Choral (SAB Choir) SKU: HL.290625 By The Four Tops. Arranged by Alan Bill...(+)
Choral (SAB Choir)
SKU: HL.290625
By
The Four Tops. Arranged
by Alan Billingsley. Pop
Choral Series. Motown,
Pop, Show Choir, Sixties.
Octavo. 20 pages.
Published by Hal Leonard
(HL.290625).
UPC:
888680922580. 6.75x10.5
inches.
The Four
Tops reached their place
in history by defining
the quintessential
Detroit-based Motown
sound of the 1960s.
Considered the Tops
“signature
song,” give your
choirs the chance to sing
in this crowd-pleasing
and groundbreaking
musical style.
Performed by Diana Ross. By Valerie Simpson, Nickolas Ashford. Arranged by Mac H...(+)
Performed by Diana Ross.
By Valerie Simpson,
Nickolas Ashford.
Arranged by Mac Huff.
(SSA). Pop Choral Series.
Size 6.7x10.5 inches. 12
pages. Published by Hal
Leonard.
Composed by Mark Burrows.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48911. Published by
Alfred Music (AP.48911).
UPC: 038081562353.
English.
We will
reach out, sing out, make
a change. We will show
the world what love can
do! These empowering
lyrics were inspired by
thoughts and feelings
from amazing young people
at a virtual conference
held in 2020. Spread the
important message with
this stirring anthem of
hope by stellar composer
and youth mentor, Mark
Burrows. Starts with a
tiny mezzo-soprano seed
and blossoms into a full
bloom fortissimo. Along
the way, intuitive pop
rhythms, satisfying
harmonies, an especially
memorable bridge, a
moment of a cappella, and
even handclaps help to
secure that full finale
effect.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Arranged by Joel Raney. For Solo voice or Unison choir, SAB choir, and Piano acc...(+)
Arranged by Joel Raney.
For Solo voice or Unison
choir, SAB choir, and
Piano accompaniment. The
Joel Raney Choral Series.
Sacred, General,
Hymntune, Blues/Gospel,
Celebration, Commitment,
Dedication, Hymntune,
Light, Outreach,
Rock'n'Roll, Service,
Spiritual. Octavo. 12
pages. Published by Hope
Publishing Company.
By Mary Beall. Arranged by John Carter. For SAB or Three-Part Mixed choir. Scrip...(+)
By Mary Beall. Arranged
by John Carter. For SAB
or Three-Part Mixed
choir. Scripture
References: Luke 22:19-20
-- Mark 14:22-24 --
Ephesians 1:7-8.
Devotion, Blues, Gospel,
Spirituals, Communion,
Sacred. Choral octavo. 8
pages
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.48985 The Big Ban...(+)
Choir Secular (SAB
choir/3-Part choir Mixed)
SKU: AP.48985
The Big Bang Theory *
Everywhere You Look *
I'll Be There For
You. Arranged by Jack
Zaino. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Pop;
Secular; TV. Choral
Octavo. 24 pages. Alfred
Music #00-48985.
Published by Alfred Music
(AP.48985).
UPC:
038081563091.
English.
This
binge-worthy mini-medley
is three minutes and
twenty seconds of
fantastic fun! No need to
reach for the remote, the
fast-paced rock-out
feature flies through
three of the most iconic
TV themes . . . ever.
Thanks to streaming
services, the shows you
loved in the 80s, 90s,
and 2000s are once again
at the top of everyone's
watchlist. Appealing to
all ages. It's as catchy
as the catchphrases How
you doin'? You got it,
dude! and Bazinga! This
title is available in
MakeMusic Cloud.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Moondance Chorale 3 parties SSA, Piano Alfred Publishing
Choir Secular (Women's Choir) SKU: AP.46452 Composed by Van Morrison. Arr...(+)
Choir Secular (Women's
Choir)
SKU:
AP.46452
Composed by
Van Morrison. Arranged by
Eric Van Cleave.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-46452.
Published by Alfred Music
(AP.46452).
UPC:
038081528311.
English.
Barely
reaching the Billboard
Hot 100 when it first
came out, this Van
Morrison classic is now
the most frequently
played song when the
Belfast Cowboy performs.
The sweet choral
harmonies make this a
sure-fire show choir or
concert winner! Well,
it's a marvelous night
for a moondance . . .
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Arranged by Donald Moore. For Choir. (3-Part Mixed/SAB). Choral Octavo. Choral ...(+)
Arranged by Donald Moore.
For Choir. (3-Part
Mixed/SAB). Choral
Octavo. Choral Designs.
Spiritual. Choral Octavo.
12 pages. Published by
Alfred Publishing.
Composed by Andy Beck.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Chanukah; Christmas;
Peace/Brotherhood;
Secular; Winter. Choral
Octavo. 12 pages. Alfred
Music #00-48446.
Published by Alfred Music
(AP.48446).
UPC:
038081552699.
English.
An emblem
that transcends cultures,
religions, and time
periods, the flickering
candle offers a message
of joy, hope, and peace
that can reach every
human heart. Start with
the spark of a single
voice on the opening
solo, and then light your
choir's inner flame when
the entire group joins.
