| Born Today, Hodie! Chorale 3 parties SAB Shawnee Press
Composed by Faye Lopez, Patricia Mock. Arranged by Faye Lopez. Glory Sound. Call...(+)
Composed by Faye Lopez,
Patricia Mock. Arranged
by Faye Lopez. Glory
Sound. Call to Worship,
Anthem, Christmas,
Sacred. Octavo. 8 pages.
Published by Glory Sound
(HL.35031600).
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Come to the House of the Lord Chorale 3 parties SAB [Octavo] Shawnee Press
A Call to Worship. Composed by Charles McCartha. Glory Sound. Octavo. 8 p...(+)
A Call to Worship.
Composed by Charles
McCartha. Glory Sound.
Octavo. 8 pages.
Published by Glory Sound
(HL.35031629).
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloriosi Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor,
priest, assembly,
keyboard accompaniment, 2
C instruments, trumpet in
B-flat, trumpet in C,
cello, guitar - Early
intermediate SKU:
GI.G-10515 Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. Lent,
Eastertide, Holy
Thursday, Good Friday,
Easter Vigil, Easter
Sunday, Easter PM.
Sacred. With guitar chord
names. 296 pages. GIA
Publications #10515.
Published by GIA
Publications
(GI.G-10515). UPC:
785147051527. English,
Spanish. Scripture: Psalm
16, Psalm 19, Psalm 30,
Psalm 31, Psalm 42:3,
5cdef, Psalm 43:3, 4,
Psalm 103:1–2a,
5–6, 10, 12,
13–14, 24, 35c,
Psalm 103:30, Psalm 116,
Psalm 118, 1 Corinthians
10:16, Luke 23:46, Isaiah
12. The first
comprehensive resource of
its kind, Gloriosi
contains a treasure trove
of ritual music that
bridges linguistic,
cultural, and musical
differences for the
liturgies of Holy
Thursday, Good Friday,
and the Easter Vigil.
Weaving together familiar
tunes and ancient chants
with newly-composed
pieces, Tony Alonso has
meticulously crafted the
music of Gloriosi to
inspire the participation
of a diverse assembly
during these celebrations
at the heart of the
liturgical year. In
addition to settings of
all of the ritual texts
found in the Roman Missal
/ Misal Romano for the
Three Days, this
collection contains
settings of every
prescribed psalm drawn
from texts approved for
liturgical use in English
and in Spanish. El primer
recurso completo de su
tipo, Gloriosi es un
tesoro rebosante de
música ritual que
supera las diferencias
lingüÃsticas,
culturales y musicales
para las liturgias del
Jueves Santo, Viernes
Santo y la Vigilia
Pascual. Tejiendo
melodÃas familiares y
cantos antiguos con
piezas recién
compuestas, Tony Alonso
ha elaborado
meticulosamente la
música de Gloriosi
para inspirar la
participación de una
asamblea diversa durante
estas celebraciones que
están al centro del
año litúrgico.
Además de proporcionar
los textos rituales que
se encuentran en el Misal
Romano / Roman Missal
para los Tres DÃas en
forma musicalizada, esta
colección también
ofrece nueva música
para todos los salmos
prescritos para las
liturgias del Triduo
utilizando los textos
oficiales en español y
en inglés. Listen to
Music Samples on the
Gloriosi Recording Page
by Clicking HERE.
