Choral (3-Part Mixed choir)

SKU: HL.1443535

Composed by Eliot Kennedy and Gary Barlow. Arranged by Roger Emerson. Broadway Choral. Octavo. Published by Hal Leonard (HL.1443535).

UPC: 196288205739.

Spark ling with the spirit of Broadway magic, â??Something About This Nightâ? (from Finding Neverland) comes alive in this showstopping choral arrangement by Roger Emerson. Stellar vocal parts offer energetic harmonies and several opportunities for solo vocalists to shine. Easy to learn, yet instantly impressive.

Choral (SSA Choir)

SKU: HL.1443536

Composed by Eliot Kennedy and Gary Barlow. Arranged by Roger Emerson. Broadway Choral. Octavo. 12 pages. Published by Hal Leonard (HL.1443536).

UPC: 196288205746. 6.75x10.5 inches.

Sparkling with the spirit of Broadway magic, â??Something About This Nightâ? (from Finding Neverland) comes alive in this showstopping choral arrangement by Roger Emerson. Stellar vocal parts offer energetic harmonies and several opportunities for solo vocalists to shine. Easy to learn, yet instantly impressive.

By Mark Weston. For 3-part mixed choir (audition part). Secular Christmas. Octavo. Published by Heritage Music Press. (15/1678H)

From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged by Mark A. Brymer. Disney Choral. Disney, Latin American, Movies, Musicals, Pop, Salsa, Show Choir, Tango. Octavo. 20 pages. Duration 215 seconds. Published by Hal Leonard

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.41671

Composed by Peter Ilyich Tchaikovsky. Arranged by Mark Weston. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Masterwork Arrangement; Romantic; Secular; Winter. Choral Octavo. 16 pages. Alfred Music #00-41671. Published by Alfred Music (AP.41671).

UPC: 038081467511. English. Arr.; with new words; by Mark Weston.

The title says it all. It's the story of the ballet, set to the music of the ballet, and it only takes . . . (you guessed it) . . . three minutes to perform. Terrific!

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Sacred (SAB choir/3-Part choir Mixed)

SKU: AP.48414

Composed by Greg Gilpin. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Sacred; Spiritual. Choral Octavo. 8 pages. Alfred Music #00-48414. Published by Alfred Music (AP.48414).

UPC: 038081552378. English.

In the tradition of his highly regarded original spirituals, Greg Gilpin offers this all-new a cappella Christmas selection. Intuitive harmonies and just the right amount of repetition in the memorable chorus make the piece both readily learnable and easy to memorize. Call-and-response verses toss joyful syncopations between sections of the choir, and quickly changing dynamics enhance the style.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Emerson. For Choral (SAB and Solo). Pop Choral Series. 20 pages. Published by Hal Leonard

Choral (SAB Choir) From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged by Mark A. Brymer. Disney Choral. Disney, Ethnic Reference, Latin American, Movies, Musicals, Pop, Salsa, Show Choir, Tango. Octavo. 20 pages. Duration 215 seconds. Published by Hal Leonard

By Sally K. Albrecht. Octavo for SSA choir and piano accompaniment. Lyrics from William Shakespeares Much Ado About Nothing. F Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

By Christina Perri. Arranged by Mac Huff. For Choral (SSA). Secular Christmas Choral. 8 pages. Published by Hal Leonard

By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Roger Emerson. For Choral (SOP. I/II / ALTO / SOLO). Pop Choral Series. 20 pages. Published by Hal Leonard

Choral; Piano (SAB Choir)

SKU: HL.258989

By Pink. By Alecia Moore, Johnny McDaid, and Steve Mac. Arranged by Mark A. Brymer. Pop Choral Series. Anthem, Pop, Rock, Show Choir. Octavo. 16 pages. Duration 210 seconds. Published by Hal Leonard (HL.258989).

UPC: 888680725570. 6.75x10.5x0.036 inches.

Pink's powerful song tells the story of a lost generation--its themes mirroring the pain of the many people who feel abandoned and unheard in today's society. At a time when musicians and audiences are searching for music lifting up social justice, this is a great example and a wonderful selection for your singers. Passion and connection are easy to find in this powerful pop/rock anthem.