Simple, with a folk-like
quality; artful, as the
composer explores dark
versus light, major
versus minor.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Pie Jesu Chorale 3 parties SSA, Piano Alfred Publishing
Choir Piano and Flute (Women's Choir) SKU: AP.43332 From Requiem, O...(+)
Choir Piano and Flute
(Women's Choir)
SKU:
AP.43332
From
Requiem, Op.
48. Composed by
Gabriel Faure. Edited by
Russell L. Robinson.
Arranged by Russell L.
Robinson. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Impressionistic;
Masterwork Arrangement;
Romantic; Sacred. Choral
Octavo. 12 pages. Alfred
Music #00-43332.
Published by Alfred Music
(AP.43332).
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Go Tell the People Chorale 3 parties 3 parties Mixtes Hope Publishing Company
3-part mixed choir SKU: HP.C5091R Composed by John F. Wilson. Piano with ...(+)
3-part mixed choir
SKU: HP.C5091R
Composed by John F.
Wilson. Piano with
Optional Rhythm Chart.
Outreach, General
Worship, Service Music,
Commitment, Discipleship,
Gospel, Love, Mission,
Stewardship, Sacred.
Rhythm Chart. Hope
Publishing Company
#C5091R. Published by
Hope Publishing Company
(HP.C5091R).
UPC:
763628144470. Mark
6:1-13.
Original
Composition A simple
English canon matched
with an earnest text,
with John Wilson's clever
arrangement; perfect for
missions festivals, and
an easy way to involve
the children's choir.
Arranged by Michael Ryan. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo...(+)
Arranged by Michael Ryan.
Choir Secular. 3-Part
Mixed Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Secular;
Winter. 8 pages.
Published by Alfred Music
The Season of Love Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
(A December Wish). By Sally K. Albrecht and Jay Althouse. Choir Secular. 3-Part ...(+)
(A December Wish). By
Sally K. Albrecht and Jay
Althouse. Choir Secular.
3-Part Mixed Choir (SAB).
Choral Octavo. Choral
Designs. Christmas;
Sacred; Winter. 12 pages.
Published by Alfred Music
Forth in Thy Name Chorale 3 parties SAB - Intermédiaire MorningStar Music Publishers
SAB choir, organ, treble C instrument - Intermediate SKU: MN.50-9107 Comp...(+)
SAB choir, organ, treble
C instrument -
Intermediate
SKU:
MN.50-9107
Composed
by Donald Busarow.
Catholic Year A
Ordinary3; Year A
Epiphany3; Year C
Pentecost8;Year C
Pentecost7; Catholic Year
C Ordinary14; Catholic
Year C Ordinary15;
Catholic Year A
Ordinary22. Pentecost,
Commitment/Discipleship,
Missions/Outreach.
Octavo. MorningStar Music
Publishers #50-9107.
Published by MorningStar
Music Publishers
(MN.50-9107).
UPC:
688670591075. Text:
Charles
Wesley.
SONG 34
(Orlando Gibbons) with
Charles Wesley text.
Includes 22 measure
Prelude for Organ and
Treble (C) Instrument.
Stanza 1: Unison; 2: SAB;
3: Unison/Descant.
Reissue and recasting of
an earlier edition.
By Keith Getty. Arranged by Kristyn Getty. For SATB/SAB choir and piano (with op...(+)
By Keith Getty. Arranged
by Kristyn Getty. For
SATB/SAB choir and piano
(with optional Rhythm).
Sacred: Discipleship,
General, Lent, Missions.
Octavo. Published by
Lorenz Publishing Company
Choral SAB choir, piano accompaniment with optional flute and drum SKU: HP.C6...(+)
Choral SAB choir, piano
accompaniment with
optional flute and drum
SKU: HP.C6251
Composed by Pepper
Choplin. Piano with
Optional Percussion Part:
Cabasa or Shaker & Congas
or Bongos. World Music,
Outreach, General
Worship, Communion,
Lord's Supper. Octavo. 12
pages. Hope Publishing
Company #C6251. Published
by Hope Publishing
Company (HP.C6251).
UPC: 763628162511.
Pepper
Choplin.
Original
Composition This charming
communion anthem
celebrates the unity of
sharing the act of
breaking bread with all
believers worldwide
proclaiming, there is
room for everyone.
Imbued with a unique
global flavor enhanced by
flute and light
percussion, this is the
ideal anthem for World
Communion Sunday.
Percussion Part: Cabasa
or Shaker, Congas or
Bongos.
Choral SAB chorus SKU: HP.C6356 Arranged by Mary McDonald. Piano Accompan...(+)
Choral SAB chorus
SKU:
HP.C6356
Arranged by
Mary McDonald. Piano
Accompaniment. Quick
Study Chorals. Hymn
Arrangements, Outreach,
General Worship,
Humanity, New Life in
Christ. Octavo. 8 pages.
Hope Publishing Company
#C6356. Published by Hope
Publishing Company
(HP.C6356).
UPC:
763628163563.
Easy
anthem This Quick Study
Choral is easily prepared
with a minimum of
rehearsals. Limited SAB
harmony and an alluring
use of imitative choral
entries in the refrain
make this a captivating
anthem expressing the
timeless message that,
people need the
Lord..