CONTENTS: Holy Thursday
Mass of the Lord’s
Supper / Jueves Santo de
la Cena del Señor: We
Should Glory in the Cross
/ Que Nuestro Único
Orgullo Sea la Cruz
• Blessed Be God
Forever / Bendito Sea
Dios por Siempre •
Kyrie, Eleison •
Our Blessing-Cup / El
Cáliz que Bendecimos
• Glory to You /
Gloria a Ti • A New
Commandment / Un
Mandamiento Nuevo •
Love One Another /
Ãmense Unos a Otros
• Lord, Hear Our
Prayer / Te Rogamos,
Óyenos • Ubi
Caritas • Agnus Dei
• Called to the
Supper of the Lamb /
Llamados al Banquete del
Señor • Called
to Keep Vigil with the
Lord / Llamados a Velar
con el Señor •
Tantum Ergo Sacramentum
Good Friday of the
Passion of the Lord /
Viernes Santo de la
Pasión del Señor:
Into Your Hands / En Tus
Manos • Glory to
You / Gloria a Ti •
Adoramus Te • The
Solemn Intercessions of
Good Friday / La
Oración Universal del
Viernes Santo •
Behold the Wood of the
Cross / Miren el Ãrbol
de la Cruz •
Faithful Cross / Cruz
Fiel • Forgive Us,
Your People / Perdona a
Tu Pueblo • O Come,
Let Us Worship / Venid,
Oh Cristianos •
Called to the Supper of
the Lamb / Llamados al
Banquete del Señor The
Easter Vigil in the Holy
Night / Vigilia Pascual
en la Noche Santa: The
Easter Proclamation /
Pregón Pascual •
Lord, Send Out Your
Spirit / EnvÃa Tu
EspÃritu, Señor
• Keep Me Safe, O
God / Protégeme, Dios
MÃo • Let Us
Sing to the Lord /
Cantemos al Señor
• I Will Praise
You, Lord / Te
Ensalzaré, Señor
• You Will Draw
Water Joyfully / Ustedes
Sacarán Agua con Gozo
• Words of
Everlasting Life /
Palabras de Vida Eterna
• Like a Deer that
Longs / Como Busca la
Cierva (Psalm 42, 43 /
Salmo 42/41, 43/42)
• Easter Alleluia /
Aleluya Pascual •
Litany of the Saints /
LetanÃa de los Santos
• Alleluia Popular:
Blessing of Water /
Aleluya Popular:
Bendición del Agua
• Alleluia Popular:
Baptism / Aleluya
Popular: Bautismo •
Alleluia Popular:
Acclamation / Aleluya
Popular: Aclamación
• Veni Sancte
Spiritus • Alleluia
Popular: Sprinkling /
Aleluya Popular:
Aspersión •
Lord, We Ask You, Hear
Our Prayer / Te Rogamos,
Óyenos • Called
to the Supper of the Lamb
/ Llamados al Banquete
del Señor. Learn more
about this collection in
this webinar below
featuring composer Tony
Alonso. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gloriosi - Choral edition Chorale 3 parties SAB GIA Publications
SAB choir, cantor, priest, assembly, 2 C instruments, trumpet in B-flat, trumpet...(+)
SAB choir, cantor,
priest, assembly, 2 C
instruments, trumpet in
B-flat, trumpet in C,
cello, guitar SKU:
GI.G-10515C Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Choral edition.
Sacred. 128 pages. GIA
Publications #10515C.
Published by GIA
Publications
(GI.G-10515C). UPC:
785147051510. The
first comprehensive
resource of its kind,
Gloriosi contains a
treasure trove of ritual
music that bridges
linguistic, cultural, and
musical differences for
the liturgies of Holy
Thursday, Good Friday,
and the Easter Vigil.
Weaving together familiar
tunes and ancient chants
with newly-composed
pieces, Tony Alonso has
meticulously crafted the
music of Gloriosi to
inspire the participation
of a diverse assembly
during these celebrations
at the heart of the
liturgical year. In
addition to settings of
all of the ritual texts
found in the Roman Missal
/ Misal Romano for the
Three Days, this
collection contains
settings of every
prescribed psalm drawn
from texts approved for
liturgical use in English
and in Spanish. El primer
recurso completo de su
tipo, Gloriosi es un
tesoro rebosante de
música ritual que
supera las diferencias
lingüÃsticas,
culturales y musicales
para las liturgias del
Jueves Santo, Viernes
Santo y la Vigilia
Pascual. Tejiendo
melodÃas familiares y
cantos antiguos con
piezas recién
compuestas, Tony Alonso
ha elaborado
meticulosamente la
música de Gloriosi
para inspirar la
participación de una
asamblea diversa durante
estas celebraciones que
están al centro del
año litúrgico.
