Composed by Jacob Narverud. Traditional Latin from the Christian Divine Liturgy....(+)
Composed by Jacob
Narverud. Traditional
Latin from the Christian
Divine Liturgy. Octavo.
With Standard notation.
Duration 2 minutes, 25
seconds. Carl Fischer
#CM9496. Published by
Carl Fischer (CF.CM9496).
Where Can I Go? Chorale 3 parties SSA, Piano [Octavo] Carl Fischer
Composed by Paul David Thomas. Based on Psalm 139. Octavo. Duration 2 minutes, 1...(+)
Composed by Paul David
Thomas. Based on Psalm
139. Octavo. Duration 2
minutes, 10 seconds. Carl
Fischer #CM9471.
Published by Carl Fischer
(CF.CM9471).
Choral SAB chorus, piano SKU: CF.CM9731 From Requiem, Op 45. Compo...(+)
Choral SAB chorus, piano
SKU: CF.CM9731
From Requiem, Op
45. Composed by
Johannes Brahms. Arranged
by Russell L. Robinson.
20 pages. Duration 5:30.
Carl Fischer Music
#CM9731. Published by
Carl Fischer Music
(CF.CM9731).
ISBN
9781491161111. UPC:
680160919703. Key: C
major.
English.
Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In addition to
being a composer, he was
also well-known as a
pianist and conductor.
Brahms began writing the
Requiem (also known as
the German Requiem, Opus
45) soon after his mother
died in February 1865
which caused him great
grief. In April of that
year, he completed the
first, second and fourth
movements and completed
the rest of the seven
movements in May of 1868.
How Lovely is Thy
Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement work.
Originally written for
SATB voices in E-flat
major, this seamlessly
similar arrangement for
SAB voices, now in C
major, affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience. I hope you
enjoy singing this
beautiful and timeless
piece by Johannes Brahms!
Russell Robinson,
Arranger
 . Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In
addition to being a
composer, he was also
well-known as a pianist
and conductor. Brahms
began writing the Requiem
(also known as the German
Requiem, Opus 45) soon
after his mother died in
February 1865 which
caused him great
grief. In April of
that year, he completed
the first, second and
fourth movements and
completed the rest of the
seven movements in May of
1868. How Lovely is
Thy Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement
work. Originally
written for SATB voices
in E-flat major, this
seamlessly similar
arrangement for SAB
voices, now in C major,
affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience.I hope you
enjoy singing this
beautiful and timeless
piece by Johannes
Brahms!Russell Robinson,
Arranger    .
Choral SSA Choir and Piano SKU: CF.CM6652 Composed by Vincent Persichetti...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM6652
Composed by
Vincent Persichetti.
Performance Score. With
Standard notation. 8
pages. Duration 2:15.
Carl Fischer Music
#CM6652. Published by
Carl Fischer Music
(CF.CM6652).
ISBN
9781491144824. UPC:
680160902323. 6.875 X
10.5 inches. Key: C
major.
English.
Persichett
i was a big fan of the
poetry of e.e. cummings,
having set a number of
texts to music. Four
Cummings Choruses, Op.
98, Flower Songs (Cantata
No. 6), Op. 157, Glad and
Very (5 Cummings
Choruses, Cantata No. 5),
Op. 129, Spring Cantata
(Cantata No. 1), Op. 94,
and Two Cummings
Choruses, Op. 33 (G.
Schirmer) are among his
best-known choral works.
The two poems in Opus 46
are very dissimilar;
while Hist Whist may best
be performed in a
Halloween concert (little
ghost-things, twitchy
witches, the old woman
with the wart on her
nose), This Is the Garden
is a flowing, layered,
multi-colored descriptive
choral. The Two cummings
Choruses was premiered at
the 1952 MTNA Conference
in Dallas, TX by the
Sigma Alpha Iota
Chorus.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Choral SSA choir, piano SKU: CF.CM9629 Composed by Traditional English Ca...(+)
Choral SSA choir, piano
SKU: CF.CM9629
Composed by Traditional
English Carol. Arranged
by Russell L. Robinson.
