Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

Just Let Me Sing by Mary Donnelly. Arranged by George L.O. Strid. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Grade 3. Choral Octavo. Published by Alfred Music Publishing

Choral (TTB Choir)

SKU: HL.254667

Composed by Stephen Foster. Arranged by Thomas Juneau. Henry Leck Creating Artistry. Concert, Folk. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.254667).

UPC: 888680721930. 6.75x10.5x0.029 inches.

Asking those who have much to consider those who do not is an important and popular theme today. To realize that this song was first published in 1854 makes the plea even more poignant. The optional violin obligato adds a longing voice to this socially conscious message.

By Roger Hoffman. Arranged by A. Laurence Lyon. Text: Roger Hoffman. For SSA Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 3:30. Published by Jackman Music Corporation.

Arranged by Mac Huff. (Sab Singer). Broadway Choral. Size 6.75x10.5 inches. 56 pages. Published by Hal Leonard.

Composed by Traditional American. Arranged by Kyle Pederson. School, Church. Walton Choral. Octavo. Walton Music #WW1813. Published by Walton Music

The Gospel Train (A Gospel Medley and Classic Spiritual). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Gospel. Published by Faber Music

Choir Secular Opt. Piano or Hand Drum (Women's Choir)

SKU: AP.46348

Composed by Guillaume Costeley. Edited by and arr., by Patrick M. Liebergen, and with new words. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Madrigal; Masterwork Arrangement; Renaissance; Secular. Choral Octavo. 8 pages. Alfred Music #00-46348. Published by Alfred Music (AP.46348).

UPC: 038081527277. English.

Enjoy this lighthearted Renaissance-era madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, optional hand drum part, or perform entirely a cappella.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

((Choral Medley)). Arranged by Mac Huff. For Choral (3-Part Mixed). Broadway Choral. 24 pages. Published by Hal Leonard

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

By Lionel Bart (1930-). Arranged by Dot Calvin. Female barbershop choir. Young women's voices, a cappella. Suitable for contest. Barbershop, Uptune. Medium

Choral (3-Part Mixed choir)

SKU: HL.1285087

Discovery Level 2. Composed by Anthony Newley and Leslie Bricusse. Arranged by Roger Emerson. Discovery Choral. Jazz. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.1285087).

UPC: 196288167051. 6.75x10.5 inches.

This easy jazz setting of the iconic Nina Simone song retains the authentic feel and harmonies. Sure to be a crowd pleaser, this arrangement lends itself to optional finger snaps that highlight the song's “cool” mood. Consider wearing sunglasses to further enhance the song's unique jazz style.

Based on a Traditional Glouchester Carol, words and music by Douglas E. Wagner. For Choir. (SSA). Choral Octavo. Choral Designs. Madrigal; Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Lloyd Larson. Choral. Singable Solutions. Sacred Anthem, Advent. Octavo. Lorenz Publishing Company #10/5526L. Published by Lorenz Publishing Company

By Mary Mcdonald. For SAB choir and piano (with optional instrumental accompaniment). Sacred Anthem, Ascension, Christ the King, General, Holy Week. Octavo. Published by Lorenz Publishing Company

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Christmas; Winter. Published by Faber Music

Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music Publishing

Choral SSA Choir and Piano

SKU: CF.CM9716

Day of Wrath. Composed by David (D) Smith. 12 pages. Duration 0:01:57. Carl Fischer Music #CM9716. Published by Carl Fischer Music (CF.CM9716).

ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text.

This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.
This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl” is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School,  and Hilldale High School in Muskogee, Oklahoma.   He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the  Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.

Arranged by Nansi Carroll. Lent. Sacred. Octavo. 12 pages. GIA Publications #6281. Published by GIA Publications (GI.G-6281).

By Lionel Bart. Arranged by Roger Emerson. (SAB). Broadway Choral. Size 6.8x10.5 inches. 32 pages. Published by Hal Leonard.

Choir Secular with Opt. Flute and Hand Drum (SAB choir/3-Part choir Mixed)

SKU: AP.43610

(So Ben Mi Ch'à Bon Tempo). Composed by Orazio Vecchi. Edited by and arr., by Patrick M. Liebergen, and with new English words. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Masterwork Arrangement; Renaissance; Secular. Choral Octavo. 12 pages. Alfred Music #00-43610. Published by Alfred Music (AP.43610).

UPC: 038081491509. English.

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, consider adding the optional flute and hand drum parts. Ideal for concert or adjudication.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

(So Ben Mi Ch'�  Bon Tempo). Composed by Orazio Vecchi (1550-1605). Edited by and arr., with new English words, by Patrick M. Liebergen. Choral Octavo; Masterworks. Alfred Choral Designs. Masterwork Arrangement; Renaissance; Secular. 12 pages. Published by Alfred Music (AP.43611).

Composed by Adjer M. Pace and R. Fisher Boyce. Arranged by Keith Christopher. PraiseSong Christmas Series. Bluegrass, Christmas Sacred, Gospel. Octavo. 12 pages. Published by PraiseSong

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, 2 C instruments, guitar - Beginning

SKU: GI.G-8307

Composed by Chris De Silva. Advent 2 B, Ordinary Time 19 A. Celebration Series. Tune Name: Conditor Alme Siderum. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8307. Published by GIA Publications (GI.G-8307).

UPC: 785147830702. English. Text Source: Psalm 85, The Revised Grail Psalms, ref.: Lectionary for Mass Scripture: Psalm 85:9–10, 11–12, 13–14.

Using Psalm 85, de Silva has crafted a psalm refrain based on the Advent melody CONDITOR ALME SIDERUM. Consider using this piece for processionals throughout the Advent season this year, use it again next year as the appointed Lectionary psalm for the Second Sunday of Advent.

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Published by Faber Music

STB choir, viola or cello, and organ - Early Intermediate Composed by J. Christopher Pardini. All Saints/All Souls, Funeral, 21st Century. Score and instrument part. MorningStar Music Publishers #50-7085. Published by MorningStar Music Publishers