Composed by John Carter. Catholic Year A Solemnity of the Most Holy Trinity. Trinity. Octavo. Published by MorningStar Music Publishers (MN.50-9430).

By Ruth Elaine Schram; Linda Marcus. 3-part, acv, piano. Octavo. Published by Heritage Music Press.

Composed by Lynn Shaw Bailey. Fold. Octavo. 12 pages. Duration 3:15. BriLee Music #BL1121. Published by BriLee Music

By Mark Hayes. For SAB choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2474H)

Composed by Ken Berg. For TTB/TBB choir, piano. Randy and Rachel Stenson Choral Series. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1169. Published by Santa Barbara Music Publishing

Choral (SAB Choir)

SKU: HL.35032482

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. Published by Shawnee Press (HL.35032482).

ISBN 9781540038166. UPC: 888680888329. 6.75x10.5x0.036 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Choral (SSA Choir)

SKU: HL.35032484

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. Published by Shawnee Press (HL.35032484).

ISBN 9781540038180. UPC: 888680888343. 6.75x10.5x0.036 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Arranged by Tom Porter. For SSA choir, piano/violin. Octavo. Published by Alliance Music Publications

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

Choral (SSA Choir)

SKU: HL.35031443

Composed by Marvin Hamlisch. Arranged by Pete Schmutte. Shawnee Press. Broadway. Octavo. 16 pages. Published by Shawnee Press (HL.35031443).

ISBN 9781495088704. UPC: 888680666866. 6.75x10.5 inches.

From the musical, A Chorus Line, and most recently recorded by Barbra Streisand on her album Encore: Movie Partners Sing Broadway, this poignant song is one that composer Marvin Hamlisch said “set the tone” for all the music in the show. The dancers explain their experiences with attending dance school and no matter how dark the rest of their world seems, they always feel happy “at the ballet.&rdquo.

By Mark Hayes. For SAB choir and piano. Sacred. Sacred Anthem. Published by Monarch Music. (10/3603M)

For choir. Choral/Vocal (Choral Performance Music). Level: Level 3. Published by Alfred Publishing. (18651) 6-PACK includes six original copies of this piece.

Choral (SSA Choir)

SKU: HL.155851

From Sweet Charity. Composed by Cy Coleman and Dorothy Fields. Arranged by John Leavitt. Broadway Choral. Broadway, Concert, Light Concert, Musicals. Octavo. Duration 120 seconds. Published by Hal Leonard (HL.155851).

UPC: 888680602529. 6.75x10.5x0.029 inches.

It's a choral showstopper! An ideal concert finale, you'll feel the powerful beat and fill the hall with sensational music! From the musical Sweet Charity, don't miss it!

Composed by Ruth Elaine Schram. For SSA choir, piano accompaniment, descant. Christmas, Multicultural. Octavo. Heritage Music Press #15/3061H. Published by Heritage Music Press

Composed by Mary Lynn Lightfoot. For SAB choir and piano. Concert, Festival. Octavo. Published by Heritage Music Press

By Judson W. Van De Venter; Winfield S. Weeden. Arranged by Mark Hayes. For SAB choir and piano accompaniment (optional orchestration). Stewardship, Dedication/Commitment, Hymn Arrangement, General, Lent, dedication/commitment, evangelism, stewardship. Octavo. Published by Music Sales.

By Rollo A. Dilworth. For SSA. Choral music. Level: Medium. Published by Santa Barbara Music Publishing. (SBMP 610)

Arranged by Lynn Shaw Bailey. Octavo. 8 pages. Duration 2 minutes, 57 seconds. BriLee Music #BL00916. Published by BriLee Music (CF.BL916).

Choral (SAB Choir)

SKU: HL.1358768

(Choral Medley). Arranged by Mac Huff. Broadway Choral. Broadway, Nineties, Pop. Octavo. 36 pages. Duration 600 seconds. Published by Hal Leonard (HL.1358768).

UPC: 196288192664. 6.75x10.5x0.076 inches.

From the Tony-nominated production and Juliet comes this powerhouse medley of 90s and 2000s hits, each featured in the musical. Program this showstopping selection and your audience will be sure to sing along!

Choral (TTB Choir)

SKU: HL.35032485

Composed by Jerry Herman. Arranged by Mark Hayes. Shawnee Press. Broadway. Octavo. 16 pages. Published by Shawnee Press (HL.35032485).

ISBN 9781540038197. UPC: 888680888350. 6.75x10.5 inches.

From the musical Parade and covered by many artists in its lifetime, here is a superb arrangement with all the Broadway fun and finesse! It begins with an opening verse of solos in different styles reflecting the diverse nature of musical show tunes and then we hit the spirited two-beat feel and go to Broadway. A great opening to a themed concert or just a great performance piece any time of year!

Arranged by Ben Parry. Choir Sacred. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Sacred; Spiritual. Published by Faber Music

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

By Victor C Johnson. For 3-part mixed choir (SAB) and piano. Concert, Spiritual, Multicultural. Octavo. Published by Heritage Music Press. (15/2253H)

Arranged by Alexander L'Estrange. Choir Secular. For with Opt. Piano (SAB). Choral Octavo. Faber Choral Singles. Secular. Published by Faber Music

Composed by Mark Hayes (1953-). Choral. Octavo. Heritage Music Press #15/3689H. Published by Heritage Music Press

By Linda Spevacek. For 3-part mixed choir and piano. Concert, Multicultural. Octavo. Published by Heritage Music Press

By Ruth Elaine Schram. For 3-part mixed choir and piano. Christmas, Multicultural. Octavo

Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul. Arranged by Alan Billingsley. Choral Octavo. Alfred Pop Series. Movie; Secular. 16 pages. Published by Alfred Music