Arranged by Teena Chinn. (3-Part Mixed). Choral Octavo. Pop Choral Series. Pop. Level: Moderate (grade III). Choral Octavo. Published by Alfred Publishing.

SSA Choir

SKU: BT.MUSM570366057

Composed by Sarah Dacey. Classical. Vocal Score. 8 pages. University of York Music Press #MUSM570366057. Published by University of York Music Press (BT.MUSM570366057).

English.

Cruel Mother for three voices (SSA), a traditional ballad arranged by Sarah Dacey . Duration: 4 minutes Composed: 2008 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. This is a very old cautionary ballad that, like many folk tales, has no definite origin, there being many different versions from around Europe. I shifted the tonality of the melody from the Cecil Sharp arrangement to something slightly less cheery. First performed by Juice Vocal Ensemble in December 2008 at St. James Piccadilly, London.

By Carole Bayer Sager and David Foster. Arranged by Teena Chinn. For Choir. (SSA). Choral Octavo. Pop Choral Series. Level: Moderate (grade III). Choral Octavo. Published by Alfred Publishing.

By Crawford Gates. For SAB choir. Mother's Day. Medium. Octavo. Duration 2:00. Published by Jackman Music Corporation

Featuring: Honey, Honey / Does Your Mother Know / Gimme! Gimme! Gimme!. By Benny Andersson, Bjorn Ulvaeus, And Stig Anderson. Arranged by Andy Beck. For Choir. (SSA). Choral Octavo. Choral Designs. Choral Octavo. 20 pages. Published by Alfred Publishing.

By David Len Allen. Text: David Len Allen. For SAB Choir. Mother's Day. Level: Medium / Medium-Difficult (accompaniment). Duration 2:15. Published by Jackman Music Corporation.

((A Pastoral Song)). By Franz Joseph Haydn (1732-1809). Arranged by Jill Gallina. For Choral (SSA). Choral. 16 pages. Published by Shawnee Press

Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

3-part equal voices, voice solo, assembly, piano accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, violin 1, violin 2, violin 3, guitar - Early intermediate

SKU: GI.G-10303

My Loving Mother. Composed by Al Valverde and Richard Valverde. Arranged by Al Valverde. Mother's Day. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #10303. Published by GIA Publications (GI.G-10303).

English, Spanish. Text Source: Al Valverde and Richard Valverde, tr. al ing. / Eng. tr. Peter M. Kolar; Translation: Peter M. Kolar.

SSA, Piano

SKU: SU.80300235

For SSA, Piano. Composed by Samuel Coleridge-Taylor. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300235. Published by Treble Clef Music Press (SU.80300235).

It's time to revive the music of this splendid Afro-British composer! The accompaniment to this setting of the Christina Rossetti poem leaps in irregular eighth-note patterns, suggesting the frolicking and nudging of the lambs and baby birds who cuddle up close to their mothers. A perfect choice for a spring or Mother's Day concert. SSA & Piano; English. Easy-Medium. SSA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

Choral SAB chorus, piano

SKU: CF.CM9731

From Requiem, Op 45. Composed by Johannes Brahms. Arranged by Russell L. Robinson. 20 pages. Duration 5:30. Carl Fischer Music #CM9731. Published by Carl Fischer Music (CF.CM9731).

ISBN 9781491161111. UPC: 680160919703. Key: C major. English.

Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven. In addition to being a composer, he was also well-known as a pianist and conductor. Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief. In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868. How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work.   Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period.   Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills. Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience. I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms! Russell Robinson, Arranger        .
Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven.  In addition to being a composer, he was also well-known as a pianist and conductor.  Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief.  In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868.  How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work. Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period. Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills.  Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience.I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms!Russell Robinson, Arranger    .

3-part choir, cantor, assembly, piano accompaniment, flute, guitar - Early intermediate

SKU: GI.G-10081

Litany to the Mother of the Americas. Composed by Tony Alonso S.J. Mary, Mother of God, Our Lady of Guadalupe, Immaculate Conception, Assumption, Assumption Vigil, Visitation. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. 20 pages. GIA Publications #10081. Published by GIA Publications (GI.G-10081).

