Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
SAB choir, cantor, priest, assembly, 2 C instruments, trumpet in B-flat, trumpet...(+)
SAB choir, cantor,
priest, assembly, 2 C
instruments, trumpet in
B-flat, trumpet in C,
cello, guitar
SKU:
GI.G-10515C
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Choral edition.
Sacred. 128 pages. GIA
Publications #10515C.
Published by GIA
Publications
(GI.G-10515C).
(Can't Help Falling in Love/Let It Be Me). By Elvis Presley. By George David Wei...(+)
(Can't Help Falling in
Love/Let It Be Me). By
Elvis Presley. By George
David Weiss, Gilbert
Becaud, Hugo Peretti, and
Luigi Creatore. Arranged
by Kirby Shaw. For Choral
(SSA). Pop Choral Series.
12 pages. Published by
Hal Leonard
(Can't Help Falling in Love/Let It Be Me). By Elvis Presley. By George David Wei...(+)
(Can't Help Falling in
Love/Let It Be Me). By
Elvis Presley. By George
David Weiss, Gilbert
Becaud, Hugo Peretti, and
Luigi Creatore. Arranged
by Kirby Shaw. For Choral
(SAB). Pop Choral Series.
12 pages. Published by
Hal Leonard
Choral (SAB Choir) SKU: HL.394667 Voices in Harmony. Composed by J...(+)
Choral (SAB Choir)
SKU: HL.394667
Voices in Harmony.
Composed by Jack Zaino
and Roger Emerson. Voices
in Harmony. Concert,
Festival, Pop. Octavo.
Duration 180 seconds.
Published by Hal Leonard
(HL.394667).
UPC:
196288033042.
6.75x10.5x0.036
inches.
Good
friends are important and
often help us from making
bad decisions. In this
selection, veteran
composer Roger Emerson
serves as advisor and
mentor as he co-writes
with Jack Zaino. This is
exciting
“concert-popâ€
music. A QR code is
provided with the music
that will take you to the
Hal Leonard product page
where you will find
additional resources for
teaching along with
videos from the
composers. SEL
Guidelines, Videos and
Supplemental Content can
be found here.
Choral (SSA Choir) SKU: HL.394669 Voices in Harmony. Composed by J...(+)
Choral (SSA Choir)
SKU: HL.394669
Voices in Harmony.
Composed by Jack Zaino
and Roger Emerson. Voices
in Harmony. Concert,
Festival, Pop. Octavo.
Duration 180 seconds.
Published by Hal Leonard
(HL.394669).
UPC:
196288033066.
6.75x10.5x0.036
inches.
Have you
ever had a good friend?
Good friends are
important and often help
us from making bad
decisions. In this
selection, veteran
composer Roger Emerson
serves as advisor and
mentor as he co-writes
with Jack Zaino. This is
exciting
“concert-popâ€
music. A QR code is
provided with the music
that will take you to the
Hal Leonard product page
where you will find
additional resources for
teaching along with
videos from the
composers. SEL
Guidelines, Videos and
Supplemental Content can
be found here.
Let It Be Chorale 3 parties 3 parties Mixtes - Facile Hal Leonard
Discovery Level 2. Composed by John Lennon and Paul McCartney. Arranged by Rog...(+)
Discovery Level 2.
Composed
by John Lennon and Paul
McCartney. Arranged by
Roger
Emerson. Discovery
Choral.
Pop. Octavo. 12 pages.
Published by Hal Leonard
Bell Carol Chorale 3 parties SSA, Piano [Octavo] Lorenz Publishing Company
(Ukrainian Bell Carol). Composed by Heather Sorenson. For SSA choir, piano 4-han...(+)
(Ukrainian Bell Carol).
Composed by Heather
Sorenson. For SSA choir,
piano 4-hands. Sacred
Anthem, Christmas.
