Composed by Ken Berg. National Songs/Patriotic, 21st Century. Instrumental pa...(+)
Composed by Ken Berg.
National Songs/Patriotic,
21st Century.
Instrumental
part. Duration 2 minutes,
45
seconds. Galaxy Music
Corporation #1.3546.
Published by Galaxy Music
Corporation
Arranged by Tim Winebrenner. For 3-part mixed voices, keyboard, optional flute. ...(+)
Arranged by Tim
Winebrenner. For 3-part
mixed voices, keyboard,
optional flute. Octavo. 8
pages. Duration 2
minutes, 18 seconds.
Published by BriLee Music
Al Tambor Chorale 3 parties 3 parties Mixtes [Octavo] Heritage Music Press
By Victor C. Johnson. For 3-part mixed choir and piano (with optional percussion...(+)
By Victor C. Johnson. For
3-part mixed choir and
piano (with optional
percussion). Concert,
Multicultural. Octavo. 16
pages. Duration 2
minutes. Published by
Heritage Music Press
Sanna Sannanina Chorale 3 parties 3 parties Mixtes BriLee Music
With African Noel. Composed by African Folksong South African Folk Song. Arran...(+)
With African Noel.
Composed
by African Folksong South
African Folk Song.
Arranged
by Catherine Delanoy.
Sws.
OCTAVO. 16 pages.
Duration 2
minutes, 3 seconds.
BriLee
Music #BL1088. Published
by
BriLee Music
Sing Joyfully Chorale 3 parties 3 parties Mixtes [Octavo] Heritage Music Press
(From the oratorio, Saul ). By Douglas E. Wagner. For 3-part mixed choir and pi...(+)
(From the oratorio, Saul
). By Douglas E. Wagner.
For 3-part mixed choir
and piano. Concert.
Octavo. Duration 2
minutes 10 seconds.
Published by Heritage
Music Press
By Daniel Pinkham (1923-2006). For 3-part men's voices/3-part women's voices/3-p...(+)
By Daniel Pinkham
(1923-2006). For 3-part
men's voices/3-part
women's voices/3-part
equal voices a cappella.
Easter. Moderately Easy.
Octavo. 4 pages. Duration
5 minutes. Published by
Ione Press . Octavo.
Easter.
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
By Traditional Spiritual. Arranged by Gary E. Parks. For Part 1, Part 2, Part 3,...(+)
By Traditional Spiritual.
Arranged by Gary E.
Parks. For Part 1, Part
2, Part 3, Optional
Baritone, Keyboard,
Optional Rhythm Section.
Octavo. 12 pages.
Duration 2 minutes, 49
seconds. Published by
Carl Fischer
SSA choir - Level 2 SKU: CA.328760 Composed by Max Reger. Separate editio...(+)
SSA choir - Level 2
SKU: CA.328760
Composed by Max Reger.
Separate edition with
choral collection.
Secular choral music.
Full score. Composed
1909. Op. 111c, No. Nr.
2. 1 pages. Duration 2
minutes. Carus Verlag #CV
03.287/60. Published by
Carus Verlag (CA.328760).
ISBN 9790007169824.
Key: F major. Language:
German. Text: Rafael,
Ludwig / Kiesekamp,
Hedwig. Text by Ludwig
Rafael / Hedwig
Kiesekamp.
(A bold meditation on conflict, communication and compromise). Composed by Eliza...(+)
(A bold meditation on
conflict, communication
and compromise). Composed
by Elizabeth Alexander.
For SSA, SAB (youth
choir), piano. Anthems,
Sacred, Secular, Jazz /
Blues / Rock. Medium.
Choral Score. Duration 4
minutes. Published by
Seafarer Press
SAB choir, organ - Level 3 SKU: CA.310820 Aus: Exsultate, jubilate...(+)
SAB choir, organ - Level
3
SKU: CA.310820
Aus: Exsultate,
jubilate. Composed by
Wolfgang Amadeus Mozart.
Arranged by Paul Horn.
Separate edition with
choral collection. Sacred
vocal music, Easter and
Eastertide. Full score.
Composed 1773. KV 165,3.
Duration 2 minutes. Carus
Verlag #CV 03.108/20.
Published by Carus Verlag
(CA.310820).
ISBN
9790007151249. Key: F
major. Language:
Latin.
SSA choir - Level 2 SKU: CA.750500 Composed by Jozef Swider. Contemporary...(+)
SSA choir - Level 2
SKU: CA.750500
Composed by Jozef Swider.
