Goldfinger will always call to mind Shirley Bassey’s assertive vocal on t...(+)
Goldfinger will always call to mind Shirley Bassey’s assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry Leslie Bricusse and Anthony Newley it became the definitive in-your-face Bond song before the series’ theme tunes became quieter and more pop-oriented.This version has been arranged for SAB choir with piano accompaniment by Thomas Lydon.
Goldfinger will always call to mind Shirley Bassey???s assertive vocal on the so...(+)
Goldfinger will always call to mind Shirley Bassey???s assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry Leslie Bricusse and Anthony Newley it became the definitive in-your-face Bond song before the series??? theme tunes became quieter and more pop-oriented.This version has been arranged for SAB choir with piano accompaniment by Thomas Lydon.
Goldfinger will always call to mind Shirley Bassey’s assertive vocal on t...(+)
Goldfinger will always call to mind Shirley Bassey’s assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry Leslie Bricusse and Anthony Newley it became the definitive in-your-face Bond song before the series’ theme tunes became quieter and more pop-oriented.This version has been arranged for SSA choir with piano accompaniment by Thomas Lydon.
The pop novelty number by the '60s artist Johnny Cymbal has been covered by ever...(+)
The pop novelty number by the '60s artist Johnny Cymbal has been covered by everyone from Sha Na Na to the Muppets and will be a hit on your stage as well with a hilarious doo-wop bass line that will be an absolute blast to perform! Available separately: SATB 3-Part Mixed TBB ShowTrax CD. Duration: ca. 2:35.
Daddy sang bass Mama sang tenor and everyone will join right in! Carl Perkins' ...(+)
Daddy sang bass Mama sang tenor and everyone will join right in! Carl Perkins' gospel classic will be a toe-tapping highlight of almost any concert. Available separately: SATB SAB 2-Part ShowTrax CD. Rhythm section partsavailable digitally (gtr b dm). Duration: ca. 3:20.
The pop novelty number by the '60s artist Johnny Cymbal has been covered by ever...(+)
The pop novelty number by the '60s artist Johnny Cymbal has been covered by everyone from Sha Na Na to the Muppets and will be a hit on your stage as well with a hilarious doo-wop bass line that will be an absolute blast to perform! Available separately: SATB 3-Part Mixed TBB ShowTrax CD. Duration: ca. 2:35.
Diamonds Are Forever is the theme song of the seventh film in the James Bond ser...(+)
Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur De Femmes (SSA) Et Piano
Diamonds Are Forever is the theme song of the seventh film in the James Bond ser...(+)
Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry.This SAB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.
Diamonds Are Forever is the theme song of the seventh film in the James Bond ser...(+)
Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SAB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur Mixte (SAB) Et Piano
Diamonds Are Forever is the theme song of the seventh film in the James Bond ser...(+)
Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry.This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.
In this book the tenor part is suitable in range for either changed voices or t...(+)
In this book the tenor part is suitable in range for either changed voices or those unchanged boys' voices which are usually assigned to a low alto part. The baritone part lies within the easy range of voices even in junior highschool and is effective when sung by adult male choruses who may be lacking tenors but yet have a good many basses. The bass part is also not too low for the average low baritone voice thus making it possible for a few of thelower voices to cope with the bass. The material in the book is suitable for average concert glee club programming and can be employed for boys' groups just learning to sing in three parts.
You know this Christmas carol, but you've never heard it like this before! Alan ...(+)
You know this Christmas carol, but you've never heard it like this before! Alan Billingsley's contemporary interpretation brings the traditional tune up to date. The SATB voicing sounds great a cappella, while a funky accompaniment works well to support the SAB and SSA. Bass and drums on the optional SoundTrax CD pump up the R and B groove, or add your own vocal percussion. / 3 Parties Mixtes
From the musical Child of Peace comes this high-energy celebration of the good n...(+)
From the musical Child of Peace comes this high-energy celebration of the good news brought to the shepherds on that special night. With its singable vocal parts and sparkling piano accompaniment Glory to God! willbe a favorite year after year.Available separately: SATB SAB Instrumental ePak (score and parts for Flute Oboe Clarinet Bassoon Trumpet 1 & 2 Horn 1 & 2 Trombone 1 & 2 Percussion Harp Rhythm Synthesizer Violin 1 & 2 Viola Cello and Bass) and ChoirTrax CD. Performance Time: Approx. 4:00
From the mountain to the valley hear our praises rise to You ... This exuberant...(+)
From the mountain to the valley hear our praises rise to You ... This exuberant song is a heartfelt song of joy to God. Powerful! Performance Time: Approximately 4:15.Available separately: SATB SAB SSA ChoirTrax CD andInstrumental ePak. Instrumentation: Flute 1 & 2 Oboe Clarinet 1 & 2 F Horn 1 2 & 3 Trumpet 1 2 & 3 Trombone 1 & 2 Bass Trombone Tuba Timpani Percussion Rhythm Section (Guitar Bass Drums) Violin I & II Viola Celloand Bass.
