Choral (SSA Choir)

SKU: HL.142108

Composed by Larry Kusik and Nino Rota. Arranged by Kirby Shaw. Jazz Chorals. Movies, Standards, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard (HL.142108).

UPC: 888680047474. 6.75x10.5 inches.

The famous Love Theme from The Godfather, this soft samba setting offers plenty of options to showcase your ensemble skills: blend, style, rhythm and a full group scat interlude, for a great vocal jazz change of pace!

By Tim Lopez. Arranged by Andy Beck. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. 12 pages. Published by Alfred Music Publishing

Composed by Lynn Shaw Bailey. Fold. Octavo. 12 pages. Duration 3:15. BriLee Music #BL1121. Published by BriLee Music

By Anita Leonard, Barbara Belle, Louis Prima, and Stan Rhodes. Arranged by Kirby Shaw. For Choral, Horn Ensemble, Rhythm (SSA). Jazz Chorals. 8 pages. Published by Hal Leonard

Arranged by Mac Huff. (SAB). Choral Octavo. Pop. Choral Octavo. 80 pages. Published by Alfred Publishing.

(SAB Choir)

SKU: HL.35030867

Composed by Irving Berlin. Arranged by Greg Jasperse. Shawnee Press. Jazz, Standards, Vocal Jazz. Octavo. Duration 225 seconds. Published by Shawnee Press (HL.35030867).

ISBN 9781495059346. UPC: 888680607654. 6.75x10.5x0.029 inches.

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords that lightly surprise and offer a new interpretation to this romantic, winter song.

(SAB Choir)

SKU: HL.35030691

Composed by Boudleaux Bryant and Felice Bryant. Arranged by Paul Langford. Shawnee Press. Fifties, Pop, Show Choir. Octavo. 12 pages. Published by Shawnee Press (HL.35030691).

ISBN 9781495052972. UPC: 888680100148. 6.75x10.5 inches.

Ray Charles was one-of-a-kind and so was his music. This arrangement is based on his rousing performance of the Everly Brothers' hit; a song considered one of the 500 greatest songs of all times by Rolling Stone magazine. You'll love this energizing rendition complete with rhythm and horns and a treat for your women to sing as well as mixed choirs.

Composed by Pepper Choplin. For SAB choir and piano (with optional flute, rhythm section, digital keyboard). Ready to Worship. Sacred Anthem, Christmas. Octavo. Published by Lorenz Publishing Company

Choral (SAB Choir)

SKU: HL.209842

From The Passion: New Orleans. By Yolanda Adams. By David Guetta, Frederic Riesterer, Kelendria Rowland, Miriam Nervo, and Olivia Nervo. Arranged by Mark A. Brymer. Pop Choral Series. Pop, Show Choir, Tv. Octavo. 16 pages. Duration 170 seconds. Published by Hal Leonard (HL.209842).

UPC: 888680658878. 6.75x10.5x0.036 inches.

Yolanda Adams' electrifying gospel cover of the Kelly Rowland/David Guetta dance hit from 2009 was recently released in the 2016 television broadcast and soundtrack The Passion: New Orleans. Powerful, inspiring vocal harmonies and energized rhythm propel this selection throughout! A fabulous closer to a concert!

Choral (SAB Choir)

SKU: HL.121558

From Guys and Dolls. Composed by Frank Loesser. Arranged by Paris Rutherford. Jazz Chorals. Broadway, Latin, Musicals, Standards, Swing, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard (HL.121558).

UPC: 884088924966. 6.75x10.5 inches.

This popular standard from the Broadway musical Guys and Dolls alternates between a Latin groove and more straight-ahead swing style, showcasing the skills of your rhythm section. This chart features vocal and piano solos with fresh harmonizations and irresistible rhythmic twists that will be extremely satisfying to rehearse and perform. Impressive!