Contemporary Choir Music.
German title: O HEILAND,
REIss DIE HIMMEL AUF SSA.
Sacred vocal music, Hymn
settings, Advent. Full
score. Composed 1998.
Duration 2 minutes. Carus
Verlag #CV 07.505/00.
Published by Carus Verlag
(CA.750500).
ISBN
9790007229610. Key: D
dorian. Language: German.
Text: Spee von
Langenfeld, Friedrich.
Text: Friedrich von
Spee.
Salve Regina Chorale 3 parties SAB - Facile Carus Verlag
SAB choir - Level 2 SKU: CA.311020 Composed by Michael Haydn. Separate ed...(+)
SAB choir - Level 2
SKU: CA.311020
Composed by Michael
Haydn. Separate edition
with choral collection.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Full score. MH.
Duration 2 minutes. Carus
Verlag #CV 03.110/20.
Published by Carus Verlag
(CA.311020).
ISBN
9790007151355. Key: B
flat major. Language:
Latin.
SSA choir - Level 2 SKU: CA.319130 Composed by Peter Schindler. Separate ...(+)
SSA choir - Level 2
SKU: CA.319130
Composed by Peter
Schindler. Separate
edition with choral
collection. Folk songs
and settings of folk
songs. Full score.
Composed 2008. Duration 2
minutes. Carus Verlag #CV
03.191/30. Published by
Carus Verlag (CA.319130).
ISBN 9790007156114.
Key: D major. Language:
German. Text: Ganzhorn,
Wilhelm. Text: Wilhelm
Ganzhorn.
(A Gospel Setting). By Greg Gilpin. For Soprano 1, Soprano 2, Alto, Keyboard, So...(+)
(A Gospel Setting). By
Greg Gilpin. For Soprano
1, Soprano 2, Alto,
Keyboard, Solo. Octavo.
12 pages. Duration 2
minutes, 30 seconds.
Published by BriLee Music
Tyliaja nakti Chorale 3 parties SSA - Facile Carus Verlag
SSA choir - Level 2 SKU: CA.309640 Composed by Leonidas Abaris. Separate ...(+)
SSA choir - Level 2
SKU: CA.309640
Composed by Leonidas
Abaris. Separate edition
with choral collection.
Sacred vocal music,
Christmas Carols, Advent,
Christmas. Full score.
Duration 2 minutes. Carus
Verlag #CV 03.096/40.
Published by Carus Verlag
(CA.309640).
ISBN
9790007150570. Key: B
flat major. Text
language: Lithuanian.
Text: Naujalis, Juozas.
Text: Juozas
Naujalis.
SSA choir - Level 2 SKU: CA.308390 Composed by Daniel Friderici. Separate...(+)
SSA choir - Level 2
SKU: CA.308390
Composed by Daniel
Friderici. Separate
edition with choral
collection. Sacred vocal
music, Psalms, Latin,
Psalms. Full score.
Duration 2 minutes. Carus
Verlag #CV 03.083/90.
Published by Carus Verlag
(CA.308390).
ISBN
9790007149819. Key: A
minor. Language:
Latin.
SAB choir, piano - Level 2 SKU: CA.312130 Canzonetta. Composed by ...(+)
SAB choir, piano - Level
2
SKU: CA.312130
Canzonetta.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Armin Kircher.
Separate edition with
choral collection. Lieder
for choir, Secular choral
music. Full score.
Composed 1788. KV 549.
Duration 2 minutes. Carus
Verlag #CV 03.121/30.
Published by Carus Verlag
(CA.312130).
ISBN
9790007152208. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio.
Composed by Leonhard
Lechner. Separate edition
with choral collection.
Folk songs and settings
of folk songs. Full
score. Duration 2
minutes. Carus Verlag #CV
03.191/50. Published by
Carus Verlag (CA.319150).
ISBN 9790007177119.
Key: C major. Language:
German.
SAB choir - Level 2 SKU: CA.314480 Arranged by Heinz Martin Lonquich. Sep...(+)
SAB choir - Level 2
SKU: CA.314480
Arranged by Heinz Martin
Lonquich. Separate
edition with choral
collection. Sacred vocal
music, Christmas Carols,
Christmas, Praise and
thanks. Full score.
Duration 2 minutes. Carus
Verlag #CV 03.144/80.
Published by Carus Verlag
(CA.314480).
ISBN
9790007153083. Key: E
major. Language:
German.
