Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01964.
Published
by Jackman Music
Corporation
Ein Lehrbuch nach zeitgenossischen Quellen. By Jesper Boje Christensen. Edited b...(+)
Ein Lehrbuch nach
zeitgenossischen Quellen.
By Jesper Boje
Christensen. Edited by
Stefan Altner; Siegbert
Rampe. For Piano/Organ.
Klavier-Schule (Piano
Methods). Collection.
Published by
Baerenreiter-Ausgaben
(German import).
Horn, Bassoon and Organ SKU: HL.50038940 Score. Composed by Antoni...(+)
Horn, Bassoon and Organ
SKU: HL.50038940
Score. Composed by
Antonio Vivaldi. Edited
by Gian Francesco
Malipiero. Ensemble.
Score Only. Composed
1984. Ricordi #PR1013.
Published by Ricordi
(HL.50038940).
Oboe, Oboe, Bassoon,
Horn, Horn, Violin,
String Ensemble, Organ
SKU: HL.50039790
Score. Composed by
Antonio Vivaldi. Edited
by Gian Francesco
Malipiero. Orchestra.
Score Only. Composed
1984. Ricordi #PR1000.
Published by Ricordi
(HL.50039790).
Organ SKU: BA.BA07679-67 For Soprano, Alto, Strings and Basso Continuo...(+)
Organ
SKU:
BA.BA07679-67
For
Soprano, Alto, Strings
and Basso Continuo.
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Continuo realization:
Andreas Kohs. Single
part. 26 pages.
Baerenreiter Verlag
#BA07679_67. Published by
Baerenreiter Verlag
(BA.BA07679-67).
ISBN
9790006528851. 32.5 x
25.5 cm
inches.
Continuo
realization: Andreas
Kohs.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer’s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Mixed choir, string trio, bassoon and organ - advanced SKU: HL.49018085 <...(+)
Mixed choir, string trio,
bassoon and organ -
advanced
SKU:
HL.49018085
Text
aus dem
Matthaus-Evangelium, 5,
3-12 in der Ubersetzung
von Martin Luther.
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Choral. Score.
Composed 2009. 44 pages.
Duration 13'. Schott
Music #ED20692. Published
by Schott Music
(HL.49018085).
ISBN
9790001168892. UPC:
884088520106.
9.0x12.0x0.203 inches.
German.
St. Nicolas
Church in Leipzig: the
9th of October 1989 saw
the last great peace
prayer with the
Beatitudes, followed by
the momentous non-violent
peace demonstration. The
famous film composer
Enjott Schneider created
a touching monument to
the events of Leipzig by
setting the Beatitudes
from the Sermon on the
Mount to music.In his
motet for mixed choir,
string trio, bassoon and
organ, he captures the
extraordinary mood of
that day musically in
three movements (I In Not
- In time of need, II
Barmherzigkeit - Mercy,
III Hoffnung - Hope).The
demanding, yet impressive
choral work is perfect
for church services.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. This
edition: urtext. 1x
40.689/21 flute 1, 1x
40.689/22 flute 2, 1x
40.689/23 oboe 1, 1x
40.689/24 oboe 2, 1x
40.689/25 clarinet 1, 1x
40.689/26 clarinet 2, 1x
40.689/27 bassoon 1, 1x
40.689/28 bassoon 2, 1x
40.689/29 double bassoon,
1x 40.689/31 horn 1, 1x
40.689/32 horn 2, .
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. German title:
Missa Solemnis In D Op.
123. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1817/23. Op. 123. 352
pages. Duration 90
minutes. Carus Verlag #CV
40.689/09. Published by
Carus Verlag
(CA.4068909).
ISBN
9790007220389. Key: D
major. Language:
Latin.
Beethoven
described his Missa
solemnis as his greatest
work several times, a
work which, coming from
the heart, was to touch
and move audiences. The
surviving sources enable
us to recognize how
intensively and how long
he worked on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings, and the
premiere took place, for
good reason, in a concert
hall. The chorus plays a
key structural role in
the work, and in the
process has to master
some extremely demanding
sections. The leading
Beethoven expert Ernst
Herttrich has produced an
Urtext edition based on
the available sources,
and reflecting the latest
state of scholarship.