English, Latin, Spanish.

By Matthew N. Lundquist. For SSA Choir (Women's Voices). General. Choral. 12 pages. Published by E.C. Schirmer Publishing

3-Part Treble with piano and percussion Percussion; Piano Accompaniment (TREBLE VOICE)

SKU: HL.291953

Judith Herrington Choral Series. Arranged by Ken Berg. Pavane Choral. Octavo. Pavane Publishing #P1642. Published by Pavane Publishing (HL.291953).

UPC: 888680928681. 6.75x10.5x0.019 inches.

Ken Berg has worked with his magic again, taking this nursery rhyme, popular all over the Spanish-speaking world, and arranged it for choir, piano and percussion. The words are about little chicks and their mother hen feeding them in the cycle of life. The percussion brings an authenticity to the sound and the multiple modulations are surprisingly placed to great effect and always fun.

SAB chorus, organ - Early Intermediate

SKU: AU.9798889832508

Composed by Kenneth Lowenberg. General, Creation. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9798889832508. Published by Augsburg Fortress (AU.9798889832508).

ISBN 9798889832508. 7 x 10.25 inches.

This well-loved hymn, featuring a text based on writings from Julian of Norwich and the tune NORWICH by Carolyn Jennings, is set for SAB cChoir with organ by Kenneth Lowenberg. The melody floats from voice to voice, creating an easily learned and enjoyable anthem. The organ supports the singers and provides interludes in 5/4 meter, adding rhythmic interest throughout. Useful for the Easter Vigil, the season of Pentecost, Trinity Sunday, communion, and creation-themed worship.

Arranged by Zebulon Highben. For SAB choir, guitar, flute. Augsburg Choral Hymn Series. Sacred. Octavo. 8 pages. Published by Augsburg Fortress

3-part choir, cantor, assembly, piano accompaniment, flute, guitar - Early intermediate

SKU: GI.G-10079

Our Lady of Charity. Composed by Alberto Gaitán, Gloria Estefan, and Ricardo Gaitán. Arranged by Tony Alonso S.J. Mary, Mother of God, Assumption, Assumption Vigil. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. 20 pages. GIA Publications #10079. Published by GIA Publications (GI.G-10079).

English, Spanish. Text Source: Emilio Estefan, Gloria Estefan, Ricardo Gaitan and Alberto Gaitan, English tr. Tony Alonso.

By Hawley Ades ; Alfred Burt. For SSA Choir. Christmas Music, Collections, A Cappella. Sheet Music. Published by Shawnee Press.

Composed by Philip E. Silvey. Sws. Octavo. 20 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #CM9626. Published by Carl Fischer Music

SSA chorus and piano - Medium-easy to medium

SKU: JK.00462

Composed by Lynn S. Lund. Choral SA, Difficulty Easy Medium, Difficulty Medium, Piano Choir, Seasonal Music Mothers Day, Charity, Commitment, Duty, Love, Motherhood, Service, Sisterhood. Christian, Inspirational. Duration 3:30. Jackman Music Corporation #00462. Published by Jackman Music Corporation (JK.00462).

Alma 56:48, Moroni 7:18-19.

Anthem for women's chorus (SSA) and piano, extolling the virtues of womanhood and admonishing women to walk in the Light of Christ, arranged in the key of C. Highest soprano note: F.
Composer: Lynn S. Lund
Lyricist: Mabel Jones Gabbott
Difficulty: Medium-easy to medium
Performance time: 3:30
References: Alma 56:48, Moroni 7:18-19.

Choral (SSA Choir)

SKU: HL.222699

By Judy Collins. By Judy Collins. Arranged by Audrey Snyder. Contemporary Choral. Children'S Choir, Concert, Female Voices, Festival. Octavo. Duration 290 seconds. Published by Hal Leonard (HL.222699).

UPC: 888680671303. 6.75x10.5x0.029 inches.