From the mountain to the valley hear our praises rise to You ... This exuberant...(+)
From the mountain to the valley hear our praises rise to You ... This exuberant song is a heartfelt song of joy to God. Powerful! Performance Time: Approximately 4:15.Available separately: SATB SAB SSA ChoirTrax CD andInstrumental ePak. Instrumentation: Flute 1 & 2 Oboe Clarinet 1 & 2 F Horn 1 2 & 3 Trumpet 1 2 & 3 Trombone 1 & 2 Bass Trombone Tuba Timpani Percussion Rhythm Section (Guitar Bass Drums) Violin I & II Viola Celloand Bass.
2-Part (opt. 3-Part)-This is the earliest-known English canon dating back to th...(+)
2-Part (opt. 3-Part)-This is the earliest-known English canon dating back to the mid-13th century. This setting for any combination of voices makes an excellent processional or opener for a concert or madrigal dinner.Available separately: 2-Part(opt. 3-Part) Any Comb. and Instrumental Pak (parts for Treble Instrument 1 & 2 Bass Instrument 1 & 2 Finger Cymbals and Hand Drum). Performance Time: Approx. 1:40.
Here is an expressive and lyrical tribute to the beauty and wonder of our world'...(+)
Here is an expressive and lyrical tribute to the beauty and wonder of our world's oceans – the dance of light in the waters the dolphins that frolic and play the coral reef below and so much more! The graceful 3/4 meterand fluid vocal lines help to create an excellent accessible choral showcase for school and community. Piano with optional violin and string bass. Available separately: SATB 3-Part Mixed 2-Part. Instrumental Accompanimentavailable as a digital download (Full Score [SATB] Violin String Bass). Duration: ca. 3:20.
Kirby has written an original spiritual that has a gospel-rock feel and well-def...(+)
Kirby has written an original spiritual that has a gospel-rock feel and well-defined vocal harmonies. With a driving force and full of energy this choral works well for your concert as well as show choirs of all ages andabilities. Offers many distinct solo opportunites! Available separately: SATB bass guitar and drums; 3-part mixed bass guitar and drums; StudioTrax CD. Duration: ca. 3:05.
This artful setting of three classic choruses will create a spirit-filled moment...(+)
This artful setting of three classic choruses will create a spirit-filled moment of rare beauty and inspiration in your worship service. Includes Spirit of the Living God Holy Spirit Rain Down Holy Ground.Availableseparately: SATB. SAB and SSA. Instrumental ePak includes score and parts for Flute 1 2; Oboe; Bb Clarinet 1 2; F Horn 1 2 3; Timpani/Mallet; Guitar; Bass Drums; Percussion 1 2; Violin 1 2; Viola; Cello and String Bass.ChoirTrax CD also available. Performance Time: Approx. 3:25
This artful setting of three classic choruses will create a spirit-filled moment...(+)
This artful setting of three classic choruses will create a spirit-filled moment of rare beauty and inspiration in your worship service. Includes Spirit of the Living God Holy Spirit Rain Down Holy Ground.Availableseparately: SATB. SAB and SSA. Instrumental ePak includes score and parts for Flute 1 2; Oboe; Bb Clarinet 1 2; F Horn 1 2 3; Timpani/Mallet; Guitar; Bass Drums; Percussion 1 2; Violin 1 2; Viola; Cello and String Bass.ChoirTrax CD also available. Performance Time: Approx. 3:25
SSA [TB ad lib.] and String Quartet [Double Bass ad lib.]-Missa Popularis for Ch...(+)
SSA [TB ad lib.] and String Quartet [Double Bass ad lib.]-Missa Popularis for Choir [SSA (TB ad lib.)] (Lat.) and String Quartet (Double Bass ad lib.)As the name suggests the Missa Popularis has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie where the Violin plays a melody in the style of a Swedish folk tune above a Bass Ostinato. The musical charm of the Mass derives from the combination of Choir [SSA(TB)] and String Quartet.The choral parts enable performances by female choir or mixed choir. In the latter case the String Quartet is reinforced by a Double Bass.The version for Female Choir was premièred in Poznan on 25 April 2015 with Alicja Szeluga conducting the Skowroniki Girls Choir. Full score (BA7420) set of parts (BA7420-22) and vocal score (BA7420-90) available for sale
SSA [TB ad lib.] and String Quartet [Double Bass ad lib.]-Missa Popularis for Ch...(+)
SSA [TB ad lib.] and String Quartet [Double Bass ad lib.]-Missa Popularis for Choir [SSA (TB ad lib.)] (Lat.) and String Quartet (Double Bass ad lib.)As the name suggests the Missa Popularis has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie where the vVolin plays a melody in the style of a Swedish folk tune above a Bass Ostinato. The musical charm of the Mass derives from the combination of Choir [SSA(TB)] and String Quartet.The choral parts enable performances by female choir or mixed choir. In the latter case the String Quartet is reinforced by a Double Bass.The version for female choir was premièred in Poznan on 25 April 2015 with Alicja Szeluga conducting the Skowroniki Girls Choir.Full score (BA7420) set of parts (BA7420-22) and vocal score (BA7420-90) available for sale
