Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Ch...(+)
Arranged by Alexander
L'Estrange. Choir
Secular. For with Piano
(3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Faber
Edition: Choral Basics.
Christmas; Winter.
Published by Faber Music
I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk So...(+)
I. Farfallina (Butterfly)
2.
Lucciola (Firefly).
Composed
by Italian Folk Song and
Tuscan Folk Song.
Arranged by
Christi Jones. Fold.
Octavo.
8 pages. Duration 2
minutes,
35 seconds. BriLee Music
#BL1123. Published by
BriLee
Music
By Howard Goodall. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Boo...(+)
By Howard Goodall. Choir
Secular. For with Piano
(3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Faber
Edition: Choral Basics.
Published by Faber Music
By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arrang...(+)
By Stephanie Boosahda. By
David J. Stearman III and
Stephanie Boosahda.
Arranged
by John Leavitt. Daybreak
Choral Series. Christmas,
Communion, General
Worship,
Sacred. Octavo. 12 pages.
Published by Daybreak
Music
isco Classics, Volume 1 arranged by Charles Beale. Choir Secular. For with Piano...(+)
isco Classics, Volume 1
arranged by Charles
Beale. Choir Secular. For
with Piano (3-Part Mixed
Choir (SAB)). Book;
Choral Collection. Faber
Edition. Published by
Faber Music
By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arrang...(+)
By Stephanie Boosahda. By
David J. Stearman III and
Stephanie Boosahda.
Arranged
by John Leavitt. Daybreak
Choral Series. Christmas,
Communion, General
Worship,
Sacred. Octavo. 12 pages.
Published by Daybreak
Music
Count on It! Chorale 3 parties SSA Pavane Publishing
With works by Vobornik, Harnisch, Skach and others. Composed by Kevin A. ...(+)
With works by
Vobornik, Harnisch, Skach
and others. Composed
by Kevin A. Memley. This
edition: Saddle
stitching. Sheet music.
Pavane Secular. Light
Concert, Novelty,
Concert. 1496. 12 pages.
Pavane Publishing #P1496.
Published by Pavane
Publishing (HL.145652).
(Crazy Little Thing Called Love with It's Still Rock and Roll to Me). By Billy...(+)
(Crazy Little Thing
Called
Love with It's Still Rock
and
Roll to Me). By Billy
Joel
and Queen. By Billy Joel
and
Freddie Mercury. Arranged
by
Tom Anderson. Pop Choral
Series. Classic Rock,
Show
Choir, Medley, Pop, Rock.
Octavo. Published by Hal
Leonard
(Three Songs of Love). By Alexander L'Estrange. Choir Secular. For with Piano (3...(+)
(Three Songs of Love). By
Alexander L'Estrange.
Choir Secular. For with
Piano (3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Faber
Edition: Choral Basics.
Published by Faber Music
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
T'ain't What 'Cha Do (It's the Way How 'Cha Do It) arranged by Kirby Shaw. For S...(+)
T'ain't What 'Cha Do
(It's the Way How 'Cha Do
It) arranged by Kirby
Shaw. For SAB Choir
(SAB). Shawnee Press.
Choral. 12 pages. Shawnee
Press #D0705. Published
by Shawnee Press
(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSS and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481620. Published by
Boosey and Hawkes
Composed by Ken Medema. Arranged by Mary McDonald. For SAB choir. Father's love,...(+)
Composed by Ken Medema.
Arranged by Mary
McDonald. For SAB choir.
Father's love, Grace of
Jesus, Spirit's power,
General. Octavo.
Published by Hope
Publishing Company
(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSA and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481590. Published by
Boosey and Hawkes
((And Five Fabulous Decades of Music)). Arranged by Alan Billingsley. Choir Secu...(+)
((And Five Fabulous
Decades of Music)).
Arranged by Alan
Billingsley. Choir
Secular. Women's Choir.
Choral Octavo. Choral
Designs. Christmas;
Holiday Pops; Secular;
Winter. 20 pages.
Published by Alfred Music
Arranged by With New Words And Music, By Donald Moore. Traditional Spiritual. Fo...(+)
Arranged by With New
Words And Music, By
Donald Moore. Traditional
Spiritual. For Choir.
(SAB). Choral Octavo.
Choral Designs. Sacred;
Secular; Spiritual.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics...(+)
Music from the Motion
Picture La La Land.
Composed
by Justin Hurwitz, lyrics
by
Benj Pasek and Justin
Paul.
Arranged by Jay Althouse.
Choral Octavo. Alfred Pop
Series. Form: Ballade.
Movie; Secular. 8 pages.
Published by Alfred Music
Discovery Level 2.
Composed by James Oliver
Young. Arranged by Rosana
Eckert. Discovery Choral.
Concert, Festival, Jazz.
Octavo. 16 pages.
Published by Hal Leonard
(HL.152218).
UPC:
888680093174. 6.75x10.5
inches.
Here is a
song written in the big
band era, first sung by
jazz vocalist, Ella
Fitzgerald, in 1939 and
ideal for introducing
beginning and developing
groups to swing style. In
the Discovery Series,
it's perfect for building
jazz diction and rhythmic
skills.
