(Four Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Multicultural; World. Published by Faber Music

Arranged by Jerry Depuit. For SAB choir and piano accompaniment. Choral. Octavo. Published by Shawnee Press.

By John Leavitt. For SAB choir (optional accompaniment) (SAB). Shawnee Press. Traditional American Spiritual. Choral. 10 pages

By Brian W. Holmes. For SSA choir, piano, baritone saxophone. Janet Galvan Women's Choral Series. Concert, General. Octavo. Published by Roger Dean Publishing

Arranged by Tom Porter. For SSA choir, piano/violin. Octavo. Published by Alliance Music Publications

SSA Chorus & Piano

SKU: SU.91480701

For SSA Chorus & Piano. Composed by Dan Locklair. Vocal/Choral, Secular Choral. SSA. Choral Octavo. Subito Music Corporation #91480701. Published by Subito Music Corporation (SU.91480701).

SSA Chorus & Piano Duration: 2' Composed: 2013 Published by: Subito Music Publishing Also available: The Playful Rainbow (complete) (91480700) 2. Duty SSA Chorus & Piano, opt. Flute (91480702) 3. Evensong SA & Unison Chorus & Piano (91480703) 4. Knock, Knock SSA & Piano, opt. Flute and Tom-toms (91480704) Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440. YouTube:.

By Mark Burrows. For 3-part mixed choir (SAB) and piano (with optional flute, hand drum). Christmas. Octavo

By Kevin Riehle. For S/SSA choir and piano. Upper Voices. Secular, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

By Vicki Tucker Courtney. For SSA choir and piano. Octavo. Published by Heritage Music Press

Composed by Andy Fisher. Octavo for SAB choir and piano accompaniment. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

By Ruth Morris Gray. For SSA choir and piano. Concert. Octavo. Published by Heritage Music Press

By Allan Bevan. For SSA choir and piano. Octavo. Published by Cypress Choral Music

Music by Earlene Rentz. Octavo for SSA choir and piano accompaniment. F Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Timothy Michael Powell. For SAB choir, keyboard accompaniment (organ or piano), handbells. Praise/Thanksgiving. Moderately Easy. Published by MorningStar Music Publishers

By Andy Beck. Octavo for SSA choir and piano accompaniment. D Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

I've Been 'Buked, Children! by Rollo Dilworth. For SSA choir, with piano. Mary Alice Stollak Choral Series. Choral octavo only. Instrumental accompaniment sold separately (SBMP-547.1). Concert, Spiritual. Medium. Octavo. Published by Santa Barbara Music Publishing

By Nancy Hill Cobb. For SSA choir, piano (with optional flute). Choral octavo only. Instrumental accompaniment sold separately (SBMP-578.1). Concert. Easy. Octavo. Published by Santa Barbara Music Publishing

Choir (Women's Choir)

SKU: AP.47669

Arranged by Matt Podd. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Sacred; Traditional. Choral Octavo. 16 pages. Alfred Music #00-47669. Published by Alfred Music (AP.47669).

UPC: 038081543628. English. Traditional Carol.

It's a high-energy, gospel-infused take on one of the most treasured Christmas carols of all time. Riveting rhythmic syncopation, triadic choral harmonies that climb in inversion, and plenty of melodic blue notes all add up to . . . well, sheer joy! Your piano player really gets to show off on the fully notated riff-like accompaniment. Plus, you can download free bass and drumset parts for the full effect. Not to be missed!

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Arranged by Ben Parry. Choir Sacred. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Sacred; Spiritual. Published by Faber Music

Arranged by Ben Parry. Choir Sacred. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Sacred; Spiritual. Published by Faber Music

(from Three Nocturnes). Composed by Daniel Elder. For SSA choir, piano accompaniment. Westminster Choir Series. Music Education. Easy/Medium. Octavo. 12 pages. Published by GIA Publications

Choir Secular (Women's Choir)

SKU: AP.47537

Arranged by George L.O. Strid and Mary Donnelly. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Folk; Secular. Choral Octavo. 12 pages. Alfred Music #00-47537. Published by Alfred Music (AP.47537).

UPC: 038081542300. English. Scottish Folk Song.

This sweet setting of the famous Scottish folk song generously passes the melody from voice to voice, while gently stretching the traditional rhythms of the piece. Piano players will enjoy the flowing arpeggios of the supportive accompaniment, and singers will savor the long legato lines.

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Folk; Secular. Published by Faber Music

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

By William Shakespeare from A Midsummer Night's Dream, music by Ruth Morris Gray. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music

By William Shakespeare from A Midsummer Night's Dream, music by Ruth Morris Gray. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. 12 pages. Published by Alfred Music Publishing

Choir Secular (Women's Choir)

SKU: AP.50194

Composed by Julia Michaels, Justin Tranter, and Kacey Musgraves. Arranged by Jack Zaino. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Christmas; Country; Holiday Pops; Radio; Secular. Choral Octavo. 12 pages. Alfred Music #00-50194. Published by Alfred Music (AP.50194).

UPC: 038081573649. English.

Kasey Musgraves doesn't need a shiny new car or a fancy trip for the holidays---just love! Her upbeat anthem is a happy addition to seasonal soundtracks, pop playlists, and even your December concert. Bright vocal parts and a retro groove create a playfully vintage vibe. Feature a talented saxophone player and rhythm section with the optional SoundPax.