I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk So...(+)
I. Farfallina (Butterfly)
2.
Lucciola (Firefly).
Composed
by Italian Folk Song and
Tuscan Folk Song.
Arranged by
Christi Jones. Fold.
Octavo.
8 pages. Duration 2
minutes,
35 seconds. BriLee Music
#BL1123. Published by
BriLee
Music
(A bold meditation on conflict, communication and compromise). Composed by Eliza...(+)
(A bold meditation on
conflict, communication
and compromise). Composed
by Elizabeth Alexander.
For SSA, SAB (youth
choir), piano. Anthems,
Sacred, Secular, Jazz /
Blues / Rock. Medium.
Choral Score. Duration 4
minutes. Published by
Seafarer Press
(Featuring: Love Is Here to Stay / Let's Call the Whole Thing Off / Someone to W...(+)
(Featuring: Love Is Here
to Stay / Let's Call the
Whole Thing Off / Someone
to Watch Over Me / 'S
Wonderful / Nice Work If
You Can Get It /
Embraceable You / I Got
Rhythm). Arranged by Jay
Althouse. Choir Secular.
Women's Choir. Choral
Octavo. Pop Choral. Form:
Medley. 28 pages.
Published by Alfred Music
Publishing
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Composed by Lloyd Larson.
Choral, cantatas. Advent,
Christmas. Choral score.
Lorenz Publishing Company
#65/2085L. Published by
Lorenz Publishing Company
(LO.65-2085L).
(Featuring: Love Is Here to Stay / Let's Call the Whole Thing Off / Someone to W...(+)
(Featuring: Love Is Here
to Stay / Let's Call the
Whole Thing Off / Someone
to Watch Over Me / 'S
Wonderful / Nice Work If
You Can Get It /
Embraceable You / I Got
Rhythm). Arranged by Jay
Althouse. Choir Secular.
3-Part Mixed Choir (SAB).
Choral Octavo. Pop
Choral. Form: Medley. 28
pages. Published by
Alfred Music Publishing
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Le...(+)
Arranged by Teena Chinn.
For Choir. (3-part
Mixed). Choral Octavo.
Broadway. Level: Moderate
(grade 3). Choral Octavo.
108 pages. Published by
Alfred Publishing.
Choral SSA Voices & Piano SKU: XC.SSA2304A Composed by George Gershwin an...(+)
Choral SSA Voices & Piano
SKU: XC.SSA2304A
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Bruce W. Tippette.
Octavo. Excelcia Music
Publishing #SSA2304A.
Published by Excelcia
Music Publishing
(XC.SSA2304A).
6.75 x
10.5 inches.
George
and Ira Gershwin's famous
tune Someone to Watch
Over Me has been given a
new voice in this
arrangement for treble
voices. Originally
written for the musical
Oh, Kay as an up-tempo
vocal solo, this
arrangement keeps the
slow, ballad-like style
that has been adopted as
the preferred way to
perform the piece. While
the melody has remained
untouched, for the most
part, the piano
accompaniment and vocal
harmonies are completely
new, but play homage to
the overall aura that was
originally captured
almost 100 years ago.
All Is Well Chorale 3 parties SAB [Octavo] Hope Publishing Company
Composed by Michael W. Smith / Wayne Kirkpatrick. Arranged by Lloyd Larson. For ...(+)
Composed by Michael W.
Smith / Wayne
Kirkpatrick. Arranged by
Lloyd Larson. For SAB
choir. Christmas,
Assurance. Octavo.
Published by Hope
Publishing Company
All Is Well Chorale 3 parties SSA [Octavo] Hope Publishing Company
Composed by Michael W. Smith / Wayne Kirkpatrick. Arranged by Lloyd Larson. For ...(+)
Composed by Michael W.
Smith / Wayne
Kirkpatrick. Arranged by
Lloyd Larson. For SSA
choir. Christmas,
Assurance. Octavo.
Published by Hope
Publishing Company
By William Shakespeare from A Midsummer Night's Dream, music by Ruth Morr...(+)
By William Shakespeare
from A Midsummer
Night's Dream, music
by Ruth Morris Gray.
Choir Secular. Women's
Choir. Choral Octavo.
Choral Designs. 12 pages.
Published by Alfred Music
Publishing
Composed by Emily Dickinson, music and additional words by Ruth Morris Gray. Cho...(+)
Composed by Emily
Dickinson, music and
additional words by Ruth
Morris Gray. Choir
Secular. Women's Choir.
Choral Octavo. Choral
Designs. Graduation;
Secular. 12 pages.
Published by Alfred Music
Composed by Brad Hatfield
and Jeff Meegan. Arranged
by Greg Gilpin.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Secular;
Winter. Choral Octavo. 12
pages. Alfred Music
#00-31168. Published by
Alfred Music (AP.31168).
UPC: 038081339399.
English.
A touching
and tender ballad for
those far from home
during the holidays.
Overlapping vocal lines
weave a beautiful
tapestry of sound and
deliver a poignant and
timely message. Not
difficult to sing, but
highly effective.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
SAB Choir and Piano - Medium SKU: JK.01780 Composed by Michael F. Moody. ...(+)
SAB Choir and Piano -
Medium
SKU:
JK.01780
Composed by
Michael F. Moody.
Arranged by Michael F.
Moody. Choral SAB,
Difficulty Medium, Piano
Choir, Seasonal Music
Christmas, Christmas.
Christian, Inspirational.
Duration 1:30. Jackman
Music Corporation #01780.
Published by Jackman
Music Corporation
(JK.01780).
Luke
2.
Christmas
arrangement for mixed
chorus (SAB) and piano,
sung brightly and
lightly. Over lambing
fields a light, an Angel
speaks from glory
singing; Hearken ye! Go
and see!
Composer: Michael F.
Moody Arranger:
Michael F. Moody
Lyricist: Penelope Moody
Allen Difficulty:
Medium Performance
time: 1:30 Reference:
Luke 2.
Arranged by Sally K. Albrecht. For Choir. (3-Part Mixed). Choral Octavo. Choral...(+)
Arranged by Sally K.
Albrecht. For Choir.
(3-Part Mixed). Choral
Octavo. Choral Designs.
Secular, Christmas.
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
Composed by Walter Marks.
Arranged by Larry
Shackley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Secular. Choral
Octavo. 12 pages. Alfred
Music #00-38163.
Published by Alfred Music
(AP.38163).
UPC:
038081426358.
English.
This
popular song has been
covered by singers from
Ella and Sammy Davis Jr.
to Michael Jackson and,
most recently, Finn on
Glee! Our chart starts in
the traditional 6/8 time,
then swings into the hot
ending.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choral (SAB and Solo) - easy to intermediate SKU: HL.49019419 SAB with...(+)
Choral (SAB and Solo) -
easy to intermediate
SKU: HL.49019419
SAB with Baritone
Solo. Composed by
Various. Edited by
Wilfried Fischer. This
edition: Paperback/Soft
Cover. Sheet music.
Choral Collection.
Classical, Folk,
Traditional. Softcover.
248 pages. Schott Music
#ED21178. Published by
Schott Music
(HL.49019419).
ISBN
9783795746001.
7.5x10.75x0.717 inches.
German -
English.
Composed by Sally K. Albrecht and Jay Althouse. Choir Sacred. 3-Part Mixed Choir...(+)
Composed by Sally K.
Albrecht and Jay
Althouse. Choir Sacred.
3-Part Mixed Choir (SAB).
Choral Octavo. Choral
Designs. Sacred;
Spiritual. 8 pages.
Published by Alfred Music
