Composed by Traditional American. Arranged by Kyle Pederson. School, Church. Walton Choral. Octavo. Walton Music #WW1813. Published by Walton Music

By Brian W. Holmes. For SSA choir, piano, baritone saxophone. Janet Galvan Women's Choral Series. Concert, General. Octavo. Published by Roger Dean Publishing

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Choral (TTB Choir)

SKU: HL.254667

Composed by Stephen Foster. Arranged by Thomas Juneau. Henry Leck Creating Artistry. Concert, Folk. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.254667).

UPC: 888680721930. 6.75x10.5x0.029 inches.

Asking those who have much to consider those who do not is an important and popular theme today. To realize that this song was first published in 1854 makes the plea even more poignant. The optional violin obligato adds a longing voice to this socially conscious message.

Choral (SAB Choir)

SKU: HL.212467

Medley. By Chicago. Arranged by Roger Emerson. Pop Choral Series. Jazz-Rock, Medley, Oldies, Pop, Rock, Show Choir. Octavo. Duration 480 seconds. Published by Hal Leonard (HL.212467).

UPC: 888680662301. 6.75x10.5x0.069 inches.

The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. This 7-minute medley of early hits will introduce a new generation to these iconic hits and bring a touch of nostalgia to your pop, jazz and concert groups. Includes: Colour My World; Does Anybody Really Know What Time It Is?; Just You 'n' Me; Saturday In The Park; 25 Or 6 To 4.

Choral (SSA Choir)

SKU: HL.212468

Medley. By Chicago. Arranged by Roger Emerson. Pop Choral Series. Jazz-Rock, Medley, Oldies, Pop, Rock, Show Choir. Octavo. Duration 480 seconds. Published by Hal Leonard (HL.212468).

UPC: 888680662318. 6.75x10.5x0.069 inches.

The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. This 7-minute medley of early hits will introduce a new generation to these iconic hits and bring a touch of nostalgia to your pop, jazz and concert groups. Includes: Colour My World; Does Anybody Really Know What Time It Is?; Just You 'n' Me; Saturday In The Park; 25 Or 6 To 4.

By Willcocks and Rutter. For (Choral Collection) SSA Choir. Published by Oxford University Press.

Arranged by Keith Christopher. (SAB). PraiseSong Christmas Series. Sacred. 12 pages. Published by PraiseSong.

Choral SSA Choir and Piano

SKU: CF.CM9716

Day of Wrath. Composed by David (D) Smith. 12 pages. Duration 0:01:57. Carl Fischer Music #CM9716. Published by Carl Fischer Music (CF.CM9716).

ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text.

This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.
This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl” is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School,  and Hilldale High School in Muskogee, Oklahoma.   He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the  Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.

((Choral Highlights)). By Frank Loesser. Arranged by Mark A. Brymer. For Choral (SAB). Broadway Choral. 32 pages. Published by Hal Leonard

Arranged by Kirby Shaw. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Blues; Great American Songbook; Secular. 16 pages. Published by Alfred Music

Choral, Horn Ensemble, Rhythm (SAB Choir)

SKU: HL.8749992

Composed by Kirby Shaw. Secular Christmas Choral. Christmas, Holiday, Light Concert, Novelty, Rock, Winter. Octavo. 12 pages. Published by Hal Leonard (HL.8749992).

UPC: 884088363994. 6.75x10.5 inches.

Santa's working overtime and rockin' 'round the clock! This rock and roll original really cooks and makes a great concert opener! Available separately: SATB, SAB, 2-Part, ShowTrax CD. Combo parts available digitally (tpt 1, tpt 2, tsx, tbn, gtr, b, dm). Duration: ca. 2:35.

Arranged by Larry Shackley. For Choir. (SAB). Choral Octavo. Sacred, Christmas. Level: Level 3 (grade L3). Choral Octavo. 16 pages. Published by Alfred Publishing.

Choir Secular (Men's Choir)

SKU: AP.43236

Composed by Amy F Bernon. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-43236. Published by Alfred Music (AP.43236).

UPC: 038081487786. English.

The title of this song refers to a fictional ship named for the real town of Shannon in Western Ireland. Sing the tale of the day she sailed into port, the characters on board, the music that rang from her decks, and the lasting impression made when she sailed away. A rollicking, spirited adventure!

Composed by Stephen Foster (1826-1864). Arranged by David Dusing. For SSA choir, Keyboard. Octavo. 6 pages. E. Henry David #392-02588. Published by E. Henry David

I've Been 'Buked, Children! by Rollo Dilworth. For SSA choir, with piano. Mary Alice Stollak Choral Series. Choral octavo only. Instrumental accompaniment sold separately (SBMP-547.1). Concert, Spiritual. Medium. Octavo. Published by Santa Barbara Music Publishing

Arranged by Ben Parry. Choir Sacred. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Sacred; Spiritual. Published by Faber Music

Arranged by Charles Beale. Choir Secular. For with Piano (SAB). Choral Octavo. Faber Choral Singles. Secular. Published by Faber Music

Composed by Amy F Bernon. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Secular. 12 pages. Published by Alfred Music

(Following the Path of Salvation Through Hymns). Composed by Mary Mcdonald. Arranged by Jean Anne Shafferman. For SAB choir and piano (with optional orchestration). Cantatas. Holy Week, Eastertide, Sacred. Choral octavo. Published by Lorenz Publishing Company

Composed by Tom Johnston [The Doobie Brothers]. Arranged by Kirby Shaw. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Secular. 16 pages. Published by Alfred Music

Choir Secular (Women's Choir)

SKU: AP.43478

By Chicago and Robert Lamm. By Robert Lamm. Arranged by Eric Van Cleave. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Rock; Secular. Choral Octavo. 16 pages. Alfred Music #00-43478. Published by Alfred Music (AP.43478).

UPC: 038081490182. English.

The Chicago Transit Authority (now known just as Chicago) had their third straight Billboard top ten single with this 1969 classic. Based on the radio version and featuring a soloist, this arrangement includes all of the well-known instrumental licks. Hard to resist!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by Edwin Hawkins. Arranged by Kirby Shaw. Choir Sacred. Women's Choir. Choral Octavo. Pop Choral. Gospel; Sacred. 12 pages. Published by Alfred Music

By John Jacobson. By Mac Huff and John Jacobson. Festival Choral. Ballad, Concert, Inspirational, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard