Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.51164 Recorded by...(+)
Choir Secular (SAB
choir/3-Part choir Mixed)
SKU: AP.51164
Recorded by Ava
Max. Composed by
Amanda Koci, Henry
Walter, Madison Love, and
Michael Pollack. Arranged
by Jack Zaino.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classification:
Lawson-Gould Sacred
Choral Publications.
Movie; Pop; Secular.
Choral Octavo. Composed
1963. 12 pages. Alfred
Music #00-51164.
Published by Alfred Music
(AP.51164).
UPC:
038081582016.
English.
Ava Max's
exhilarating Barbie hit
embraces individuality
and encourages us to
design our own paths. A
caffeinated a cappella
opening gives way to a
dance-pop hook that
really packs a punch!
It's a high-energy anthem
that will have your
audience singing along:
Wings of a butterfly,
eyes of a tiger . . .
choose your fighter!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choir Secular (Women's Choir) SKU: AP.51165 Recorded by Ava Max. C...(+)
Choir Secular (Women's
Choir)
SKU:
AP.51165
Recorded
by Ava Max. Composed
by Amanda Koci, Henry
Walter, Madison Love, and
Michael Pollack. Arranged
by Jack Zaino.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classification:
Lawson-Gould Sacred
Choral Publications.
Movie; Pop; Secular.
Choral Octavo. Composed
1963. 12 pages. Alfred
Music #00-51165.
Published by Alfred Music
(AP.51165).
UPC:
038081582023.
English.
Ava Max's
exhilarating Barbie hit
embraces individuality
and encourages us to
design our own paths. A
caffeinated a cappella
opening gives way to a
dance-pop hook that
really packs a punch!
It's a high-energy anthem
that will have your
audience singing along:
Wings of a butterfly,
eyes of a tiger . . .
choose your fighter!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Concert Music for Women's Choir Series. Composed by Max Reger (1873-1916). Ar...(+)
Concert Music for Women's
Choir Series. Composed by
Max Reger (1873-1916).
Arranged by Niall
Kinsella.
BH Secular Choral.
Concert,
Festival. Octavo. 8
pages.
Boosey and Hawkes
#M051485130.
Published by Boosey and
Hawkes
By Katy Perry, Max Martin, Lukasz Gottwald, Bonnie McKee, and Henry Walter. Arra...(+)
By Katy Perry, Max
Martin, Lukasz Gottwald,
Bonnie McKee, and Henry
Walter. Arranged by Alan
Billingsley. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Pop Choral. 12
pages. Published by
Alfred Music
By Katy Perry, Max Martin, Lukasz Gottwald, Bonnie McKee, and Henry Walter. Arra...(+)
By Katy Perry, Max
Martin, Lukasz Gottwald,
Bonnie McKee, and Henry
Walter. Arranged by Alan
Billingsley. Choir
Secular. Women's Choir.
Choral Octavo. Pop
Choral. 12 pages.
Published by Alfred Music
Composed by Katy Perry, Max Martin, Sia Furler, Ali Payami, and Skip Marley. Arr...(+)
Composed by Katy Perry,
Max Martin, Sia Furler,
Ali Payami, and Skip
Marley. Arranged by Alan
Billingsley. Choral
Octavo. Alfred Pop
Series. Pop; Secular. 16
pages. Published by
Alfred Music (AP.46737).
Blessed Assurance Chorale 3 parties SAB [Octavo] Hope Publishing Company
By Joel Raney / Phoebe P. Knapp. Arranged by Joel Raney. For SAB and Unison Choi...(+)
By Joel Raney / Phoebe P.
Knapp. Arranged by Joel
Raney. For SAB and Unison
Choir, Children's Voices.
Scripture References:
Romans 8:16-17 -- 2
Corinthians 5:17 -- Psalm
40:3 -- Psalm 34:8.
Hymntune, Sacred. Choir.
16 pages
By Max Reger. Edited by Hal H. Hopson. For SAB choir. (Sab). Choral Octavos. Sa...(+)
By Max Reger. Edited by
Hal H. Hopson. For SAB
choir. (Sab). Choral
Octavos. Sacred. Level:
Grade 2. Choral Octavo.
Published by Neil A. Kjos
Music Company.
Rise Chorale 3 parties SAB, Piano Alfred Publishing
Composed by Katy Perry; Max Martin; Ali Payami; Savan Kotecha. Arranged by Alan ...(+)
Composed by Katy Perry;
Max Martin; Ali Payami;
Savan Kotecha. Arranged
by Alan Billingsley.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-45691.
Published by Alfred Music
(AP.45691).
Choral (3-Part Mixed choir) SKU: HL.1422504 By Taylor Swift. By Aaron Des...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.1422504
By Taylor
Swift. By Aaron Dessner,
Jack Antonoff, Joel
Little, Max Martin,
Shellback, and Taylor
Swift. Arranged by Mark
A. Brymer. Pop Choral
Series. Medley, Pop, Show
Choir. Octavo. 24 pages.