This song by Judy Collins from 1994 was written for the children of the Bosnian War of the 1990s, but has continuing meaning for today's children of conflict. I dream of Peace, I dream of flowers on the hill, I dream I see my mother smiling, When I close my eyes I dream of Peace..

SAB choir and piano

SKU: LO.15-3666H

Composed by Douglas E. Wagner. Choral. Octavo. Heritage Music Press #15/3666H. Published by Heritage Music Press (LO.15-3666H).

ISBN 9780787765620.

Beyo nd the silver mountains, beyond the beautiful hills, my spirit and joy, my lovely one, has gone, and winds have been stilled. Douglas Wagner wrote this tender song of parting shortly after his mother's passing. Scored especially for smaller mixed ensembles, careful attention has been made to the voice leading in all parts. Teachable moments of phrasing, breath support, and tall vowels make this a strong selection for developing choirs.

By Pepper Choplin. For SAB Choir. Choral, Bass/Percussion, Children's Day, Father's Day, Mother's Day, General Use, Tracks and Sacred. Sheet Music. Published by Shawnee Press.

Composed by Leo Nestor. For SAB choir, organ. General, Mother's Day/Father's Day, 21st Century. Octavo. Published by E.C. Schirmer Publishing

SSA chorus - Level 5

SKU: XC.UILCH2410

Composed by Jimmy Baas. UIL Sight Reading. Octavo. RBC Publications #UILCH2410. Published by RBC Publications (XC.UILCH2410).

6.75 x 10.5 inches.

Treble - Level 5.

SSA Choir

SKU: BT.MUSM570366033

By James Whittle_Paul Slid. Hymns & Chorals. Book Only. 145 pages. University of York Music Press #MUSM570366033. Published by University of York Music Press (BT.MUSM570366033).

English.

A genre-defying collection of songs for female vocal trio, Songspin Songbook is a collaboration between Juice Vocal Ensemble and UYMP, funded by an Arts Council England grant. Described as “the 21st century’s answer to the Swingles or King’s Singers” (The Times), Juice have emerged as the face of a revitalised experimental scene for vocal music. Songspin Songbook publishes songs from their debut album, Songspin. The album was released on Nonclassical in 2011 to critical acclaim, winning an international Independent Music Award for Best Contemporary Classical Album in 2012. Featuring remixes by the likes of Camille producer MaJiker and Björkcollaborator Mikhail Karikis, the album was reviewed by The Observer as “eighteen immaculately achieved tracks, spanning Elisabeth Lutyens to Gabriel Prokofiev via folk song and avant garde, enchant and enthrall”. Songspin also featured the premiere recording of Elisabeth Lutyens' Of The Snow, which The Telegraph described of a performance by Juice as an amazing sustained piece of virtuosity.  Songspin Songbook was edited by James Whittle and Paul Sild.  Artwork designed by Christopher Leedham and Martin Scheuregger.

Arranged by John Lewers. Choir Secular. Women's Choir. Choral Octavo. Lawson-Gould. Folk; Multicultural; Secular. Choral Octavo. 16 pages. Published by Alfred Music

By Chrissy Metz. By Diane Warren. Arranged by Mac Huff. Pop Choral Series. Inspirational, Movies, Pop, Show Choir. Octavo. 16 pages. Published by Hal Leonard

By Barbara Harlow. For Choral (SSA). National/Emerson Fred Bock. 8 pages. Hal Leonard #WHC122. Published by Hal Leonard

SSA, a cappella

SKU: SU.80300152

For SSA, a cappella. Composed by Gwyneth W. Walker. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300152. Published by Treble Clef Music Press (SU.80300152).

I command you to be good runners, the poet tells her four graceful, nearly grown daughters. Reflective homophonic sections tell the mother's hopes. They alternate with ostinato patterns of simmering energy, reflecting the dancing excitement of four girls ready to burst forth, out into the world. 7 pages; duration: 2:30 min.; range: f to g; difficulty: medium. SSA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.