Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
Choral SAB chorus, piano SKU: CF.CM9731 From Requiem, Op 45. Compo...(+)
Choral SAB chorus, piano
SKU: CF.CM9731
From Requiem, Op
45. Composed by
Johannes Brahms. Arranged
by Russell L. Robinson.
20 pages. Duration 5:30.
Carl Fischer Music
#CM9731. Published by
Carl Fischer Music
(CF.CM9731).
ISBN
9781491161111. UPC:
680160919703. Key: C
major.
English.
Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In addition to
being a composer, he was
also well-known as a
pianist and conductor.
Brahms began writing the
Requiem (also known as
the German Requiem, Opus
45) soon after his mother
died in February 1865
which caused him great
grief. In April of that
year, he completed the
first, second and fourth
movements and completed
the rest of the seven
movements in May of 1868.
How Lovely is Thy
Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement work.
Originally written for
SATB voices in E-flat
major, this seamlessly
similar arrangement for
SAB voices, now in C
major, affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience. I hope you
enjoy singing this
beautiful and timeless
piece by Johannes Brahms!
Russell Robinson,
Arranger
 . Johannes
Brahms, born May 7, 1833
in Hamburg, Germany and
died April 3, 1897 in
Vienna where he lived
most of his life. Brahms
is one of the most famous
composers of the Romantic
period (1830-1920)
although his music has
many elements of the
Classical period (1750 to
1830) as he followed many
of the practices of
Classical composers
Haydn, Mozart and
Beethoven. In
addition to being a
composer, he was also
well-known as a pianist
and conductor. Brahms
began writing the Requiem
(also known as the German
Requiem, Opus 45) soon
after his mother died in
February 1865 which
caused him great
grief. In April of
that year, he completed
the first, second and
fourth movements and
completed the rest of the
seven movements in May of
1868. How Lovely is
Thy Dwelling Place (Wie
Lieblich sind Deine
Wohnungen) was the fourth
movement of his seven
movement
work. Originally
written for SATB voices
in E-flat major, this
seamlessly similar
arrangement for SAB
voices, now in C major,
affords all voices
comfortable ranges.
Although, it is
approximately 5 minutes
and 30 seconds in length,
it is perceived to be
much shorter because of
the contrasting stylistic
sections within the work.
How Lovely is Thy
Dwelling Place is one of
the most beautiful choral
pieces by Brahms, perhaps
in the entire Romantic
period. Although
Brahms wrote the original
piano reduction, in this
edition, it has been made
more accessible for
pianists with a wide
range of skills. Pay
close attention to the
dynamic markings
throughout the piece,
making them apparent to
the voices, conductor,
and audience.I hope you
enjoy singing this
beautiful and timeless
piece by Johannes
Brahms!Russell Robinson,
Arranger    .
SSA/opt. Cello Cello; Choral (SSA/CELLO) SKU: HL.1302037 The May You H...(+)
SSA/opt. Cello Cello;
Choral (SSA/CELLO)
SKU: HL.1302037
The May You Heal
Project. Composed by
Mark Sirett. Judith
Clurman Choral Series.
Concert, Festival,
Inspirational. Octavo. 16
pages. Published by Hal
Leonard (HL.1302037).
UPC: 196288172093.
6.75x10.5
inches.
This is the
centerpiece of the May
You Heal Project, a
series of five short
choral works that were
written and recorded
during the pandemic. The
project offers music of
comfort, peace, renewal
and self-awareness. In
this piece, Mark captures
the essence of the text
in a poignant,
contemplative choral
setting.
A Gospel Noel Chorale 3 parties SAB [Octavo] Alfred Publishing
By Greg Gilpin. For Choir. (3-Part Mixed). Choral Octavo. Choral Designs. Gospe...(+)
By Greg Gilpin. For
Choir. (3-Part Mixed).
Choral Octavo. Choral
Designs. Gospel;
Spiritual, Christmas.
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
A Weary Couple Chorale 3 parties SAB - Facile GIA Publications
SAB choir, voice solo, assembly, keyboard accompaniment, C instrument, B-flat in...(+)
SAB choir, voice solo,
assembly, keyboard
accompaniment, C
instrument, B-flat
instrument, violin 1,
violin 2, cello, guitar -
Early intermediate
SKU: GI.G-9703
Arranged by Tony Alonso
S.J. Christmastide.
Christmas. Tune Name:
Londonderry Air. Sacred.
Octavo. With guitar chord
names. 16 pages. GIA
Publications #9703.
Published by GIA
Publications (GI.G-9703).
UPC: 785147970309.
English. Text by Adam M.
L. Tice.
Taken from
the collection Encounter:
From the Heart of Pope
Francis, G-9616, the
stunning text for this
beloved tune is matched
only by the outstanding
arrangement. This
surprisingly simple piece
will easily find the
perfect home in your
choir for the Christmas
season. Learn a
little more about this
piece in this short
interview with Tony
Alonso. Listen to the
recording and preview the
score to A Weary Couple
in this score
video.
Gloria Chorale 3 parties SAB, Piano [Octavo] - Intermédiaire Santa Barbara Music Publishing
By Debra Lynn. For SAB choir, with piano. Terry J. Barham Choral Series. Choral ...(+)
By Debra Lynn. For SAB
choir, with piano. Terry
J. Barham Choral Series.
Choral octavo only.
