Essays, Interviews, and Clippings. Composed by John Philip Sousa / Bryan ...(+)
Essays, Interviews,
and Clippings.
Composed by John Philip
Sousa / Bryan J. Proksch.
Music Education. 206
pages. GIA Publications
#9278. Published by GIA
Publications (GI.G-9278).
Composed by Kathleen Thomerson. Arranged by Richard Proulx. For SAB choir, piano...(+)
Composed by Kathleen
Thomerson. Arranged by
Richard Proulx. For SAB
choir, piano reduction.
Easy/Medium. Octavo.
Language: English. 16
pages. Published by GIA
Publications
Composed by
Michael Mahler. OT 4 A,
All Saints, OT 6 C.
Leavensong Series.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#6038. Published by GIA
Publications (GI.G-6038).
UPC: 785147603801.
English. Text Source:
Matthew 5:3–12,
adapt. MM. Scripture:
Matthew
5:3–12.
3-part equal voices,
3-part mixed voices,
cantor, voice solo,
assembly, keyboard
accompaniment, C
instrument, guitar -
Early intermediate
SKU: GI.G-8169
Composed by Ian Callanan.
Ordinary Time 3 A,
Ordinary Time 3 B,
Ordinary Time 12 B.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#8169. Published by GIA
Publications (GI.G-8169).
Composed by Brett C
Ballard. OT 3 B, OT 25 A,
OT 27 A, OT 3 C, OT 6 C,
OT 5 B, OT 31 B, Easter 4
B, OT 21 B, OT 20 B, OT 2
C, OT 19 B, Easter 5 B,
Holy Thursday, Body and
Blood of Christ. Sacred.
Octavo. With guitar chord
names. 8 pages. GIA
Publications #008293.
Published by GIA
Publications
(GI.G-008293).
UPC:
641151082936. English.
Text by Geoffrey
Bernard.
Composed
by James V. Marchionda.
Advent 4 C, Advent 4 B,
Advent 3 B, Advent 3 A,
Immaculate Conception,
Children. Tune Name:
Default. Sacred. Octavo.
With guitar chord names.
GIA Publications #008408.
Published by GIA
Publications
(GI.G-008408).
Rite of
Blessing and Sprinkling
of Water. Composed by
Gary Daigle. Celebration
Series. Sacred. Octavo.
With guitar chord names.
16 pages. GIA
Publications #4020.
Published by GIA
Publications (GI.G-4020).
Text Source: vs. of
sprinkling rite. Text by
Rory Cooney.
Composed by
Michael Mahler.
Ascension. Celebration
Series. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#6044. Published by GIA
Publications (GI.G-6044).
English.
This
piece can be used as a
mantralike refrain over
which the verses can be
layered. It is a gentle
song—a comforting
reminder of God’s
undying love in times of
hardship, sorrow, anger,
or guilt. Refrain may be
used as ostinato. For
cantor or
soloist.
Composed by
Ian Callanan. Celebration
Series. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#8269. Published by GIA
Publications (GI.G-8269).
3-part equal voices,
cantor, assembly,
keyboard accompaniment, 2
C instruments, C
instrument 1, C
instrument 2
SKU:
GI.G-008360
Composed
by Tom Kaczmarek.
Arranged by Paul Tate.
Eastertide, Body and
Blood of Christ, OT 6 B,
OT 16 B, OT 30 A, OT 3 B,
OT 20 B, OT 19 B, OT 18
B, OT 17 B, OT 18 A, Holy
Thursday. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#008360. Published by GIA
Publications
(GI.G-008360).
English.
** GIA
no longer publishes nor
sponsors the work of Paul
A. Tate. Pieces for which
Tate served as an
arranger remain on our
website as the original
work of the composer.
3-part equal voices, keyboard accompaniment SKU: GI.G-008246 Composed by ...(+)
3-part equal voices,
keyboard accompaniment
SKU: GI.G-008246
Composed by John Angotti.
Arranged by Ed Bolduc.
Easter 6 B, Easter 3 A,
Holy Thursday. Sacred.
Octavo. With guitar chord
names. 8 pages. GIA
Publications #008246.
Published by GIA
Publications
(GI.G-008246).
UPC:
641151082462. English.
Text by R. Bruce
Cinquegrani.
Composed by
Paul Tate. Celebration
Series. Sacred. Octavo.
With guitar chord names.
16 pages. GIA
Publications #9094.
Published by GIA
Publications (GI.G-9094).
3-part equal voices, assembly, piano accompaniment, guitar - Early intermediate ...(+)
3-part equal voices,
assembly, piano
accompaniment, guitar -
Early intermediate
SKU: GI.G-7513
Composed by Paul Melley.
Ordinary Time 29 C.
Leavensong Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#7513. Published by GIA
Publications (GI.G-7513).
UPC: 785147751304.
English. Text Source:
Psalm 121:1–2,
3–4, 5–6,
7–8, NAB,
ref.: Lectionary for
Mass
Your choir
and congregation will
enjoy the driving beat
and syncopated rhythms of
this setting of Psalm
121. The three-part mixed
harmonies are especially
fun to sing! .
3-part equal voices,
3-part mixed voices,
cantor, voice solo,
assembly, piano
accompaniment, guitar -
Early intermediate
SKU: GI.G-7517
Composed by Paul Melley.
Ordinary Time 22 A,
Ordinary Time 23 C.
Leavensong Series.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#7517. Published by GIA
Publications (GI.G-7517).
UPC: 785147751700.
English. Text Source:
Based on Mark 8:34-38,
adapt. PM and GD.
