Composed by John David Souther. Arranged by Roger Emerson. Pop Choral Series. Pop, Classic Rock. Octavo. 12 pages. Published by Hal Leonard (HL.141889).

Composed by John David Souther. Arranged by Roger Emerson. For Choral (TTB). Pop Choral Series. 12 pages. Published by Hal Leonard

Arranged by David Weck. For SAB choir or 3-part choir. General, Sacred. Octavo. 8 pages. Published by Hope Publishing Company Octavo General, Sacred

Ash Wednesday through Holy Week, SAB / Two-part. Lent, Ash Wednesday, Holy Week. Sacred. CD. GIA Publications #7796CD. Published by GIA Publications (GI.G-7796CD).

SAB choir, cantor, assembly, keyboard accompaniment, guitar, C instrument, B-flat clarinet - Beginning

SKU: GI.G-6712

Communion Rite. Composed by Lori True. Eastertide. Ritual Prayer. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6712. Published by GIA Publications (GI.G-6712).

UPC: 785147671206. English. Text by Lori True.

A flexible ritual-music offering. Beginning with the “Lamb of God” litany, it transitions into a Communion song in which cantor verses are alternated with, or may be sung over, the refrain. This piece can easily be extended to cover the entire action of the distribution, no matter how long.

A flexible ritual-music offering.

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar, flute, cello - Beginning

SKU: GI.G-9663

Composed by Rory Cooney. Arranged by Rory Cooney. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9663. Published by GIA Publications (GI.G-9663).

UPC: 785147966302. English. Text Source: Based on Psalm 13. Text by Rory Cooney. Scripture: Psalm 13.

For cantor or soloist.

(Lord, how long wilt thou forget me and forsake me?). Composed by Johannes Brahms (1833-1897). Edited by Gunter Graulich. For strings version: SSA choir, 2 violins, viola, cello, contrabass. This edition: Paperbound. G-Moll (G minor). German title: Der 13. Psalm (Streicherfassung). German Psalms, Psalms. Level 2. Full score. Language: German/English. Composed 1859. Op. 27. Duration 5 minutes. Published by Carus Verlag

By Mary Howe. For SSA choir (with piano). Secular. Medium. Choral octavo. Text language: English. Published by Treble Clef Music Press

By Sandra Howard. For 3-Part Mixed Voices with Keyboard. 8 pages. Duration 1 minute, 50 seconds. Published by Carl Fischer

Choral (SSA Choir)

SKU: HL.286300

Creating Artistry. Arranged by Nancy Grundahl. Henry Leck Creating Artistry. Christmas, Concert. Octavo. 12 pages. Published by Hal Leonard (HL.286300).

UPC: 888680894887. 6.75x10.5 inches.

This beautiful German carol, famously harmonized by Praetorius is here arranged for women's voices. Beginning in a gentle and homophonic style, the singers begin polyphonic singing with each voice part rising above one another creating beautiful lines and vocal independence. An optional piano or harp part is offered for choirs needing the support but longing for such a beautiful and stylistic piece for their winter/Christmas concert.

SAB choir, cantor, assembly, keyboard accompaniment, violin 1, violin 2, cello, guitar - Early intermediate

SKU: GI.G-10070

Composed by Liam Lawton. Arranged by Paul Tate. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #10070. Published by GIA Publications (GI.G-10070).

UPC: 785147007012. English. Text Source: Psalm 84:2&ndash,4, 11, adapt. LL. Scripture: Psalm 84:2–4, 11.

** GIA no longer publishes nor sponsors the work of Paul A. Tate. Pieces for which Tate served as an arranger remain on our website as the original work of the composer.

From Moulin Rouge! The Musical. Arranged by Mark A. Brymer. Pop Choral Series. Broadway, Concert, Medley, Pop, Show Choir. Octavo. 20 pages. Published by Hal Leonard

By Various. Music Sales America. Book only. 56 pages. Novello and Co Ltd. #NOV940786. Published by Novello and Co Ltd.

By Twila Paris. Arranged by Lloyd Larson. (SAB or Three-Part). Commemoration, Communion, Cross of Christ, Discipleship, Good Friday, Life of Christ, Lord's Supper, Maundy Thursday, Sacrifice, Unity, Communion, Contemporary, Wedding and Sacred. Print Music Single (SAB). 8 pages. Published by Hope Publishing Company.

Composed by Randy Newman. Arranged by Mac Huff. Disney Choral. Disney, Medley, Movies, Pop, Show Choir. Octavo. Published by Hal Leonard

By Twila Paris, music by Twila Paris. Arranged by Benjamin Harlan. For Choir. (SAB). Choral Octavo. Level: Level 2 (grade L2). Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Elton John and Bernie Taupin. Arranged by Ed Lojeski. Pop Choral Series. Movies, Pop, Show Choir. Octavo. 16 pages. Published by Hal Leonard

By Stevie Wonder. By Stevie Wonder. Arranged by Ed Lojeski. Pop Choral Series. Pop, Show Choir, Shuffle, Soul, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard

From Les Miserables. Arranged by Ed Lojeski. Broadway Choral. Broadway, Show Choir, Concert, Ballad. Octavo. 8 pages. Published by Hal Leonard

From Les Miserables. Arranged by Ed Lojeski. Broadway Choral. Broadway, Show Choir, Concert, Ballad. Octavo. 8 pages. Published by Hal Leonard

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Mark A. Brymer. Pop Choral Series. Pop, A Cappella, Show Choir, Rock, Eighties, Pop/Rock. Octavo. 16 pages. Published by Hal Leonard

(Choral Medley). By Neil Diamond. By Neil Diamond. Arranged by Ed Lojeski. Pop Choral Series. Oldies, Medley, Soft Rock, Pop/Rock, Show Choir, Pop. Octavo. 28 pages. Published by Hal Leonard (HL.263201).

By Harry Simeone. For SSA Choir. Popular Standards/Show Tunes. Sheet Music. Published by Shawnee Press.

Arranged by Mac Huff. (SAB score). Choral. 112 pages. Published by Hal Leonard.

Composed by Marty Parks. For medium voice (3-part mixed), piano (with optional rhythm). Sacred Vocal. Published by Lillenas Publishing Company