By Stuart Townend. Arranged by Larry Shackley. For SAB choir or 3-part choir. Choral music. General, Lent, Cross of Christ, Devotion, Good Friday, Gratefulness, Lamb of God, Lord's Supper, Love, Redemption, Sacrifice, Communion, Contemporary. Choral octavo. 8 pages. Published by Hope Publishing Company

By Paul Carey. SSA. Walton Choral. 8 pages. Walton Music #WW1456. Published by Walton Music

Choral (SSA Choir)

SKU: HL.347654

Arranged by Kirby Shaw. Shawnee Press. Concert, Festival, Spiritual. Octavo. Duration 155 seconds. Published by Shawnee Press (HL.347654).

ISBN 9781540096517. UPC: 840126928273. 6.75x10.5x0.036 inches.

Kirby Shaw puts his contemporary stamp on this traditional spiritual for SSA voices. The haunting and powerful story is sung above a driving accompaniment of piano, electric bass and djembe. Full three-part harmony fills the piece, moving back and forth from longer notes to more rhythmic phrases with an optional descant, too. All creating a dynamic sound that treble choirs will love to learn and perform.

Choral (3-Part Mixed choir)

SKU: HL.137250

By Michael Jackson. Arranged by Mark A. Brymer. Pop Choral Series. Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.137250).

UPC: 888680026448. 6.75x10.5 inches.

Released posthumously, this 1983 Michael Jackson track featuring Justin Timberlake was a 2014 chart hit and has a totally infectious groove that pop and show choirs will love to recreate. Great for showing off your dance moves!

Choral (SAB Choir)

SKU: HL.258711

By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Mac Huff. Pop Choral Series. Ballad, Pop. Octavo. Duration 200 seconds. Published by Hal Leonard (HL.258711).

UPC: 888680725525. 6.75x10.5x0.036 inches.

Sam Smith writes and sings great melodies and this is no exception. Combining a great melody with lyrics relatable to everyone who has ever loved and lost. A great power ballad with strong choral writing and you have the pop hit you and your students have been looking for.

Composed by Reynaldo Hahn (1874-1947). Arranged by Tucker Biddlecombe. Walton Choral. Music Education. Octavo. 8 pages. Walton Music #WW1570. Published by Walton Music (GI.WW1570).

Composed by Lynn Shaw Bailey. Fold. Octavo. 12 pages. Duration 3:15. BriLee Music #BL1121. Published by BriLee Music

Composed by Lloyd Larson. For SAB choir and piano (with optional children's choir). Ready to Worship Series. Sacred Anthem, Discipleship, General. Octavo. Lorenz Publishing Company #10/4785L. Published by Lorenz Publishing Company

By Michael Abels (1962-). For Solo Trumpet, Gospel Soloist, SAT Choir and Orchestra (solo trumpet in Bb; Gospel soloist (soprano or tenor); SAT choir; 2(1).2.2.2 - 4.3.3.1 - timpani, 3 percussion, piano, electric bass, drums; strings). Choral, sacred, gospel. Study Score. Composed 1993. Duration 5'. Published by Subito Music Corporation

((with I've Got My Love to Keep Me Warm)). Arranged by Mac Huff. For Choral (SAB). Secular Christmas Choral. 16 pages. Published by Hal Leonard

Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Level: Moderate (grade 3). Choral Octavo. 108 pages. Published by Alfred Publishing.

(SAB Choir)

SKU: HL.35030867

Composed by Irving Berlin. Arranged by Greg Jasperse. Shawnee Press. Jazz, Standards, Vocal Jazz. Octavo. Duration 225 seconds. Published by Shawnee Press (HL.35030867).

ISBN 9781495059346. UPC: 888680607654. 6.75x10.5x0.029 inches.

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords that lightly surprise and offer a new interpretation to this romantic, winter song.

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

The Gospel Train (A Gospel Medley and Classic Spiritual). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Gospel. Published by Faber Music

Choral SSA Choir and Piano

SKU: CF.CM9704

Composed by Richard Hageman. Arranged by Stephen Rotz. Jbc. 12 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #CM9704. Published by Carl Fischer Music (CF.CM9704).

ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore.

Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker.  .
Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time  that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic” to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .

Composed by Elton John and Bernie Taupin. Arranged by Ed Lojeski. Pop Choral Series. Movies, Pop, Show Choir. Octavo. 16 pages. Published by Hal Leonard

I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * I'll Build a Stairway to Paradise * Love Is Here to Stay * Embraceable You * Fascinating Rhythm. Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Adam Podd and Matt Podd. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Great American Songbook; Secular. Choral Octavo. Alfred Music #00-47666. Published by Alfred Music

(Featuring: When You Tell Me That You Love Me / When a Man Loves a Woman / To Love Somebody / I'm Gonna Make You Love Me / Love Can Build a Bridge / You Raise Me Up / The Greatest Love of All). Arranged by Greg Gilpin. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Pop. Choral Octavo. 20 pages

Featuring: When You Tell Me That You Love Me / When a Man Loves a Woman / To Love Somebody / I'm Gonna Make You Love Me / Love Can Build a Bridge / You Raise Me Up / The Greatest Love of All. Arranged by Greg Gilpin. For Choir. (SSA). Choral Octavo. Pop Choral. Pop. Choral Octavo. 20 pages. Published by Alfred Publishing.

Performed by The Supremes. Arranged by Mark A. Brymer. (SSA). Discovery Choral. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Composed by George Gershwin and Ira Gershwin. Arranged by Jay Althouse. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Jazz Choir; Love; Secular; Standard. 8 pages. Published by Alfred Music

SAB choir, assembly, keyboard accompaniment, 2 C instruments, 2 octaves handbells, guitar

SKU: GI.G-9006

A Through-Composed Setting, Revised Order of Mass 2010. Composed by Marty Haugen. Ritual Prayer. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9006. Published by GIA Publications (GI.G-9006).

UPC: 785147900603. English. Text Source: Revised Order of Mass 2010.

A tasteful, sophisticated adaptation of Marty Haugen’s beloved “Glory to God” in a new, through-composed setting. Although interspersed with new transitions and harmonies, Haugen maintains the essence of what made his Mass of Creation so popular over thirty years ago—and a mainstay ever since. A must-have for a congregation requiring use of a through-composed “Glory to God” without venturing into unfamiliar territory.

Arranged by Ed Lojeski. (SAB). Secular Christmas Choral. Size 6.7x10.5 inches. 16 pages. Published by Hal Leonard.

Composed by Elton John, Tim Rice, Hans Zimmer (1957-), Beyonce, and Lebo M. Arranged by Mark A. Brymer. Disney Choral. African, Ballad, Broadway, Children, Disney, Medley, Movies, Pop, Pop/Rock. Octavo. Published by Hal Leonard

Composed by Elton John, Tim Rice, Hans Zimmer (1957-), Beyonce, and Lebo M. Arranged by Mark A. Brymer. Disney Choral. African, Ballad, Broadway, Children, Disney, Medley, Movies, Pop, Pop/Rock. Octavo. Published by Hal Leonard