(A Collection Motets,
Madrigals, Chansons,
Carols, Ayres, Ballets,
etc.) Edited by Henry
Clough-leighter.
Collection for mixed
choir (A Cappella). With
introductory text and
piano rehearsal part.
Series: Secular. 171
pages. Published by E.C.
Schirmer Publishing.
Let There Be Peace Chorale 3 parties 3 parties Mixtes [Octavo] Heritage Music Press
Let There Be Peace on Earth with I've Got Peace Like a River. Composed by...(+)
Let There Be Peace on
Earth with I've Got Peace
Like a River.
Composed by Douglas E.
Wagner. Concert. Octavo.
Heritage Music Press
#15/2729H. Published by
Heritage Music Press
(LO.15-2729H).
Let There Be Peace Chorale 3 parties TTB/TBB [Octavo] Heritage Music Press
(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wa...(+)
(Let There Be Peace on
Earth with I've Got Peace
Like a River). By Douglas
E. Wagner. For TTB/TBB
choir, piano. Concert.
Octavo. Published by
Heritage Music Press
Let There Be Peace Chorale 3 parties SSA, Piano [Octavo] Heritage Music Press
(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wa...(+)
(Let There Be Peace on
Earth with I've Got Peace
Like a River). By Douglas
E. Wagner. For SSA choir,
piano. Concert. Octavo.
Published by Heritage
Music Press
Choral (SSA Choir) SKU: HL.394669 Voices in Harmony. Composed by J...(+)
Choral (SSA Choir)
SKU: HL.394669
Voices in Harmony.
Composed by Jack Zaino
and Roger Emerson. Voices
in Harmony. Concert,
Festival, Pop. Octavo.
Duration 180 seconds.
Published by Hal Leonard
(HL.394669).
UPC:
196288033066.
6.75x10.5x0.036
inches.
Have you
ever had a good friend?
Good friends are
important and often help
us from making bad
decisions. In this
selection, veteran
composer Roger Emerson
serves as advisor and
mentor as he co-writes
with Jack Zaino. This is
exciting
“concert-popâ€
music. A QR code is
provided with the music
that will take you to the
Hal Leonard product page
where you will find
additional resources for
teaching along with
videos from the
composers. SEL
Guidelines, Videos and
Supplemental Content can
be found here.
Choral (3-Part Mixed choir) SKU: HL.1474093 Composed by Andrew Gold. Arra...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.1474093
Composed
by Andrew Gold. Arranged
by Roger Emerson. Pop
Choral Series. Halloween,
Novelty, Young Voices.
Octavo. Published by Hal
Leonard (HL.1474093).
UPC:
196288214311.
Here'
s a not-too-spooky
novelty, perfect for
Halloween! Its ease in
learning, combined with
its fun quirkiness, will
make this a winner for
your early fall concerts.
Trick or treat!
Choral (SAB Choir) SKU: HL.394667 Voices in Harmony. Composed by J...(+)
Choral (SAB Choir)
SKU: HL.394667
Voices in Harmony.
Composed by Jack Zaino
and Roger Emerson. Voices
in Harmony. Concert,
Festival, Pop. Octavo.
Duration 180 seconds.
Published by Hal Leonard
(HL.394667).
UPC:
196288033042.
6.75x10.5x0.036
inches.
Good
friends are important and
often help us from making
bad decisions. In this
selection, veteran
composer Roger Emerson
serves as advisor and
mentor as he co-writes
with Jack Zaino. This is
exciting
“concert-popâ€
music. A QR code is
provided with the music
that will take you to the
Hal Leonard product page
where you will find
additional resources for
teaching along with
videos from the
composers. SEL
Guidelines, Videos and
Supplemental Content can
be found here.
SAB chorus and piano - Medium SKU: JK.01354 Composed by Robert Millett. A...(+)
SAB chorus and piano -
Medium
SKU:
JK.01354
Composed by
Robert Millett. Arranged
by Robert Millett. Choral
SAB, Difficulty Medium,
Piano Choir, Special
Events Missions, Faith,
God the Father, Jesus
Christ - Example, Jesus
Christ - Savior, Love,
Missionary Work,
Obedience. Gospel
Principles Series: Faith.
Christian, Inspirational.
Duration 2:30. Jackman
Music Corporation #01354.
Published by Jackman
Music Corporation
(JK.01354).
1 Nephi
3:7; D&C
64:34.
Ennobling
arrangement for mixed
chorus (SAB) and piano,
with scriptural text from
1 Nephi 3:7 and D&C
64:34, from Robert
Millett's new Gospel
Principles Series: I
will go and do the things
which the Lord hath
commanded...for the Lord
requireth a willing
heart... [and] a willing
mind... [and] shall eat
of the good of the
land. Soprano high
note: G. Composer:
Robert Millett
Arranger: Robert
Millett Lyricist:
Scriptural text from 1
Nephi 3:7; D&C
64:34 Difficulty:
Medium Performance
time: 2:30 Reference:
1 Nephi 3:7; D&C
64:34.
