Composed by John David Souther. Arranged by Roger Emerson. Pop Choral Series. Po...(+)
Composed by John David
Souther. Arranged by
Roger Emerson. Pop Choral
Series. Pop, Classic
Rock. Octavo. 12 pages.
Published by Hal Leonard
(HL.141889).
Ash Wednesday through Holy Week, SAB / Two-part. Lent, Ash Wednesday, Hol...(+)
Ash Wednesday through
Holy Week, SAB /
Two-part. Lent, Ash
Wednesday, Holy Week.
Sacred. CD. GIA
Publications #7796CD.
Published by GIA
Publications
(GI.G-7796CD).
SAB choir, cantor, assembly, keyboard accompaniment, guitar, C instrument, B-fla...(+)
SAB choir, cantor,
assembly, keyboard
accompaniment, guitar, C
instrument, B-flat
clarinet - Beginning
SKU: GI.G-6712
Communion Rite.
Composed by Lori True.
Eastertide. Ritual
Prayer. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#6712. Published by GIA
Publications (GI.G-6712).
UPC: 785147671206.
English. Text by Lori
True.
A flexible
ritual-music offering.
Beginning with the
“Lamb of Godâ€
litany, it transitions
into a Communion song in
which cantor verses are
alternated with, or may
be sung over, the
refrain. This piece can
easily be extended to
cover the entire action
of the distribution, no
matter how long.
SSA choir SKU: LP.OR-9088 26 Gospel Arrangements for Ladies' Choir or ...(+)
SSA choir
SKU:
LP.OR-9088
26
Gospel Arrangements for
Ladies' Choir or
Ensemble. Arranged by
Mosie Lister. Choral.
Southern Gospel and
Sacred. Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-9088).
UPC:
765762128705.
26
arrangements for SSA
voices useful for ladies'
trios choirs or
ensembles. Mosie Lister's
arrangements are full and
interesting yet practical
and in reasonable ranges.
A variety of gospel
styles are included
featuring selections such
as: I Go to the Rock; The
King of Who I Am; How
Long Has It Been?; Holy
Spirit Thou Art Welcome;
I'd Rather Have Jesus;
The Eastern Gate; Jesus
Is Coming Soon; 'Til the
Storm Passes By; A New
Name in Glory; Dwelling
in Beulah Land; All
Because of God's Amazing
Grace; I Won't Turn
Back.
Composed by Rory Cooney.
Arranged by Rory Cooney.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#9663. Published by GIA
Publications (GI.G-9663).
UPC: 785147966302.
English. Text Source:
Based on Psalm 13. Text
by Rory Cooney.
Scripture: Psalm
13.
(Lord, how long wilt thou forget me and forsake me?). Composed by Johannes Brahm...(+)
(Lord, how long wilt thou
forget me and forsake
me?). Composed by
Johannes Brahms
(1833-1897). Edited by
Gunter Graulich. For
strings version: SSA
choir, 2 violins, viola,
cello, contrabass. This
edition: Paperbound.
G-Moll (G minor). German
title: Der 13. Psalm
(Streicherfassung).
German Psalms, Psalms.
Level 2. Full score.
Language: German/English.
Composed 1859. Op. 27.
Duration 5 minutes.
Published by Carus Verlag
Choral (SSA Choir) SKU: HL.286300 Creating Artistry. Arranged by N...(+)
Choral (SSA Choir)
SKU: HL.286300
Creating Artistry.
Arranged by Nancy
Grundahl. Henry Leck
Creating Artistry.
Christmas, Concert.
Octavo. 12 pages.
Published by Hal Leonard
(HL.286300).
UPC:
888680894887. 6.75x10.5
inches.
This
beautiful German carol,
famously harmonized by
Praetorius is here
arranged for women's
voices. Beginning in a
gentle and homophonic
style, the singers begin
polyphonic singing with
each voice part rising
above one another
creating beautiful lines
and vocal independence.
An optional piano or harp
part is offered for
choirs needing the
support but longing for
such a beautiful and
stylistic piece for their
winter/Christmas
concert.
SAB choir, cantor,
assembly, keyboard
accompaniment, violin 1,
violin 2, cello, guitar -
Early intermediate
SKU: GI.G-10070
Composed by Liam Lawton.
Arranged by Paul Tate.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#10070. Published by GIA
Publications
(GI.G-10070).
** GIA no
longer publishes nor
sponsors the work of Paul
A. Tate. Pieces for which
Tate served as an
arranger remain on our
website as the original
work of the composer.
From Moulin Rouge! The Musical. Arranged by Mark A. Brymer. Pop Choral Series....(+)
From Moulin Rouge! The
Musical. Arranged by Mark
A.
Brymer. Pop Choral
Series.
Broadway, Concert,
Medley,
Pop, Show Choir. Octavo.
20
pages. Published by Hal
Leonard
Chorale 3 parties SAB [Octavo] - Facile Hope Publishing Company
By Twila Paris. Arranged by Lloyd Larson. (SAB or Three-Part). Commemoration, Co...(+)
By Twila Paris. Arranged
by Lloyd Larson. (SAB or
Three-Part).
Commemoration, Communion,
Cross of Christ,
Discipleship, Good
Friday, Life of Christ,
Lord's Supper, Maundy
Thursday, Sacrifice,
Unity, Communion,
Contemporary, Wedding and
Sacred. Print Music
Single (SAB). 8 pages.
Published by Hope
Publishing Company.
By Twila Paris, music by Twila Paris. Arranged by Benjamin Harlan. For Choir. (...(+)
By Twila Paris, music by
Twila Paris. Arranged by
Benjamin Harlan. For
Choir. (SAB). Choral
Octavo. Level: Level 2
(grade L2). Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
Composed by Elton John and Bernie Taupin. Arranged by Ed Lojeski. Pop Choral ...(+)
Composed by Elton John
and
Bernie Taupin. Arranged
by
Ed Lojeski. Pop Choral
Series. Movies, Pop, Show
Choir. Octavo. 16 pages.
Published by Hal Leonard
By Stevie Wonder. By Stevie Wonder. Arranged by Ed Lojeski. Pop Choral Series....(+)
By Stevie Wonder. By
Stevie
Wonder. Arranged by Ed
Lojeski. Pop Choral
Series.
Pop, Show Choir, Shuffle,
Soul, Vocal Jazz. Octavo.
12
pages. Published by Hal
Leonard
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Mark A. Br...(+)
By Belinda Carlisle. By
Ellen Shipley and Rick
Nowels. Arranged by Mark
A.
Brymer. Pop Choral
Series.
Pop, A Cappella, Show
Choir,
Rock, Eighties, Pop/Rock.
Octavo. 16 pages.
Published
by Hal Leonard
(Choral Medley). By Neil Diamond. By Neil Diamond. Arranged by Ed Lojeski...(+)
(Choral Medley).
By Neil Diamond. By Neil
Diamond. Arranged by Ed
Lojeski. Pop Choral
Series. Oldies, Medley,
Soft Rock, Pop/Rock,
Show Choir, Pop. Octavo.
28 pages. Published by
Hal Leonard (HL.263201).