Además de proporcionar
los textos rituales que
se encuentran en el Misal
Romano / Roman Missal
para los Tres DÃas en
forma musicalizada, esta
colección también
ofrece nueva música
para todos los salmos
prescritos para las
liturgias del Triduo
utilizando los textos
oficiales en español y
en inglés. Listen to
Music Samples on the
Gloriosi Recording Page
by Clicking HERE.
CONTENTS: Holy Thursday
Mass of the Lord’s
Supper / Jueves Santo de
la Cena del Señor: We
Should Glory in the Cross
/ Que Nuestro Único
Orgullo Sea la Cruz
• Blessed Be God
Forever / Bendito Sea
Dios por Siempre •
Kyrie, Eleison •
Our Blessing-Cup / El
Cáliz que Bendecimos
• Glory to You /
Gloria a Ti • A New
Commandment / Un
Mandamiento Nuevo •
Love One Another /
Ãmense Unos a Otros
• Lord, Hear Our
Prayer / Te Rogamos,
Óyenos • Ubi
Caritas • Agnus Dei
• Called to the
Supper of the Lamb /
Llamados al Banquete del
Señor • Called
to Keep Vigil with the
Lord / Llamados a Velar
con el Señor •
Tantum Ergo Sacramentum
Good Friday of the
Passion of the Lord /
Viernes Santo de la
Pasión del Señor:
Into Your Hands / En Tus
Manos • Glory to
You / Gloria a Ti •
Adoramus Te • The
Solemn Intercessions of
Good Friday / La
Oración Universal del
Viernes Santo •
Behold the Wood of the
Cross / Miren el Ãrbol
de la Cruz •
Faithful Cross / Cruz
Fiel • Forgive Us,
Your People / Perdona a
Tu Pueblo • O Come,
Let Us Worship / Venid,
Oh Cristianos •
Called to the Supper of
the Lamb / Llamados al
Banquete del Señor The
Easter Vigil in the Holy
Night / Vigilia Pascual
en la Noche Santa: The
Easter Proclamation /
Pregón Pascual •
Lord, Send Out Your
Spirit / EnvÃa Tu
EspÃritu, Señor
• Keep Me Safe, O
God / Protégeme, Dios
MÃo • Let Us
Sing to the Lord /
Cantemos al Señor
• I Will Praise
You, Lord / Te
Ensalzaré, Señor
• You Will Draw
Water Joyfully / Ustedes
Sacarán Agua con Gozo
• Words of
Everlasting Life /
Palabras de Vida Eterna
• Like a Deer that
Longs / Como Busca la
Cierva (Psalm 42, 43 /
Salmo 42/41, 43/42)
• Easter Alleluia /
Aleluya Pascual •
Litany of the Saints /
LetanÃa de los Santos
• Alleluia Popular:
Blessing of Water /
Aleluya Popular:
Bendición del Agua
• Alleluia Popular:
Baptism / Aleluya
Popular: Bautismo •
Alleluia Popular:
Acclamation / Aleluya
Popular: Aclamación
• Veni Sancte
Spiritus • Alleluia
Popular: Sprinkling /
Aleluya Popular:
Aspersión •
Lord, We Ask You, Hear
Our Prayer / Te Rogamos,
Óyenos • Called
to the Supper of the Lamb
/ Llamados al Banquete
del Señor. $16.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Hear the Prophet Callin' Chorale 3 parties SAB, Piano [Vocal Score] Lorenz Publishing Company
(The Christmas Story from Prophecy to Fulfillment). By Pepper Choplin. For SAB c...(+)
(The Christmas Story from
Prophecy to Fulfillment).