Choral SSA Choir and Piano SKU: CF.BL1315 Composed by Jacob Narverud...(+)
Choral SSA Choir and
Piano
SKU:
CF.BL1315
Composed by
Jacob Narverud. 8 pages.
Duration 3 minutes, 3
seconds. BriLee Music
#BL1315. Published by
BriLee Music (CF.BL1315).
UPC: 672405011822.
Key: F
major.
DawnQuiet
miles of golden sky,And
in my heart a sudden
flower.I want to clap my
hands and sighFor Beauty
in her secret
bower. Quiet golden
miles of dawnâ??Smiling
all the East along;And in
my heart nigh fully
grown,A little rose-bud
of a song.â??From
â??Last Songsâ? by
Francis LedwidgeDawn,
radiant dawn!When morning
comes my fears are
gone.Daylight breaks, my
soul awakes!And songs of
Love sing
on. â??Italics:
Additional text by Jacob
NarverudAbout the
PoetFrancis Ledwidge
(1887â??1917) was an
Irish poet from Slane,
County Meath. Ledwidge
started writing at an
early age and was first
published in a local
newspaper when he was
fourteen years old.
Ledwidge left the local
national school shortly
after and worked as a
farm hand, road surface
mender, and copper miner
at Beaupark Mine near
Slane. Ledwidge became
friends with a local
landowner, the writer
Lord Dunsany, who gave
him a workspace in the
library of Dunsany Castle
and introduced him to
literary figures,
including William Butler
Yeats and Katherine
Tynan. Some of
Ledwidgeâ??s manuscripts
are held in the National
Library of Ireland. The
main surviving
collection, including his
early works and personal
letters, are in the
archives of Dunsany
Castle.
Discovery Level 2. Composed by Robert Lopez and Kristen Anderson-Lopez. Arrang...(+)
Discovery Level 2.
Composed
by Robert Lopez and
Kristen
Anderson-Lopez. Arranged
by
Audrey Snyder. Discovery
Choral. Movies, Pop.
Octavo.
Published by Hal Leonard
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Let's Go Caroling Chorale 3 parties SAB [Octavo] Lorenz Publishing Company
By Larry Pugh. For SAB choir, 2-part choir, 2-part mixed choir and Unison choir....(+)
By Larry Pugh. For SAB
choir, 2-part choir,
2-part mixed choir and
Unison choir. Sacred.
Sacred Choral Collection.
Published by Lorenz
Publishing Company.
(45/1118L)
Choral (SAB Choir) SKU: HL.143086 From Frozen. By Pentatonix. By K...(+)
Choral (SAB Choir)
SKU: HL.143086
From Frozen. By
Pentatonix. By Kristen
Anderson-Lopez and Robert
Lopez. Arranged by Roger
Emerson. Disney Choral.
Disney, Movies, Show
Choir, Vocal Jazz,
Winter. Octavo. 20 pages.
Published by Hal Leonard
(HL.143086).
UPC:
888680052478. 6.75x10.5
inches.
The epic
single from the smash
Disney film Frozen
has been memorably
covered by Pentatonix.
This a cappella setting
inspired by that version
dazzles with harmony,
color and emotion for a
spectacular choral
showcase.
Arranged by Philip Kern. For Choir. (SAB). Choral Octavo. Choral Designs. Latin...(+)
Arranged by Philip Kern.
For Choir. (SAB). Choral
Octavo. Choral Designs.
Latin; Multicultural,
Christmas. Choral Octavo.
12 pages. Published by
Alfred Publishing.
(Featuring: Love Is Here to Stay / Let's Call the Whole Thing Off / Someone to W...(+)
(Featuring: Love Is Here
to Stay / Let's Call the
Whole Thing Off / Someone
to Watch Over Me / 'S
Wonderful / Nice Work If
You Can Get It /
Embraceable You / I Got
Rhythm). Arranged by Jay
Althouse. Choir Secular.
3-Part Mixed Choir (SAB).
Choral Octavo. Pop
Choral. Form: Medley. 28
pages. Published by
Alfred Music Publishing
(Featuring: Love Is Here to Stay / Let's Call the Whole Thing Off / Someone to W...(+)
(Featuring: Love Is Here
to Stay / Let's Call the
Whole Thing Off / Someone
to Watch Over Me / 'S
Wonderful / Nice Work If
You Can Get It /
Embraceable You / I Got
Rhythm). Arranged by Jay
Althouse. Choir Secular.
Women's Choir. Choral
Octavo. Pop Choral. Form:
Medley. 28 pages.
Published by Alfred Music
Publishing