Duration 390 seconds.
Published by Hal Leonard
(HL.1422504).
UPC:
196288199526. 6.75x10.5
inches.
Taylor
Swift's impact on the
world stage is
undeniable, with legions
of fans worldwide
clamoring to hear her
sing live, accompanied by
an outstanding live band.
This brand-new medley has
been specially created
with students and
teachers direct input
from it's inception,
gathering the best songs
of each Era, culminating
in a pop culture music
tableau that absolutely
sparkles! Includes: 22,
Willow, Love Story,
Getaway Car, Bad Blood,
Miss Americana and The
Heartbreak Prince,
Enchanted and
Anti-Hero.
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Break Free Chorale 3 parties 3 parties Mixtes Hal Leonard
Choral (3-Part Mixed choir) SKU: HL.141551 By Ariana Grande. By Anton Zas...(+)
Choral (3-Part Mixed
choir)
SKU:
HL.141551
By Ariana
Grande. By Anton
Zaslavski, Max Martin,
and Savan Kotecha.
Arranged by Mark A.
Brymer. Pop Choral
Series. Dance, Pop, Show
Choir. Octavo. 12 pages.
Published by Hal Leonard
(HL.141551).
UPC:
888680045074. 6.75x10.5
inches.
Ariana
Grande's awesome
chart-topper has an
insistent beat,
electropop instrumentals
and powerful vocals that
your pop and show choir
will love to sing!
Composed by Abel Tesfaye,
Ahmad Balshe, Jason
Quenneville, Max Martin,
and Oscar Holter.
Arranged by Alan
Billingsley. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Radio; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-48959.
Published by Alfred Music
(AP.48959).
UPC:
038081562834.
English.
Here's an
uptempo dance single by
The Weeknd that charted
at number one in 34
countries, including the
U.S. and Canada. This
throwback hit has
mass-appeal, with its
effervescent electro-pop
pulse and retro vibe. A
neon-hued pulse-racer!
This title is available
in MakeMusic Cloud.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Composed by Ali Payami,
Katy Perry, Max Martin,
Sia, and Skip Marley.
Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Pop; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-46489.
Published by Alfred Music
(AP.46489).
UPC:
038081530239.
English.
Katy Perry
impressed with this perky
pop hit in 2017 at both
the Grammys and Brit
Awards, joined on stage
by Skip Marley for a
short reggae-inspired
feature. Singable,
danceable, and undeniably
catchy, here's the
chart-climbing single
arranged for all choirs.
Turn it up, it's your
favorite song.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Rise Chorale 3 parties SSA, Piano Alfred Publishing
Choir Secular (Women's Choir) SKU: AP.45692 Composed by Ali Payami, Katy ...(+)
Choir Secular (Women's
Choir)
SKU:
AP.45692
Composed by
Ali Payami, Katy Perry,
Max Martin, and Savan
Kotecha. Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Pop; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-45692.
Published by Alfred Music
(AP.45692).
UPC:
038081514314.
English.
Inspiring
and empowering, Katy
Perry's latest was
featured prominently in
2016 Summer Olympics
coverage. Simple opening
verses lead into an
explosive, encouraging
chorus featuring a
descant. Sure to be a
favorite!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
2 Be Loved Chorale 3 parties SSA, Piano Alfred Publishing
Choir Secular (Women's Choir) SKU: AP.50222 (Am I Ready). Composed...(+)
Choir Secular (Women's
Choir)
SKU:
AP.50222
(Am I
Ready). Composed by
Ilya Salmanzadeh, Lizzo,
Music by Max Martin,
Peter Svensson, Savan
Kotecha, and Words.
Arranged by Jack Zaino.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Radio; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-50222.
Published by Alfred Music
(AP.50222).
UPC:
038081573922.
English.
From high
school flutist turned pop
superstar Lizzo, here's a
high-energy hit about
self-confidence and
accepting the love we
deserve. An '80s rock
sound drives singers to
answer the question: Am I
ready to be loved? This
powerhouse anthem will
leave you feeling
energized, uplifted, and
ready to dance!
Choral (SSA Choir) SKU: HL.1422505 By Taylor Swift. By Aaron Dessner, Jac...(+)
Choral (SSA Choir)
SKU: HL.1422505
By
Taylor Swift. By Aaron
Dessner, Jack Antonoff,
Joel Little, Max Martin,
Shellback, and Taylor
Swift. Arranged by Mark
A. Brymer. Pop Choral
Series. Medley, Pop, Show
Choir. Octavo. 24 pages.
Duration 390 seconds.
Published by Hal Leonard
(HL.1422505).
UPC:
196288199540. 6.75x10.5
inches.
