred Choral Designs. Christmas; Secular; Winter. 8 pages. Published by Alfred Music (AP.43424).

Essays, Interviews, and Clippings. Composed by John Philip Sousa / Bryan J. Proksch. Music Education. 206 pages. GIA Publications #9278. Published by GIA Publications (GI.G-9278).

By William Billings. Arranged by Russell L. Robinson. For Choir. (SAB, a cappella). Choral Octavo. Sacred. Choral Octavo. 12 pages. Published by Alfred Publishing.