Octavo. Published by
Lorenz Publishing Company
SAB choir and piano - Early Intermediate SKU: MN.50-6130 Composed by Thom...(+)
SAB choir and piano -
Early Intermediate
SKU: MN.50-6130
Composed by Thomas
Keesecker. Confirmation,
21st Century,
Commitment/Discipleship,
Faith. Instrument parts.
MorningStar Music
Publishers #50-6130.
Published by MorningStar
Music Publishers
(MN.50-6130).
UPC:
688670561306.
English.
At
workshops and conventions
we get many requests for
good pieces for the
smaller choir. This
original SAB setting of a
very familiar text is
exactly that. The
supportive keyboard part
could really be piano or
organ, and the choral
parts are easy to sing.
Simple but effective, the
melody is so engaging
that even a larger choir
will enjoy singing it.
Duration: 3:00.
Choral (SAB Choir) SKU: HL.143086 From Frozen. By Pentatonix. By K...(+)
Choral (SAB Choir)
SKU: HL.143086
From Frozen. By
Pentatonix. By Kristen
Anderson-Lopez and Robert
Lopez. Arranged by Roger
Emerson. Disney Choral.
Disney, Movies, Show
Choir, Vocal Jazz,
Winter. Octavo. 20 pages.
Published by Hal Leonard
(HL.143086).
UPC:
888680052478. 6.75x10.5
inches.
The epic
single from the smash
Disney film Frozen
has been memorably
covered by Pentatonix.
This a cappella setting
inspired by that version
dazzles with harmony,
color and emotion for a
spectacular choral
showcase.
Let There Be Peace Chorale 3 parties 3 parties Mixtes [Octavo] Heritage Music Press
Let There Be Peace on Earth with I've Got Peace Like a River. Composed by...(+)
Let There Be Peace on
Earth with I've Got Peace
Like a River.
Composed by Douglas E.
Wagner. Concert. Octavo.
Heritage Music Press
#15/2729H. Published by
Heritage Music Press
(LO.15-2729H).
Gloriosi Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor,
priest, assembly,
keyboard accompaniment, 2
C instruments, trumpet in
B-flat, trumpet in C,
cello, guitar - Early
intermediate
SKU:
GI.G-10515
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. Lent,
Eastertide, Holy
Thursday, Good Friday,
Easter Vigil, Easter
Sunday, Easter PM.
Sacred. With guitar chord
names. 296 pages. GIA
Publications #10515.
Published by GIA
Publications
(GI.G-10515).
Discovery Level 2. Composed by Robert Lopez and Kristen Anderson-Lopez. Arrang...(+)
Discovery Level 2.
Composed
by Robert Lopez and
Kristen
Anderson-Lopez. Arranged
by
Audrey Snyder. Discovery
Choral. Movies, Pop.
Octavo.
Published by Hal Leonard
Ceaseless Praise Chorale 3 parties SAB, Piano Lorenz Publishing Company
Composed by Tracey Craig McKibben. Arranged by Michelle Christensen. Choral. ...(+)
Composed by Tracey Craig
McKibben. Arranged by
Michelle Christensen.
Choral.
Singable Solutions.
Sacred
Anthem. Octavo. Lorenz
Publishing Company
#10/5464L.
Published by Lorenz
Publishing Company
Composed by Roy Wood.
Arranged by Jack Zaino.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Pop/Rock; Radio; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-51246.
Published by Alfred Music
(AP.51246).
UPC:
038081582832.
English.
With its
irresistible groove and
holiday spirit, it's no
wonder that this rock
song has been covered by
countless artists over
the decades! Choirs of
all ages will appreciate
the full harmonies,
tasteful key changes, and
woven vocal lines that
welcome the season. Add
the lively SoundTrax
complete with sleigh
bells and horns to let
the bells ring out for
Christmas!
Composed by Jill Jackson and Sy Miller. Arranged by Keith Christopher. Sacred ...(+)
Composed by Jill Jackson
and
Sy Miller. Arranged by
Keith
Christopher. Sacred
Choral.
Festival, Anthem,
Concert,
Sacred, General Worship.
Octavo. 8 pages.
Published by
Hal Leonard