Composed by Marty Parks. For medium voice (3-part mixed), piano (with optional rhythm). Sacred Vocal. Published by Lillenas Publishing Company

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

(Featuring: Love Is Here to Stay / Let's Call the Whole Thing Off / Someone to Watch Over Me / 'S Wonderful / Nice Work If You Can Get It / Embraceable You / I Got Rhythm). Arranged by Jay Althouse. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Form: Medley. 28 pages. Published by Alfred Music Publishing

(Featuring: Love Is Here to Stay / Let's Call the Whole Thing Off / Someone to Watch Over Me / 'S Wonderful / Nice Work If You Can Get It / Embraceable You / I Got Rhythm). Arranged by Jay Althouse. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Form: Medley. 28 pages. Published by Alfred Music Publishing

By Lana Walter. For SSA a cappella (a cappella). Welcome Love: Four Settings of 17th Century Love Poetry, #1. Secular. Medium. Choral octavo. Text language: English. Published by Treble Clef Music Press

TTB/TBB choir, piano

SKU: LO.15-2240H

Composed by Earlene Rentz. Choral. Concert. Octavo. Heritage Music Press #15/2240H. Published by Heritage Music Press (LO.15-2240H).

ISBN 9780893285906.

An absolutely gorgeous original setting, unique in that meter changes enhance the natural rhythm and melodic movement of the text and music. The lyrics express a man in love, pondering all of the reasons why the object of his love is unaware of his feelings. A marvelous male choir showcase!

(Stille Nacht). By Franz Xaver Gruber. Arranged by Patrick Tierney. For SAB choir with piano or handbells and optional violin and rhythm. The Patrick Tierney Choral Series. Stille nacht, Hymntune, Christmas, Sacred. Octavo. 12 pages. Published by Hope Publishing Company

Carol of the Bells. Composed by Peter Wilhousky Mykola Leontovich. Arranged by Daniel Afonso. Fold. Octavo. 8 pages. Duration 1 minute, 39 seconds. Carl Fischer Music #CM9644. Published by Carl Fischer Music

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.51082

Composed by John Latouche, Ted Fetter, and Vernon Duke. Arranged by Kirby Shaw. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classification: Lawson-Gould Secular Choral Publications. Jazz; Secular; Standard. Choral Octavo. Composed 1962. 12 pages. Alfred Music #00-51082. Published by Alfred Music (AP.51082).

UPC: 038081581194. English.

A classic jazz standard in a classic Kirby Shaw arrangement! The snappy rhythms, tasty contrapuntal writing, and clever lyrics keep things interesting but always accessible. Perform with the included piano accompaniment or the swingin' SoundPax featuring trumpets, saxophone, trombone, and rhythm section. Vocal jazz singing at its best!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Arranged by Joel Raney. For SAB or Three-Part Mixed choir with Unison Choir or Soloist. Scripture References: Matthew 19:14 -- Ephesians 5:2 -- Jeremiah 31:3 -- Galatians 2:20 -- Matthew 18:2-4 -- Mark 10:13-16 -- Luke 18:15-17. Praise, Blues, Gospel, Spirituals, Hymntune, Sacred. Choral octavo. 12 pages

Composed by Marty Parks. For medium voice (3-pt), piano (with optional rhythm). Sacred Vocal. Published by Lillenas Publishing Company

By Tanya Riches. Arranged by Joel Raney. For SAB choir or 3-part choir. Choral music. General, Hope, Joy, Lamb of God, Love, Name of Jesus, Peace, Praise, Worshiping, Blues-Gospel-Spirituals, Contemporary, Hymntune, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * I'll Build a Stairway to Paradise * Love Is Here to Stay * Embraceable You * Fascinating Rhythm. Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Adam Podd and Matt Podd. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Great American Songbook; Secular. Choral Octavo. Alfred Music #00-47666. Published by Alfred Music

Composed by Rory Cooney. Ordinary Time 4 C. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8279. Published by GIA Publications