Fold. Performance Score.
12 pages. Duration 2
minutes, 35 seconds. Carl
Fischer Music #CM9629.
Published by Carl Fischer
Music (CF.CM9629).
ISBN 9781491157015.
UPC: 680160915576. 6.875
x 10.5 inches. Key: E
major. English,
English.
Treble
choirs of all sizes will
enjoy singing this
timeless English carol
with diverse piano
accompaniment and
interesting textures and
harmonies. A fine
addition to any holiday
program!
Choral SSA choir, piano SKU: CF.CM9769 Composed by Daniel E Kelley. Arran...(+)
Choral SSA choir, piano
SKU: CF.CM9769
Composed by Daniel E
Kelley. Arranged by Ben
Kendall. Duration 2
minutes, 46 seconds. Carl
Fischer Music #CM9769.
Published by Carl Fischer
Music (CF.CM9769).
ISBN 9781491164402.
UPC: 680160923304. Key: G
major. English. Brewster
M Higley.
Original.
Pathless Sky Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9482 Composed by Philip E. Silvey. SWS....(+)
Choral SSA choir, piano
SKU: CF.CM9482
Composed by Philip E.
Silvey. SWS. Performance
Score. With Standard
notation. 16 pages.
Duration 2 minutes, 48
seconds. Carl Fischer
Music #CM9482. Published
by Carl Fischer Music
(CF.CM9482).
ISBN
9781491145869. UPC:
680160903368. 6.875 x
10.5 inches. Key: C
major. Louisa May Alcott
(1832-1888).
Silvey
's original composition
uses the text from Rosy's
Journey, a short story by
American author Louisa
May Alcott. A broad
interpretation of the
text reflects a plea to
be heard, a warning to be
vigilant, and a rally to
action. Silvey's
incessant pulsing rhythms
in the accompaniment
reflect the urgency of
the moment. This unique
and empowering choral
work is sure to wow
audiences.
By Traditional Spiritual. Arranged by Gary E. Parks. For Part 1, Part 2, Part 3,...(+)
By Traditional Spiritual.
Arranged by Gary E.
Parks. For Part 1, Part
2, Part 3, Optional
Baritone, Keyboard,
Optional Rhythm Section.
Octavo. 12 pages.
Duration 2 minutes, 49
seconds. Published by
Carl Fischer
Newborn King Chorale 3 parties SAB [Octavo] Carl Fischer
Composed by Gary E. Parks. For SAB choir, optional electric bass, optional percu...(+)
Composed by Gary E.
Parks. For SAB choir,
optional electric bass,
optional percussion.
Octavo. 12 pages.
Duration 2 minutes, 2
seconds. Published by
Carl Fischer
By an 'By Chorale 3 parties SSA A Cappella [Octavo] Carl Fischer
(Traditional African-American Spiritual). Arranged by Philip E. Silvey. For SSA ...(+)
(Traditional
African-American
Spiritual). Arranged by
Philip E. Silvey. For SSA
choir. Octavo. 12 pages.
Duration 2 minutes, 25
seconds. Published by
Carl Fischer
(A Civil War Ballad). By Civil War Balla. Arranged by Gary E. Parks. For SSA Voi...(+)
(A Civil War Ballad). By
Civil War Balla. Arranged
by Gary E. Parks. For SSA
Voices with Keyboard and
Optional Precussion
(Triangle, Windchimes).
Piano reduction/vocal
score. Standard notation.
8 pages. Published by
Carl Fischer
Noel! Sing Noel! Chorale 3 parties SAB, Piano [Octavo] Carl Fischer
(Nigerian Folk Song). Arranged by Gary E. Parks. For SAB choir, Keyboard, Option...(+)
(Nigerian Folk Song).
Arranged by Gary E.
Parks. For SAB choir,
Keyboard, Optional
Percussion. Octavo. 12
pages. Duration 2
minutes, 27 seconds.
Published by Carl Fischer