(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). ...(+)
(SSA Chorus, Harp or
Piano). By Benjamin
Britten (1913-1976). For
Choral (SSA). Boosey and
Hawkes Sacred Choral. 12
pages. Boosey and Hawkes
#M051481644. Published by
Boosey and Hawkes
Choral (SAB Choir) SKU: HL.371969 By The Backstreet Boys. By Andreas Carl...(+)
Choral (SAB Choir)
SKU: HL.371969
By
The Backstreet Boys. By
Andreas Carlsson and Max
Martin. Arranged by
Nathan Howe. Shawnee
Press. Pop. Octavo. 16
pages. Duration 135
seconds. Published by
Shawnee Press
(HL.371969).
ISBN
9781705148563. UPC:
196288014638.
6.75x10.5x0.036
inches.
In 2012,
Jimmy Fallon started a
recurring segment on
“The Tonight
Show†in which The
Roots use classroom
instruments to play pop
songs with celebrity
guests. These skilled
musicians pull off
engaging performances
using instruments many
people don't take
seriously beyond the
elementary music room.
Nathan Howe has continued
his musical genius in a
cappella writing with
this pop tune sung a
cappella with classroom
percussion. It's amazing
and fun and suitable for
all ages with the variety
of voicings available.
The choral also includes
notes on different ways
to teach, learn, and
perform the piece and all
the percussion parts are
included as a free
download.
Choral (TTB Choir) SKU: HL.371971 By The Backstreet Boys. By Andreas Carl...(+)
Choral (TTB Choir)
SKU: HL.371971
By
The Backstreet Boys. By
Andreas Carlsson and Max
Martin. Arranged by
Nathan Howe. Shawnee
Press. Pop. Octavo.
Duration 135 seconds.
Published by Shawnee
Press (HL.371971).
ISBN 9781705148587.
UPC: 196288014652.
6.75x10.5x0.036
inches.
In 2012,
Jimmy Fallon started a
recurring segment on
“The Tonight
Show†in which The
Roots use classroom
instruments to play pop
songs with celebrity
guests. These skilled
musicians pull off
engaging performances
using instruments many
people don't take
seriously beyond the
elementary music room.
Nathan Howe has continued
his musical genius in a
cappella writing with
this pop tune sung a
cappella with classroom
percussion. It's amazing
and fun and suitable for
all ages with the variety
of voicings available.
The choral also includes
notes on different ways
to teach, learn, and
perform the piece and all
the percussion parts are
included as a free
download.
Composed
by Jill Gallina. Choral.
12 pages. Published by
Shawnee Press
(HL.35029369).
ISBN
9781480361577. UPC:
884088956561. 6.75x10.5
inches.
In this
celebratory choral, each
part sings its own melody
which later combine in
partner-style form. It's
an excellent choice for
smaller choirs and
younger singers learning
to harmonize as well as
to sing independently and
in unison. The lyric uses
English and easy Latin
phrases to make learning
quick while giving the
opportunity for musical
development.
Choral (SSA Choir) SKU: HL.48023291 CME In High Voice. Composed by...(+)
Choral (SSA Choir)
SKU: HL.48023291
CME In High Voice.
Composed by Kris Boerger.
In High Voice. Concert,
Contemporary, Festival.
Octavo. 12 pages. Boosey
and Hawkes #M051479955.
Published by Boosey and
Hawkes (HL.48023291).
This is
the last in the trilogy
of settings of verses
from a collection that
Sarah White calls her
Widow Poems,
written after the sudden
death of a lover. Each of
the three represents a
different stage in the
arc of the poet's grief.
In this one, written on
the first anniversary of
the beloved's death, a
trace of whimsy has
entered White's language
and the music masterfully
captures this same
emotion.
Set It Off Chorale 3 parties 3 parties Mixtes Hal Leonard
Choral (3-Part Mixed choir) SKU: HL.158544 From the Disney Channel Ori...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.158544
From the
Disney Channel Original
Movie Descendants.
Composed by Charity Daw,
Craig Lashley, Grant
Michaels, Josh Edmondson,
and Samuel Hollander.
Arranged by Mark A.
Brymer. Pop Choral
Series. Dance, Movies,
Show Choir. Octavo.
Duration 172 seconds.
Published by Hal Leonard
(HL.158544).
UPC:
888680612931.
6.75x10.5x0.036
inches.
It's the
ultimate party! From the
Disney Channel movie
Descendants the next
generation takes the
stage for a colorful
celebration of life!
Perfect for younger show
and pop groups, it's a
fantastic opener!
Performed by S Club 7. By Cathy Dennis, Simon Ellis. Arranged by Mark A. Brymer....(+)
Performed by S Club 7. By
Cathy Dennis, Simon
Ellis. Arranged by Mark
A. Brymer. (SSA). Pop
Choral Series. Size
6.75x10.5 inches.
Published by Hal Leonard.
(8201430) 6-PACK includes
six original copies of
this piece.