Score and parts available
separately - see item
CA.4068900.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Double bass.
Sacred vocal music,
Cantatas, Advent. Single
Part, Double Bass.
Composed 1868/1869. Op.
29. 4 pages. Duration 14
minutes. Carus Verlag #CV
10.364/15. Published by
Carus Verlag
(CA.1036415).
ISBN
9790007190422. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. Double bass.
Innovative practice aids,
Sacred vocal music,
Praise and thanks. Single
Part, Double Bass. WAB
45. 8 pages. Duration 25
minutes. Carus Verlag #CV
27.190/15. Published by
Carus Verlag
(CA.2719015).
ISBN
9790007200787. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and part available
separately - see item
CA.2719000.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. German title:
Missa Solemnis In D Op.
123. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Organ. Composed
1817/23. Op. 123. 32
pages. Duration 90
minutes. Carus Verlag #CV
40.689/49. Published by
Carus Verlag
(CA.4068949).
ISBN
9790007097295. Key: D
major. Language:
Latin.
Beethoven
described his Missa
solemnis as his greatest
work several times, a
work which, coming from
the heart, was to touch
and move audiences. The
surviving sources enable
us to recognize how
intensively and how long
he worked on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings, and the
premiere took place, for
good reason, in a concert
hall. The chorus plays a
key structural role in
the work, and in the
process has to master
some extremely demanding
sections. The leading
Beethoven expert Ernst
Herttrich has produced an
Urtext edition based on
the available sources,
and reflecting the latest
state of scholarship.
Score and part available
separately - see item
CA.4068900.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Double Bass. Composed
1901. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.311/16. Published
by Carus Verlag
(CA.2731116).
ISBN
9790007201586. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. German title:
Missa Solemnis In D Op.
123. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1817/23. Op. 123.
Duration 90 minutes.
Carus Verlag #CV
40.689/19. Published by
Carus Verlag
(CA.4068919).
ISBN
9790007133481. Key: D
major. Language:
Latin.
Beethoven
described his Missa
solemnis as his greatest
work several times, a
work which, coming from
the heart, was to touch
and move audiences. The
surviving sources enable
us to recognize how
intensively and how long
he worked on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings, and the
premiere took place, for
good reason, in a concert
hall. The chorus plays a
key structural role in
the work, and in the
process has to master
some extremely demanding
sections. The leading
Beethoven expert Ernst
Herttrich has produced an
Urtext edition based on
the available sources,
and reflecting the latest
state of scholarship.
Score and parts available
separately - see item
CA.4068900.
Composed
by George Frideric
Handel. Edited by Kerstin
Hartinger, Benedikt
Poensgen. Arranged by
Felix Bartholdy
Mendelssohn. Stuttgart
Urtext Edition: Handel.
German title: Dettinger
Te Deum. Choral Score.
Composed 1829. HWV.
Duration 40 minutes.
Carus Verlag #CV
55.283/55. Published by
Carus Verlag
(CA.5528355).
ISBN
9790007162610. Language:
German.
At the age
of 20 Mendelssohn had
already arranged some of
Handel's great works for
the Berlin Singakademie,
including the Dettingen
Te Deum, and he suited
them to the tastes of his
time. Thus, in large part
he retained the original
music and added wind
parts, which were
completely new. A special
aspect is represented by
Zelter's German text
which, among other
things, also proved how
important and popular the
Dettingen Ted Deum was
during Mendelssohn's
time. Score available
separately - see item
CA.5528300.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. German title:
Missa Solemnis In D Op.
123. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Choral
Score. Composed 1817/23.
Op. 123. 36 pages.
Duration 90 minutes.
Carus Verlag #CV
40.689/05. Published by
Carus Verlag
(CA.4068905).
ISBN
9790007131135. Key: D
major. Language:
Latin.
Beethoven
described his Missa
solemnis as his greatest
work several times, a
work which, coming from
the heart, was to touch
and move audiences. The
surviving sources enable
us to recognize how
intensively and how long
he worked on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings, and the
premiere took place, for
good reason, in a concert
hall. The chorus plays a
key structural role in
the work, and in the
process has to master
some extremely demanding
sections. The leading
Beethoven expert Ernst
Herttrich has produced an
Urtext edition based on
the available sources,
and reflecting the latest
state of scholarship.