By Pepper Choplin. For
SAB choir and piano (with
optional orchestra).
Advent, Christmas,
Sacred. Cantata
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Now Spring in All Her Glory Chorale 3 parties 3 parties aigues Hal Leonard
Composed by Emily Crocker. Festival Choral. Concert, Festival, Seasonal. Octav...(+)
Composed by Emily
Crocker.
Festival Choral. Concert,
Festival, Seasonal.
Octavo.
16 pages. Published by
Hal
Leonard
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| His Strength Is Our Song Chorale 3 parties SAB Shawnee Press
By Stan Pethel, John Parker. For SAB Choir. Choral. Single Sheet. Published by S...(+)
By Stan Pethel, John
Parker. For SAB Choir.
Choral. Single Sheet.
Published by Shawnee
Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Morning Trumpet Chorale 3 parties SSA Pavane Publishing
Composed by Pavel Borkovec. Arranged by Ken Berg. Sheet music. Pavane Choral. Fe...(+)
Composed by Pavel
Borkovec. Arranged by Ken
Berg. Sheet music. Pavane
Choral. Festival,
Concert. Octavo. 1581. 12
pages. Pavane Publishing
#P1581. Published by
Pavane Publishing
(HL.232824).
$2.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Angels' Gloria! Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9772 Composed by Greg Gilpin. Duration ...(+)
Choral SSA choir, piano
SKU: CF.CM9772
Composed by Greg Gilpin.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #CM9772. Published
by Carl Fischer Music
(CF.CM9772). ISBN
9781491164433. UPC:
680160923335. Key: G
major. English. Words
adapted from Angels from
the Realms of Glory by
JAMES MONTGOMERY
(1771-1854). I've
always enjoyed
celebratory and rhythmic
singing. I also know
there's a need for this
style in treble voices.
The holiday season is a
perfect time to create
such a work.The text of
The Angels' Gloria is
based on the familiar
Montgomery hymn with
original music. This work
can be easily be done as
a call and answer or
antiphonal setting. Try
using it as a
processional, too.
Hearing the voices
surround the audience is
always exciting for
everyone and a superb
teaching and learning
experience.The
accompaniment is
intentionally simple and
bell-like, supporting the
three-part harmonies.
I've also created a
B-section that is a
cappella in full
three-part singing, rich
and full giving lots of
contrast to the
piece.There is so much
good teaching throughout
the piece, making for
interesting rehearsals
and a terrific
performance piece. I hope
this adds just the right
sparkle for your
Christmas or holiday
program.—Greg
Gilpin. $2.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Exsultet - Praeconium Paschale (Score and Parts) Chorale 3 parties SSA Peters
Choir Sacred SSA chorus-trumpet-trombonne- piano SKU: PE.EP68524A For ...(+)
Choir Sacred SSA
chorus-trumpet-trombonne-
piano SKU:
PE.EP68524A For
Chorus (Soprano 1,
Soprano 2, Alto) with
Trumpet, Trombone, and
Piano (2014/5).
Composed by Charles
Wuorinen. Choral; Single
Titles. Edition Peters.
Classical; Contemporary;
Easter. Score and
Part(s). 36 pages.
Duration 00:05:30.
Edition Peters
#98-EP68524A. Published
by Edition Peters
(PE.EP68524A). ISBN
9790300759043.
Lat. My Exs
ultet uses the
ancient chant to which
the Easter Proclamation
is declaimed, normally by
a deacon at the start of
the Great Vigil of
Easter. The chant dates
from somewhere between
the fourth and seventh
centuries and consists of
formulaic repetitions of
simple phrases. I have
elaborated these phrases
canonically, melodically,
and harmonically into a
three-part vocal fabric,
accompanied by obbligato
instruments. The full
text of the original goes
on for quite some time.
My choral-instrumental
version is much
shorter. Commission
ed by the Young People's
Chorus of New York City
for Transient Glory and
dedicated to Francisco J.
Núñez. This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $39.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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