Choral (SSA Choir)

SKU: HL.1196564

Composed by Brendan Graham and Roisin Ann O'Reilly. Arranged by Roger Emerson. Sacred Christmas Choral. Christmas. Octavo. 12 pages. Duration 205 seconds. Published by Hal Leonard (HL.1196564).

ISBN 9781705193044. UPC: 196288133964. 6.75x10.5x0.029 inches.

This Christmas-inspired lullaby will be a special moment in your holiday concerts. Expertly arranged, it will sing beautifully with the piano accompaniment-- or add in the acoustic guitar and accordion for a truly unique sound!

Choral (SAB Choir)

SKU: HL.1196563

Composed by Brendan Graham and Roisin Ann O'Reilly. Arranged by Roger Emerson. Sacred Christmas Choral. Christmas. Octavo. 12 pages. Duration 205 seconds. Published by Hal Leonard (HL.1196563).

ISBN 9781705193037. UPC: 196288133957. 6.75x10.5x0.029 inches.

This Christmas-inspired lullaby will be a special moment in your holiday concerts. Expertly arranged, it will sing beautifully with the piano accompaniment-- or add in the acoustic guitar and accordion for a truly unique sound!

Composed by Franz Xaver Gruber. Arranged by Greg Gilpin. Shawnee Press. Christmas Sacred. Octavo. 12 pages. Published by Shawnee Press

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Folk; Secular. Published by Faber Music

Composed by Franz Xaver Gruber. Arranged by Greg Gilpin. Shawnee Press. Christmas Sacred. Octavo. Published by Shawnee Press

Composed by John Gourley; Zach Carothers; Jason Sechrist; Eric Howk; Kyle O'Quin; John Hill; Asa Taccone; Robert Bateman; Georgia Dobbins; William Garrett; Freddy Gorman; Brian Holland. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Rock; Secular. Choral Octavo. 16 pages. Alfred Music #00-47136. Published by Alfred Music (AP.47136).

SAB choir and piano - Beginning

SKU: MN.50-6175

Composed by Karen Marrolli. MorningStar Music Publishers #50-6175. Published by MorningStar Music Publishers (MN.50-6175).

UPC: 688670561757. English. Psalm 46:10.

A piece based on the calming text found in Psalm 46:10. The stillness of the text is matched with a lovely original melody.

By Marilyn Keith, Alan Bergman. Arranged by Norman Luboff. (SSA). Walton Choral. Size 6.8x10.5 inches. 4 pages. Published by Walton Music.

By Traditional Austrian. Arranged by Ken Berg. (SSA). This edition: WLG128. Walton Choral. 8 pages. Published by Walton Music.

Composed by Gilbert M. Martin (1941-). For SSA choir. Exaltation Series. Sacred Anthem, Christmas. Octavo. Published by Lorenz Publishing Company

Discovery Level 2. Composed by Elton John and Bernie Taupin. Arranged by Roger Emerson. Discovery Choral. Pop, Rock. Octavo. Duration 142 seconds. Published by Hal Leonard

By Elton John. By Bernie Taupin, Elton John. Arranged by Pete Schmutte. Shawnee Press. Pop. Octavo. 12 pages. Published by Shawnee Press (HL.35031974).

By Elton John. By Elton John and Bernie Taupin. Arranged by Pete Schmutte. Shawnee Press. Pop. Octavo. 12 pages. Published by Shawnee Press

SAB choir and piano

SKU: LO.15-3666H

Composed by Douglas E. Wagner. Choral. Octavo. Heritage Music Press #15/3666H. Published by Heritage Music Press (LO.15-3666H).

ISBN 9780787765620.

Beyo nd the silver mountains, beyond the beautiful hills, my spirit and joy, my lovely one, has gone, and winds have been stilled. Douglas Wagner wrote this tender song of parting shortly after his mother's passing. Scored especially for smaller mixed ensembles, careful attention has been made to the voice leading in all parts. Teachable moments of phrasing, breath support, and tall vowels make this a strong selection for developing choirs.

By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mac Huff. Pop Choral Series. Classic Rock, Pop, Pop/Rock, Rock, Seventies, Swedish. Octavo. 16 pages. Duration 250 seconds. Published by Hal Leonard

By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mac Huff. Pop Choral Series. Classic Rock, Pop, Pop/Rock, Rock, Seventies, Swedish. Octavo. 16 pages. Duration 250 seconds. Published by Hal Leonard

Composed by Rebecca Gruber Hogan and Richard A. Nichols. Shawnee Sacred. Christmas, Sacred. Octavo. 12 pages. Published by Shawnee Press

By Various. Arranged by Thomas Fettke. For women's voices and piano. Sacred. Moderate. Book. 108 pages. Published by Lillenas Publishing Company

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

Aboutà ‚ Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About Jà³nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

By John Rostill. Arranged by Jay Althouse. For Choir. (SSA). Choral Octavo. Pop Choral. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Roberta Flack. By Carole King and Gerry Goffin. Arranged by Mark A. Brymer. For Choral (SSA). Pop Choral Series. 12 pages. Published by Hal Leonard

By Reuben Morgan. Arranged by Keith Christopher. SAB. Daybreak Choral Series. 8 pages

By Roberta Flack. By Carole King and Gerry Goffin. Arranged by Mark A. Brymer. For Choral (SAB). Pop Choral Series. 12 pages. Published by Hal Leonard

By John Rostill (1942-1973). Arranged by Jay Althouse. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Choral Octavo. 12 pages