Score available
separately - see item
CA.4068900.
SATB vocal soli, SATB choir, cello/contrabass, organ SKU: CA.2100311 Comp...(+)
SATB vocal soli, SATB
choir, cello/contrabass,
organ
SKU:
CA.2100311
Composed
by Marc-Antoine
Charpentier. Edited by
Annick Fiaschi. Arranged
by Paul Horn. French
Sacred Music. German
title: Magnificat. Sacred
vocal music, Magnificats,
Motets, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Cello/Double
Bass. Composed 1695. H. 4
pages. Duration 9
minutes. Carus Verlag #CV
21.003/11. Published by
Carus Verlag
(CA.2100311).
ISBN
9790007197674. Language:
Latin.
Marc-Antoine
Charpentier's Magnificat
H 78 was composed around
1690 for the Jesuits in
Paris. No less than ten
works by the composer, in
differing vocal and
instrumental scoring and
form comprise this genre.
In the present Magnificat
H 78 for five voices (in
which alto and bass also
have solo roles), two
flutes, strings and basso
continuo, each of the
individual movements
contains its own
expressive profile in
sound. Score and part
available separately -
see item CA.2100300.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060409
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. 1x 40.604/21 oboe
1, 1x 40.604/22 oboe 2,
2x 40.604/23 2 bassoons,
1x 40.604/31 horn 1, 1x
40.604/32 horn 2, 1x
40.604/33 clarino 1, 1x
40.604/34 clarino 2, 1x
40.604/41 timpani.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE MARIAZELLER-MESSE
IN C XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. 72 pages.
Duration 68 minutes.
Carus Verlag #CV
40.604/09. Published by
Carus Verlag
(CA.4060409).
ISBN
9790007219383. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.
Aus:
Messe in F (2.
Fassung). Composed by
Franz Schubert. Arranged
by Paul Horn. German
title: Messe in F, Dona 2
alt BA. Sacred vocal
music, Mass sections,
Peace and justice. Single
Part, Cello/Double Bass.
D 105. 4 pages. Carus
Verlag #CV 40.656/64.
Published by Carus Verlag
(CA.4065664).
ISBN
9790007219789. Key: F
major. Language:
Latin.
Piano/Vocal
score available
separately - see item
CA.4065653.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060419
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/19. Published by
Carus Verlag
(CA.4060419).
ISBN
9790007133214. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060403
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Vocal score.
Composed 1766. Hob.
XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/03. Published by
Carus Verlag
(CA.4060403).
ISBN
9790007092078. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score available
separately - see item
CA.4060400.
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Double Bass. Composed
1858. Op. 12. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 40.180/15.
Published by Carus Verlag
(CA.4018015).
ISBN
9790007064099. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
Munchner Kyrie.
Composed by Wolfgang
Amadeus Mozart. Edited by
Franz Beyer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Kyrie In D Kv 341
Neu 2001. Sacred vocal
music, Mass sections.
Single Part, Cello/Double
Bass. Composed circa
1787-1791. KV 341 (368a).
4 pages. Duration 6
minutes. Carus Verlag #CV
40.037/14. Published by
Carus Verlag
(CA.4003714).
ISBN
9790007217020. Key: D
minor. Language:
Latin.
Composed
by Johann Gottlieb
Naumann. Arranged by Paul
Horn. German title: Missa
in D. Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1794. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
40.672/14. Published by
Carus Verlag
(CA.4067214).
ISBN
9790007219963. Key: D
minor. Language:
Latin.
Johann
Gottlieb Naumann, who
today is becoming
increasingly well known,
achieved recognition
during his lifetime as a
composer of operas, among
them the first Swedish
national opera, Gustaf
Wasa. In addition he
wrote a large number of
sacred compositions for
the Court of Dresden,
where he was employed for
many years, including the
present Missa in D minor,
which was still performed
well into the 20th
century. This work,
probably composed for
Christmas in 1794,
displays a decidedly
pastoral character in the
Gloria and Agnus Dei and
moreover, is
distinguished by charming
solo woodwind parts.
Score and part available
separately - see item
CA.4067200.