By Howard Goodall. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Published by Faber Music

Choral SSA Choir and Piano

SKU: CF.CM9521

Composed by Eugene Butler. Fold. Performance Score. With Standard notation. 12 pages. Carl Fischer Music #CM9521. Published by Carl Fischer Music (CF.CM9521).

ISBN 9781491150535. UPC: 680160908035. 6.875 x 10.5 inches.

Eugene Butler has set this beloved Latin text from the Gloria, And on earth peace to all those of good will. Employing a variety of textures, Et in Terra Pax will challenge treble ensembles to meet their musical potential while singing with tremendous energy, power and a full, rich tone.

Composed by John Baptiste Calkin, words by Henry Wadsworth Longfellow. Choir Sacred. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music

By David Waggoner. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Winter. 8 pages. Published by Alfred Music Publishing

Composed by John Baptiste Calkin, words by Henry Wadsworth Longfellow. Choir Sacred. Men's Choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music

By David Waggoner. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Christmas; Winter. 8 pages. Published by Alfred Music Publishing

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.48514

Composed by Jimmy Robbins, Laura Veltz, and Maren Morris. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Country; Pop; Secular. Choral Octavo. 12 pages. Alfred Music #00-48514. Published by Alfred Music (AP.48514).

UPC: 038081553375. English.

A certified gold crossover hit! When the bones are good, the rest don't matter. The paint could peel, the glass could shatter. A house becomes an effective symbol for an enduring relationship in this solid pop ballad from Maren Morris. This right-from-the-radio arrangement captures all of the earthy harmonies and keeps the strong backbeat groove intact.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Arranged by and ed. Gwyn Arch and Ben Parry. Choir Sacred. 3-Part Mixed Choir (SAB). Book; Choral (Sacred); Choral Worship Collection; Worship Resources. Faber Edition. Christmas; Sacred; Winter. Published by Faber Music

Choir Secular (Women's Choir)

SKU: AP.48515

Composed by Jimmy Robbins, Laura Veltz, and Maren Morris. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Country; Pop; Secular. Choral Octavo. 12 pages. Alfred Music #00-48515. Published by Alfred Music (AP.48515).

UPC: 038081553382. English.

A certified gold crossover hit! When the bones are good, the rest don't matter. The paint could peel, the glass could shatter. A house becomes an effective symbol for an enduring relationship in this solid pop ballad from Maren Morris. This right-from-the-radio arrangement captures all of the earthy harmonies and keeps the strong backbeat groove intact.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SSA choir and piano or chamber orchestra - Intermediate

SKU: MN.56-0040

Composed by Howard Goodall. 21st Century, Devotion. Choral score. MorningStar Music Publishers #56-0040. Published by MorningStar Music Publishers (MN.56-0040).

UPC: 688670220456. English.

This George Herbert text is set for SSA voices and piano. The text is a veiled description of Herbert’s relationship to God as paramount and beyond price. The pearl is a symbol for something sought but not easily found. The poet describes key pursuits in life (learning, honor, pleasure) and concludes “Yet I love thee.” Again and again the comparison is made between earthly and heavenly things, and the author concludes that the ultimate goal is “to climbe to thee.” There are various solo and small group opportunities marked in the music as well as “tutti choirs” and “massed voices.” Yet the music is not complex and is suitable for a variety of situations and ensembles.