Recital Music has developed a large exciting and eclectic catalogue of Christma...(+)
Recital Music has developed a large exciting and eclectic catalogue of Christmas music for choirs in recent years. Some works are published for the first time others are in new editions and we aim to provide accessible and enjoyable choral music for choirs of all ages and abilities. Enjoy!Shout for the King! is a joyous and vibrant carol for junior choir and piano. It's Latin-American influence has proved popular with choirs and audiences alike and a double bass and percussion can easily be added for extra energy and atmosphere.Chord symbols are included for optional double bass or guitar accompaniment.The composer writes: 'Shout forthe King! was composed one evening in December 2004. At the time I was training as a Primary School teaching assistant and involved in playing the piano for the school's various Christmas musical events and concerts. It was the first time I had written both lyrics and music which both came to me at the same time. I subsequently taught the song to the children in the days which followed which they loved and it was the first time a 'real' composer had written anything for them. A week later it was premiered at the school carol concert with me playing the piano.I have always wanted to write a new and catchy Christmas carol drawing influences from all the familiar ones we know and love every Christmas. I also wanted the melody of the verses and chorus to be catchy and repetitive and would be easy and enjoyable for junior choirs to learn. I have always had a fondness for Latin-American rhythms hence the happy groove which I think add to the appeal!'Born in Cardiff in 1975 and trained in piano and flute at school Jay Mackie studied composition as an undergraduate at Royal Welsh College of Music and Drama from 1997-2000 and completed an MMus gaining a distinction in Composition in 2004.At college Jayson received three scholarship prizes for composing where his Wind Quintet was a featured work at the ISCM's World Music Days
John Leavitt's arrangement of this beloved American spiritual moves from the sim...(+)
John Leavitt's arrangement of this beloved American spiritual moves from the simple opening chorale to the full soaring climax - what a wonderful new setting! Optional violin and string bass. Available: SATB SSA TTB.
Opt. Acc.-Traditional pop ballad still popular decades after its original releas...(+)
Opt. Acc.-Traditional pop ballad still popular decades after its original release. Arranged for Soprano Alto and Bass with optional piano bass guitar and drums accompaniments.
A walking bass line, built on the blues scale, hints at jazz in the introduction...(+)
A walking bass line, built on the blues scale, hints at jazz in the introduction of this fantastically fun arrangement of the traditional spiritual. Each of three verses develops further as the piece grows to its exciting final chords. An acoustic or electric bass part is included in the publication. / Choeur SSA
'I would prefer not to be in the audience for a performance of this, but only be...(+)
'I would prefer not to be in the audience for a performance of this, but only because I'd want to be taking part instead.' Music Teacher Bob Chilcott A Little Jazz Mass SSA vocal score Kyrie eleison Forces or Category: SSA, piano, bass (optional), drums (optional) for SSA, piano, and optional bass and drumkit ad lib.
A walking bass line, built on the blues scale, hints at jazz in the introduction...(+)
A walking bass line, built on the blues scale, hints at jazz in the introduction of this fantastically fun arrangement of the traditional spiritual. Each of three verses develops further as the piece grows to its exciting final chords. An acoustic or electric bass part is included in the publication. / Choeur SAB
Arranged by Mark Hayes this familiar Stephen Foster standard is available as SA...(+)
Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.
This vibrant collection presents five jazzy settings of poems from William Blake...(+)
This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the expectation of the listener by setting each classic text in a different jazz-inspired style-from the laid-back swing of 'The Echoing Green' and ballad-like setting of 'The Lamb' to a lilting jazz waltz 'The Little Boy Lost/The Little Boy Found'. The voices are underpinned by a stylistic piano part which may be played as written or serve as a guide and a part for bass and drum kit is available separately for jazz trio accompaniment. Ideal for performance individually or as a suite these innovative songs will make a colourfuladdition to any concert programme.for SSA piano and optional bass and drum kit