Choral (SAB Choir)

SKU: HL.391275

Composed by Billy Joel. Arranged by Jack Zaino. Pop Choral Series. Classic Rock, Eighties, Motown, Pop, Pop/Rock, Rock, Soul. Octavo. 20 pages. Duration 250 seconds. Published by Hal Leonard (HL.391275).

UPC: 196288028819. 6.75x10.5x0.045 inches.

Billy Joel had no shortage of hits, as his songwriting prowess showed equal attention to music and lyrics. This 1983 #1 Hit hearkens back to Motown and soul, with an accessible arrangement and horn section to boot!

Choral (TTB Choir)

SKU: HL.391276

Composed by Billy Joel. Arranged by Jack Zaino. Pop Choral Series. Classic Rock, Eighties, Motown, Pop, Pop/Rock, Rock, Soul. Octavo. Duration 250 seconds. Published by Hal Leonard (HL.391276).

UPC: 196288028826. 6.75x10.5x0.045 inches.

Billy Joel had no shortage of hits, as his songwriting prowess showed equal attention to music and lyrics. This 1983 #1 Hit hearkens back to Motown and soul, with an accessible arrangement and horn section to boot!

Choral (SSA Choir) From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged by Mark A. Brymer. Disney Choral. Disney, Ethnic Reference, Latin American, Movies, Musicals, Pop, Salsa, Show Choir, Tango. Octavo. 20 pages. Duration 215 seconds. Published by Hal Leonard

By Pink. By Alecia Moore, Johnny McDaid, Steve Mac. Arranged by Mark A. Brymer. Pop Choral Series. Anthem, Show Choir, Pop, Rock. Octavo. 16 pages. Published by Hal Leonard (HL.258990).

(from The Color Purple). Arranged by Mark A. Brymer. (SSA). Broadway Choral. 12 pages. Published by Hal Leonard.

Choral (SSA Choir)

SKU: HL.1216161

Composed by Lin-Manuel Miranda. Arranged by Mark A. Brymer. Disney Choral. Broadway, Disney, Medley, Movies, Musicals, Show Choir. Octavo. Duration 470 seconds. Published by Hal Leonard (HL.1216161).

UPC: 196288140160. 6.75x10.5x0.085 inches.

Lin-Manuel Miranda has slowly and surely become a musical theater icon of the modern era. Like Schwartz, Sondheim, Loesser, and Rodgers and Hammerstein, Miranda writes songs that are transcendent, singable, joyous, and worth the price of admission. This medley from show choir veteran Mark Brymer includes some of the most memorable highlights from an illustrious career: In the Heights, How Far I'll Go (from Moana), One More Song (from Vivo), We Don't Talk about Bruno (from Encanto) and My Shot (from Hamilton).

By Christina Perri. Arranged by Mac Huff. For Choral (SAB). Secular Christmas Choral. 8 pages. Published by Hal Leonard

Composed by Meghan Trainor and Kevin Kadish. Arranged by Alan Billingsley. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Pop; Secular. 20 pages. Published by Alfred Music

((from Thoroughly Modern Millie)). By Dick Scanlan and Jeanine Tesori. Arranged by Audrey Snyder. SSA. Broadway Choral. 16 pages. Published by Cherry Lane Music

Choral (SAB Choir)

SKU: HL.1216160

Composed by Lin-Manuel Miranda. Arranged by Mark A. Brymer. Disney Choral. Broadway, Disney, Medley, Movies, Musicals, Show Choir. Octavo. Duration 470 seconds. Published by Hal Leonard (HL.1216160).

UPC: 196288140153. 6.75x10.5x0.085 inches.

Lin-Manuel Miranda has slowly and surely become a musical theater icon of the modern era. Like Schwartz, Sondheim, Loesser, and Rodgers & Hammerstein, Miranda writes songs that are transcendent, singable, joyous, and worth the price of admission. This medley from show choir veteran Mark Brymer includes some of the most memorable highlights from an illustrious career: In the Heights, How Far I'll Go (from Moana), One More Song (from Vivo), We Don't Talk about Bruno (from Encanto) and My Shot (from Hamilton).

Composed by Witold Lutoslawski (1913-1994). Music Sales America. 20th Century. 16 pages. Chester Music #CH55054. Published by Chester Music (HL.14019640).

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.