Scripture: Mark
8:34–38.
Her
e is another remarkable
piece from the pen of
Liam Lawton and arranged
by Gary Fry. The text
explores the meaning of
church-not a stone
edifice, but the people
of God. For cantor or
soloist.
Composed by Paul Melley.
Trinity Sunday.
Leavensong Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#7521. Published by GIA
Publications (GI.G-7521).
UPC: 785147752103.
English. Text Source:
John Marriott, 1780-1825,
adapt. PM. Text by John
Marriott.
This hymn
of praise to the Trinity
comes alive through the
musical inspiration of
Paul Melley. The lilting
6/8 melody and rhythmic
accompaniment let this
piece shine! For cantor
or soloist.
3-part equal voices,
3-part mixed voices,
piano accompaniment -
Intermediate
SKU:
GI.G-9959
Composed by
Patrice Michaels.
Children. Global
Encounters for Young
Choirs. Music Education.
16 pages. GIA
Publications #9959.
Published by GIA
Publications (GI.G-9959).
UPC: 785147995906.
English. Text by Sara
Teasdale.
For
three-part mixed or
three-part equal voices
this setting of Sara
Teasdale’s poem,
“Refugeâ€
includes an intriguing
introduction that
organically repeats the
word “refugeâ€
in a number of languages.
The angst of
Teasdale’s poetry
is reflected in the
driving accompaniment and
shifting meters. Adding a
variety of percussion
instruments to this work
will enhance the overall
performance. .
Composed
by Ken Macek. OT 5 C,
Easter 3 C, Children.
Sacred. Octavo. With
guitar chord names. GIA
Publications #007169.
Published by GIA
Publications
(GI.G-007169).
Theme
Song 1993 Los Angeles
Religious Education
Congress. Composed by
Donna Pena. Celebration
Series. Sacred. Octavo.
With guitar chord names.
16 pages. GIA
Publications #3908.
Published by GIA
Publications (GI.G-3908).
Composed by
Paul Tate. Pentecost B.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#7684. Published by GIA
Publications (GI.G-7684).
UPC: 785147768401.
English. Text Source:
Based on Galatians
5:16–17,
22–25. Text by
David Haas. Scripture:
Galatians 5:16–17,
22–25.
Cast
in 3-part harmony, this
is a welcome contribution
to the ensemble
repertoire. The refrain
is a bit extended, and
the somewhat shorter
verses, drawn from
Galations 5, are in the
form of call and response
between cantor and all.
For cantor or
soloist.
The
chant-like treatment of
the Psalm verses, in
addition to creating a
simply lovely setting,
can also be a great
exercise in sensitively
conveying the meaning of
the words through proper
textual stress—a
skill that can be applied
to less lyrical pieces in
the choral repertoire.
The voice parts are
minimal in scope (each
roughly an octave), but
the fluctuating
accidentals will require
some attention for
tuning.
3-part equal voices,
3-part mixed voices,
cantor, voice solo,
assembly, piano
accompaniment, guitar -
Early intermediate
SKU: GI.G-7516
Composed by Paul Melley.
Advent 2 B, Ordinary Time
15 B, Ordinary Time 19 A.
Leavensong Series.
Sacred. Octavo. With
guitar chord names. 4
pages. GIA Publications
#7516. Published by GIA
Publications (GI.G-7516).
UPC: 785147751601.
English. Text Source:
Psalm 85:8, 9, 10,
11&ndash,12, 13&ndash,14,
NAB, ref.:
Lectionary for
Mass Scripture: Psalm
85:8, 9, 10,
11–12,
13–14.
This
simple, satisfying psalm
setting will have many
uses during your
community’s
worship. In addition to
its place in the Liturgy
of the Word, you might
also use it for services
that focus on social
justice or healing. Â
For cantor or
soloist.
Composed by John Angotti
& Noelle Garcia McHugh.
Arranged by Ed Bolduc. OT
5 A, OT 5 C, OT 6 C, OT
33 B, OT 33 C, OT 4 A, OT
33 A, OT 30 C, OT 29 A,
Easter 3 C, Lent 4 A, OT
21 B, OT 30 B, OT 5 B,
All Saints. Sacred.
Octavo. With guitar chord
names. 12 pages. GIA
Publications #008248.
Published by GIA
Publications
(GI.G-008248).
English,
Spanish.
Johnâ€
versatility shines in a
salsa-influenced work
with lyrics by friend
Noelle Garcia. The choral
refrain is bilingual.
This high-energy piece
also features a
rap‚ section
immediately following the
percussion ad lib.
Contemporary groups will
love this one! From the
recording and music
collection Testify
(008242, 008243) and also
recorded on Angotti Live:
The Memphis Concert
(008288).
Mi Madrecita Chorale 3 parties 3 parties égales - Facile GIA Publications
3-part equal voices, voice solo, assembly, piano accompaniment, trumpet 1 in B-f...(+)
3-part equal voices,
voice solo, assembly,
piano accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, violin 1, violin 2,
violin 3, guitar - Early
intermediate
SKU:
GI.G-10303
My
Loving Mother.
Composed by Al Valverde
and Richard Valverde.
Arranged by Al Valverde.
Mother's Day. Tu Pueblo
Canta. Sacred. Octavo.
With guitar chord names.
16 pages. GIA
Publications #10303.
Published by GIA
Publications
(GI.G-10303).
English,
Spanish. Text Source: Al
Valverde and Richard
Valverde, tr. al ing. /
Eng. tr. Peter M. Kolar;
Translation: Peter M.
Kolar.