Instrumental
accompaniment sold
separately (SBMP 480.1).
Concert, Choral. Medium.
Octavo. Published by
Santa Barbara Music
Publishing
SAB choir, piano accompaniment SKU: GI.G-9116 Composed by Jane Best. Simp...(+)
SAB choir, piano
accompaniment
SKU:
GI.G-9116
Composed by
Jane Best. Simple Gifts.
Sacred. Octavo. 8 pages.
GIA Publications #9116.
Published by GIA
Publications (GI.G-9116).
UPC: 785147911609.
English. Text by Mary
Louise
Bringle.
This tune
has a familiarity that
will endear it to your
choir the first time they
sing it. The piece builds
from unison, to a
two-part round between
the men’s and
women’s voices,
arriving at a three-part
verse (a cappella
optional). Even this
final verse is not
challenging. A great
piece to have on hand
when rehearsal time is
short.
SSA choir, piano SKU: CA.966100 Antiphon for the 2nd Vespers for the F...(+)
SSA choir, piano
SKU:
CA.966100
Antiphon
for the 2nd Vespers for
the Feast of the
Immaculate
Conception. Composed
by Ko Matsushita. Edited
by Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Full score. 8
pages. Duration 3
minutes. Carus Verlag #CV
09.661/00. Published by
Carus Verlag (CA.966100).
ISBN 9790007167660.
Language:
Latin.
This setting
is characterized by the
use of Gregorian chant
and melodious lines. The
simple, sonorous and
melodic treatment, even
in the individual voice
parts, with its
accompanying piano
figuration, is
reminiscent of the
treatment of Gregorian
chant in French choral
music of the 19th
century. But Matsushita
has found a tonal
language entirely his
own, with the use of
sparsely employed
modulations, short,
flashing dissonances
(especially between the
melodies of the choir and
the piano accompaniment),
and through the
surprising use of
chromatic intervals. The
piece is quite accessible
for all girl's and
women's choirs, and the
piano accompaniment can
also be performed by an
organ.
Composed by Tim Attride. The antiphon for use with the Seven Penitential Psalms ...(+)
Composed by Tim Attride.
The antiphon for use with
the Seven Penitential
Psalms and the Lenten
chant Parce Domine are
presented here in chant
with Latin text, followed
by SAB polyphony with
English text. This is an
accessible and
wonderfully appropriate
anthem for your choir
this. Lent, General.
Published by CanticaNOVA
Publications (C5.5042).
Adoramus Te Chorale 3 parties SAB Alfred Publishing
Choir (SAB choir/3-Part choir Mixed) SKU: AP.47600 Composed by Andy Beck....(+)
Choir (SAB choir/3-Part
choir Mixed)
SKU:
AP.47600
Composed by
Andy Beck. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Sacred. Choral
Octavo. 8 pages. Alfred
Music #00-47600.
Published by Alfred Music
(AP.47600).
UPC:
038081542935.
English.
This
simple yet elegant
setting is sung on just
two short Latin phrases.
A partner song approach
gives each voice part
independence, while a
brief B section includes
some homophonic choral
harmonies. Halfway
through the piece, a
delicate descant-like
third part is introduced,
which floats gently above
when the lyrical theme
and counter theme return.
Excellent concert or
contest repertoire for
developing groups.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Organ Accompaniment (SSA Choir) SKU: HL.48025443 SSA and Organ. Co...(+)
Organ Accompaniment (SSA
Choir)
SKU:
HL.48025443
SSA
and Organ. Composed
by James Macmillan. BH
Secular Choral. Choral,
Classical. Octavo.
Duration 360 seconds.
Boosey and Hawkes
#M060142017. Published by
Boosey and Hawkes
(HL.48025443).
ISBN
9781784549053. UPC:
196288216414.
Setti
ng of a prayer by Mother
Cornelia Connelly,
foundress of the Society
of the Holy Child Jesus
in 1846 and latterly
Mayfield School. In 1863
she was inspired to
transform the ruins of
the Old Palace of
Mayfield into a girls
school embodying the
ethos of the Society;
this was accomplished in
1872. The Cornelian ethos
of the text make this
piece suitable for a wide
range of occasions, such
as Easter, weddings and
general thanksgiving. The
choral writing is
expressively scored in
response to the poem; the
organ part, for manuals
throughout, is supportive
and provides musical
punctuation, with a short
decorative postlude.
SSA choir, piano SKU: LO.15-3581H Composed by Jean Berger. Arranged by Do...(+)
SSA choir, piano
SKU:
LO.15-3581H
Composed
by Jean Berger. Arranged
by Douglas E. Wagner.
Choral. Octavo. Heritage
Music Press #15/3581H.
Published by Heritage
Music Press
(LO.15-3581H).
ISBN
9780787761967.
See
the mountains kiss high
heaven and the waves
clasp one another ... and
the sunlight clasps the
earth, and the moonbeams
kiss the sea ... From
Berger’s Five
Shelley Poems, this
arrangement uses tempo
changes and dynamic
nuances to honor the
contour of the text.
Included are two short
optional a cappella
sections which make this
a solid piece of concert
repertoire for
upper-voice
ensembles.