Taylor
Swift's impact on the
world stage is
undeniable, with legions
of fans worldwide
clamoring to hear her
sing live, accompanied by
an outstanding live band.
This brand-new medley has
been specially created
with students and
teachers direct input
from it's inception,
gathering the best songs
of each Era, culminating
in a pop culture music
tableau that absolutely
sparkles! Includes: 22,
Willow, Love Story,
Getaway Car, Bad Blood,
Miss Americana and The
Heartbreak Prince,
Enchanted and
Anti-Hero.
(Am I Ready).
Composed by Ilya
Salmanzadeh, Lizzo, Music
by Max Martin, Peter
Svensson, Savan Kotecha,
and Words. Arranged by
Jack Zaino. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Pop; Radio;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-50221. Published by
Alfred Music (AP.50221).
UPC: 038081573915.
English.
From high
school flutist turned pop
superstar Lizzo, here's a
high-energy hit about
self-confidence and
accepting the love we
deserve. An '80s rock
sound drives singers to
answer the question: Am I
ready to be loved? This
powerhouse anthem will
leave you feeling
energized, uplifted, and
ready to dance!
Children choir: SSA (Children's choir: SSA) SKU: BA.BA02714 10 Chorsat...(+)
Children choir: SSA
(Children's choir: SSA)
SKU: BA.BA02714
10 Chorsatze
3-4stimmig. Composed
by Walter Rein. Stapled.
Choral score, anthology.
Baerenreiter Verlag
#BA02714_00. Published by
Baerenreiter Verlag
(BA.BA02714).
ISBN
9790006425099. 19.4 x
14.5 cm inches. Text: Max
Barthel/ Margarethe
Staats.
Santa Tell Me Chorale 3 parties SSAA Alfred Publishing
Composed by Ilya, Savan Kotecha, Max Martin, Iggy Azalea, and Ariana Grande. Arr...(+)
Composed by Ilya, Savan
Kotecha, Max Martin, Iggy
Azalea, and Ariana
Grande. Arranged by Alan
Billingsley. Choir
Secular. Women's Choir.
Choral Octavo. Pop
Choral. Christmas;
Secular; Winter. 16
pages. Published by
Alfred Music
Choral (SAB Choir) SKU: HL.371969 By The Backstreet Boys. By Andreas Carl...(+)
Choral (SAB Choir)
SKU: HL.371969
By
The Backstreet Boys. By
Andreas Carlsson and Max
Martin. Arranged by
Nathan Howe. Shawnee
Press. Pop. Octavo. 16
pages. Duration 135
seconds. Published by
Shawnee Press
(HL.371969).
ISBN
9781705148563. UPC:
196288014638.
6.75x10.5x0.036
inches.
In 2012,
Jimmy Fallon started a
recurring segment on
“The Tonight
Show†in which The
Roots use classroom
instruments to play pop
songs with celebrity
guests. These skilled
musicians pull off
engaging performances
using instruments many
people don't take
seriously beyond the
elementary music room.
Nathan Howe has continued
his musical genius in a
cappella writing with
this pop tune sung a
cappella with classroom
percussion. It's amazing
and fun and suitable for
all ages with the variety
of voicings available.
The choral also includes
notes on different ways
to teach, learn, and
perform the piece and all
the percussion parts are
included as a free
download.
Style Chorale 3 parties SSA, Piano Alfred Publishing
Composed by Ali Payami, Johan Schuster, Max Martin, and Taylor Swift. Arranged b...(+)
Composed by Ali Payami,
Johan Schuster, Max
Martin, and Taylor Swift.
Arranged by Alan
Billingsley. Choir
Secular. Women's Choir.
Choral Octavo. Pop
Choral. Pop; Secular. 16
pages. Published by
Alfred Music
Choral (TTB Choir) SKU: HL.371971 By The Backstreet Boys. By Andreas Carl...(+)
Choral (TTB Choir)
SKU: HL.371971
By
The Backstreet Boys. By
Andreas Carlsson and Max
Martin. Arranged by
Nathan Howe. Shawnee
Press. Pop. Octavo.
Duration 135 seconds.
Published by Shawnee
Press (HL.371971).
ISBN 9781705148587.
UPC: 196288014652.
6.75x10.5x0.036
inches.
In 2012,
Jimmy Fallon started a
recurring segment on
“The Tonight
Show†in which The
Roots use classroom
instruments to play pop
songs with celebrity
guests. These skilled
musicians pull off
engaging performances
using instruments many
people don't take
seriously beyond the
elementary music room.
Nathan Howe has continued
his musical genius in a
cappella writing with
this pop tune sung a
cappella with classroom
percussion. It's amazing
and fun and suitable for
all ages with the variety
of voicings available.
The choral also includes
notes on different ways
to teach, learn, and
perform the piece and all
the percussion parts are
included as a free
download.
